Works
- Alan of Lille. Plaint of Nature. James J. Sheridan, trans. Toronto: PIMS, 1980.
- Borges, Jorge Luis. Selected Non-Fictions. Eliot Weinberger, ed. Esther Allen, Suzanne Jill Levine and Eliot Weinberger, trans. New York: Penguin Books, 1999.
- Boyarin, Daniel. A Radical Jew: Paul and the Politics of Identity. Berkeley: U of California R 1994.
- Chaucer, Geoffrey. The Riverside Chaucer. 3rd ed. Larry D. Benson, gen. ed. Boston: Houghton Mifflin Company, 1987. Citations from fragment 1 of Canterbury Tales and other works by line number.
- Crane, Susan. Gender and Romance in Chaucer's Canterbury Tales. Princeton: Princeton UP 1994.
- Dawson, John David. Christian Figural Reading and the Fashioning of Identity. Berkeley: U of California P, 2002.
- Deleuze, Gilles. Cinema 1: The Movement Image. Hugh Tomlinson and Barbara Habberjam, trans. Minneapolis: U of Minnesota P, 1986.
- Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Brian Masumi, trans. Minneapolis: U of Minnesota P, 1987.
- Eco, Umberto. The Name of the Rose. William Weaver, trans. San Diego: Harcourt Brace Jovanovich, 1980.
- Genette, Gerard. Narrative Discourse: An Essay in Method. Jane E. Lewin, trans. Ithaca: Cornell UP, 1980.
- Heffernan, James A W.. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: U of Chicago P, 1993.
- Kolve, V. A. Chaucer and the Imagery of Narrative: The First Five Canterbury Tales. Stanford: Stanford UP, 1984.
- Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore: Johns Hopkins UP, 1992.
- Meyrink, Gustay. The Golem. E. F. Bleiler, ed. Madge Pemberton, trans. New York: Dover Publications, 1976.
- Milton, John. The Complete Poetical Works of John Milton. Douglas Bush, ed. Boston: Houghton Mifflin, 1966.
- Newton, Sir Isaac. Opticks, or A Treatise of the Reflections, Refractions, Inflections & Colours of Light. Fourth ed. Ed. Duane H. D. Roller. New York: Dover Publications, 1952.
- Paxson, James J. "A Theory of Biblical Typology in the Middle Ages." Exemplaria 3 (1991). 359–83.
- Paxson, James J. "The Structure of Anachronism and the Middle English Mystery Plays." Mediaevalia 18 (1995). 321–40.
- Quintilian. Institutio Oratoria, vol. 3. H. E. Butler, trans. Cambridge: Harvard UP, 1920.
- Renoir, Alain. "Descriptive Techniques in Sir Gawain and the Green Knight." O rbis Litterarum 13 (1958). 126–32.
- Renoir, Alain. "The Progressive Magnification: An Instance of Psychological Description in Sir Gawain and the Green Knight." Moderna Sprdk 54 (1960). 245–53.
- Roney, Lois. Chaucer's Knight's Tale and Theories of Scholastic Psychology. Tampa: U of South Florida P, 1990.
- Sklute, Larry. Virtue and Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry. Columbus: Ohio State UP, 1988.
- Sonnino, Lee A. A Handbook to Sixteenth-Century Rhetoric. London: Routledge & Keegan Paul, 1968.
- Statius. Thebaid. D. R. Shackleton Bailey, ed. and trans. Cambridge: Harvard UP, 2003.
- Stein, Robert M. "The Conquest of Femenye: Desire, Power, and Narrative in Chaucer's Knight's Tale." Desiring Discourse: The Literature of Love, Ovid Through Chaucer. James J. Paxson and Cynthia A. Gravlee, eds. Selinsgrove: Susquehanna UP/London: Associated UP, 1998. 188–205.
- Strohm, Paul A. "The Allegory of the Tale of Melibee." ChauR 2 (1967). 32–42.
- Teskey, Gordon. Allegory and Violence. Ithaca: Cornell UP, 1996.
- Zimbardo, Rose A. "One and Zero: The King-Fool Emblem in Medieval/Renaissance Dramatic Figuration." Mediaevalia 18 (1995). 367–86.
Filmography
- Bergman, Ingmar, dir. Jungfruküllan or The Virgin Spring. Ulla Isaksson, script. Sweden, 1960. 88 mm.
- Verbinski, Gore. The Ring. USA/Japan, 2002. 115 mm.
- Wegener, Paul, dir, and script. Der Golem: Wie in die Welt kam, or The Golem. Germany, 1920. 75 mm.