413
Views
3
CrossRef citations to date
0
Altmetric
Original research or treatment papers

The combined use of cross-section analysis and other stratigraphic recording systems in the cleaning of two panel paintings from the fifteenth- and sixteenth-century

, &
Pages 245-252 | Received 01 Jun 2013, Accepted 01 Jan 2014, Published online: 17 Mar 2014

References

  • Barros García, J.M. 2004. The Use of the Harris Matrix to Document the Layers Removed During the Cleaning of Painted Surfaces. Studies in Conservation, 49: 245–58.
  • Barros García, J.M. 2009. Recording Stratigraphic Relationships Among Non-original Deposits on a 16th-century Painting. Journal of Cultural Heritage, 10: 338–46.
  • Bartoll, J., Schade, U. & Hahn, O. 2008. Application of Synchrotron Infrared Radiation in the Study of Organic Coatings in Cross-sections. Studies in Conservation, 53: 1–8.
  • Boon, J.J., van der Weerd, J., Keune, K., Noble, P. & Wadum, J. 2002. Mechanical and Chemical Changes in Old Master Paintings: Dissolution, Metal Soap Formation and Remineralisation Processes in Lead Pigmented Ground/Intermediate Paint Layers of 17th Century Paintings. In: R. Vontobel, ed. ICOM Committee for Conservation Preprints. 13th Triennial Meeting, Rio de Janeiro. London: James & James, pp. 401–6.
  • Dik, J., Reischig, P., Krug, K., Wallert, A., Coerdt, A., Helfen, L. & Baumbach, T. 2009. Three-dimensional Imaging of Paint Layers and Paint Substructures with Synchroton Radiation Computed μ-Laminography. Journal of the American Institute for Conservation, 48: 185–97.
  • Eastaugh, N. 1989. Samplings. Conservation News, 40: 13–14.
  • Eastaugh, N. 1996. Inside Story – Art and Analysis. Part 2. Sampling. The Picture Restorer, 10: 16–17.
  • Elias, M., Mas, N. & Cotte, P. 2011. Review of Several Optical Non-destructive Analyses of an Easel Painting. Complementarity and Crosschecking of the Results. Journal of Cultural Heritage, 12: 335–45.
  • Erdmann, O.L. c. 1853. Analytical Report. In: O. Jahn, ed. Ueber ein antikes Gemälde im Besitze des Malers Ch. Ross in München. Leipzig: n.p., pp. 5–6
  • Fukunaga, K. 2009. Innovative Terahertz Spectroscopy and Imaging Technique for Art Conservation Science. e-Conservation Magazine, 10: 30–42 [accessed 1 February 2014]. Available at: <http://www.e-conservationline.com/content/view/772>
  • Gettens, R.J. 1932. A Microsectioner for Paint Films. Technical Studies in the Field of the Fine Arts, 1: 20–28.
  • Hendy, P., Lucas, A.S. & Plesters, J. 1968. Les préparations des peintures. Museum, 21: 245–65.
  • Khandekar, N. 2003. Preparation of Cross-sections from Easel Paintings. Reviews in Conservation, 4: 52–64.
  • Nadolny, J. 2003. The First Century of Published Scientific Analyses of the Materials of Historical Painting and Polychromy, Circa 1780–1880. Reviews in Conservation, 4: 39–51.
  • Plesters, J. 1956. Cross-sections and Chemical Analysis of Paint Samples. Studies in Conservation, 2: 110–57.
  • Prisco, G., Guglielmi, A., Mazzeschi, D. & Barnaba, C. 2004. Per la storia del restauro della casa dei Vettii in Pompei: una nuova applicazione del diagramma di flusso stratigrafico. Bollettino ICR-Nuova Serie, 8–9: 46–75.
  • Sinclair, E. 1995. The Polychromy of Exeter and Salisbury Cathedrals: A Preliminary Comparison. In: A. Wallert, E. Hermens & M. Peek, eds. Historical Painting Techniques, Materials, and Studio Practice. Los Angeles: The Getty Conservation Institute, pp. 105–110.
  • Smithsonian. 2006. Sculptures, Paintings, Wall Paintings. Sampling Methods. Washington D.C.: Smithsonian Institution Museum Conservation Institute [accessed 1 February 2014]. Available at: <http://www.si.edu/MCI/downloads/reports/MCI-SamplingManual2006.pdf>
  • van der Werf, I.D., Gnisci, R., Marano, D., de Benedetto, G.E., Laviano, R., Pellerano, D., Vona, F., Pellegrino, F., Andriani, E., Catalano, I.M., Pellerano, A.F. & Sabbatini, L. 2008. Study of a Manipulated 13th Century Panel Painting by Complementary Diagnostic Techniques. Journal of Cultural Heritage, 9: 162–71.
  • Watts, S., Owen-Hughes, H., Laing, A., Staniforth, S. & Towle, A. 2002. The Power of the Matrix: The Application of Archaeological Stratigraphy to the Interpretation of Complex Paintings. In: R. Vontobel, ed. ICOM Committee for Conservation Preprints. 13th Triennial Meeting. Rio de Janeiro. London: James & James, pp. 479–85.
  • Wolbers, R. 2000. Cleaning Painted Surfaces: Aqueous Methods. London: Archetype Publications.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.