Advanced search
Publication Cover
Studies in Conservation Volume 57, 2012 - Issue 2
Submit an article Journal homepage
606
Views
19
CrossRef citations to date
0
Altmetric
Original research or treatment papers

The evolution of Lucio Fontana's painting materials

Pia GottschallerMetropol Kunstraum Georgenstr. 42, 80799 Munich, Germany
,
Narayan KhandekarStraus Center for Conservation and Technical StudiesHarvard Art Museums, 32 Quincy Street, Cambridge, MA02138, USACorrespondence[email protected]
,
Lynn F. LeeGetty Conservation Institute, 1200 Getty Center Drive, Suite 700, Los Angeles, CA90049, USA
&
Daniel P. KirbyStraus Center for Conservation and Technical StudiesHarvard Art Museums, 32 Quincy Street, Cambridge, MA02138, USA
Pages 76-91 | Published online: 19 Jul 2013

References

  • Campiglio P. ed. 1999. Lucio Fontana. Lettere 1919–1968. Milan: Skira. pp. 167–80.
  • Cisventi C. 1963. Intervista di Carlo Cisventi a Lucio Fontana. Unpublished manuscript of an interview, Archivio Arte Contemporanea. Crispolti, Rome.
  • Croll S. 2007. Overview of Developments in the Paint Industry Since 1930. In: , Learner T.J.S., Smithen P., Krueger J.W., Schilling M.R., eds. Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium, Tate Modern. London, 16–19 May 2006. Los Angeldes: Getty Conservation Institute, pp. 17–29.
  • de Sanna J. 1987. Espace-figure et espace-concept. In: , Blistène B., ed. Lucio Fontana. Paris: Centre Georges Pompidou, Musée National d'art moderne, 13 October 1987–11 January 1988, pp. 36–47.
  • Eckhoff P.S. 1975. Stain-resistant aqueous house paint free of heavy metals. Patent: US3919145 A 19751111. Application: US 1973-382040 1973-723.
  • Ferriani B. 2006. Lucio Fontana: Materials 1959–1961. In: , Barbero L.M., ed. Lucio Fontana: Venezia/New York. New York: The Solomon R. Guggenheim Foundation, pp. 219–24.
  • Ferriani B., Ploeger R., Poli T., Chiantore O. 2009. Lucio Fontana between Tradition and Innovation. In: , Stefanaggi M., Hocquette R., eds. Art d'aujourd'hui patrimoine de demain – Conservation and Restaurations des oevres contemporaines 13es journées d'études de la SFIIC. Paris 24–26 Juin 2009. Saint-Étienne: Imprimerie Vasti-Dumas, pp. 179–85.
  • Gottschaller P. 2008. The act of creating space: Lucio Fontana. Munich: Siegl.
  • Gottschaller P. 2010. Il mito di Vinavil. In: , Guercio G., Mattirolo A., eds. Il confine evanescente. Arte Italiana 1960–2010. Roma, Milano: Maxxi Museo Nazionale delle Arti del XXI Secolo. pp. 309–41.
  • Herbst W., Hunger K. 2004. Industrial Organic Pigments Production, Properties, Applications. Germany: Wiley-VCH, pp. 422–51.
  • Lake S., Lomax S.Q. 2007. Arylide (Hansa) Yellow Pigments. In: , Berrie B.H., ed. Artists' Pigments: A Handbook of their History and Characteristics. Vol. 4. DC: National Gallery of Art Publishing Office, pp. 179–89.
  • Learner T.J.S. 2001. The Analysis of Synthetic Paints by Pyrolysis-gas Chromatography-Mass Spectrometry (pyGCMS). Studies in Conservation, 46(4): 225–41.
  • Livi G. 1962. Incontro con Lucio Fontana. Vanità, VI(13): 52–7.
  • Palazzoli D. 1967. Interview with Lucio Fontana on the occasion of his recent one-man shows. In B't 5, 18.
  • Pugliese M. ed. 2000. Intervista ad Enrico Baj (1997). In Le tecniche e i materiali nell'arte contemporanea. Roma: Atti dell'Accademia dei Lincei, pp. 179–84.
  • Rossi B. 1963. L'astronauta dell'arte. Settimo Giorno, XVI(744): 47–51.
  • Schilling M., Keeney J., Learner T. 2004. Characterization of Alkyd Paint Media by Gas Chromatography-Mass Spectrometry. In: , Roy A., Smith P., eds. Modern Art, New Museums, Contributions to the Bilbao Congress. London: International Institute for Conservation, pp. 197–201.
  • Standeven H.A.L. 2011. Housepaints, 1900–1960: History and Use. Los Angeles: Getty Conservation Institute.
  • Trini T. 1968. Fontana dalla Scienza all'Utopia. Domus, 468: 38–41.
  • Whitfield S. 1999. Lucio Fontana. Hayward Gallery, London, 14 October 1999–9 January 2000. London: Hayward Publishing.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.