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Studies in Conservation Volume 59, 2014 - Issue 5
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Original research or treatment papers

Materials and techniques: Early Buddhist wall paintings and sculptures at Sumda Chun, Ladakh

Maninder Singh GillArt Conservation SolutionsNoida, Uttar Pradesh, India
,
Carolina Priego RendoConservator in Private Practice, Madrid, Spain
&
Sreekumar MenonCourtauld Institute of ArtLondon, UKCorrespondence[email protected]
Pages 300-313 | Received 01 Dec 2011, Accepted 01 Apr 2013, Published online: 25 Jan 2014

References

  • Bogin, S. 2005. A Technical Study of the Early Buddhist Wall Paintings at Nako, Himachal Pradesh, India. Zeitschrift für Kunsttechnologie und Konservierung, 19(2): 199–230.
  • Gettens, R.J., Feller, R.L. & Chase, W.T. 1972. Vermilion and Cinnabar. Studies in Conservation, 17: 45–69.
  • Goepper, R., Poncar, J., Linrothe, R.N. & Dasser, K.L. 1996. Alchi: Ladakh's Hidden Buddhist Sanctuary: The Sumtsek. Boston: Shambhala, pp. 273–6.
  • Luczanits, C. 2004. Buddhist Sculpture in Clay: Early Western Himalayan art, Late 10th to Early 13th Centuries. Chicago: Serindia Publications.
  • Luczanits, C. 2008. [Personal communication, August 2008].
  • Plesters, J. 1993. Ultramarine Blue, Natural and Artificial. In: A. Roy ed. Artists Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art, vol. 2, p. 55.
  • Snellgrove, D.L. & Skorupski, T. 1980. The Cultural Heritage of Ladakh, vol. II. New Delhi: Vikas Publishing House Pvt. Ltd.
  • Tucci, G. 1988. Rin-Chen-Bzan-Po and the Renaissance of Buddhism in Tibet Around the Millennium (Indo-Tibetica II). New Delhi: Aditya Prakashan.

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