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Bibliography

Music and Musicians in Royal, Ducal, Imperial and Papal Courts to c1700: an Introductory Bibliography

Pages 37-48 | Published online: 03 Nov 2014

  • Allinson, L., ‘Two Accounts for the Chapel of René of Anjou (1449-54)’, Royal Musical Association Research Chronicle, 20 (1993) pp59–94
  • Anglo, S., `Le Camp du drap d'or et les entrevues d'Henri VIII et Charles Quint', Les Fetes de la Renaissance, J. Jacquot, ed, 3 vols (Paris 1956-75) ii, pp125–26
  • Anglo, S., ‘William Cornish in a Play: Pageants, Prison and Politics’, Review of English Studies, n.s. 10 (1959) pp347–60
  • Anglo, S., `The London Pageants for the Reception of Katherine of Aragon, November 1501', Journal ofthe Warburg and Courtauld Institutes, 26 (1963) pp53–89
  • Anglo, S., `Le Salle de banquet et le theatre construits a Greenwich pour les fetes Franco-Anglaises de 1527', in Le Lieu theatral a la Renaissance, J. Jacquot, ed, ( Paris 1964) pp273–88
  • Anglo, S., ‘The Evolution of the Early-Tudor Disguising, Pageant and Mask’, Renaissance Drama, n.s. 1 (1968) pp3–44-
  • Anglo, S., Spectacle, Pageantry and Early-Tudor Policy (Oxford 1969)
  • Ashbee, A., Records of English Court Music, 8 vols (Aldershot 1986-95)
  • Ashbee, A., ‘Groomed for Service: Musicians in the Privy Chamber at the English Court, c1495-1558’,Early Music, 25 (1997) pp185–98
  • Atlas, A. W., ‘On the Identity of Some Musicians at the Brescian Court of Pandolfo III Malatesta’, Current Musicology, 26 (1983) pp11–20
  • Atlas, A. W., Music at the Aragonese Court of Naples (Cambridge 1985)
  • Atlas, A. W., ‘Courtly Patronage in the Fifteenth Century: Some Questions’, Atti del XIV congresso della Societa Internazionale di Musicologia, Bologna. 1987: Trasmissione e recezione delle forme di cultura musicale, A. Pompilio, ed, 3 vols (Torino 1990) iii, pp123–30
  • Austern, L. P., ‘Music in English Children's Drama, 1597-1613’, PhD dissertation (University of Chicago 1984)
  • Austern, L. P., Music in English Children's Drama of the Later Renaissance (Philadelphia 1992)
  • Baillie, H., ‘Les Musiciens de la chapelle royale d'Henri VIII au camp du drap d’ or', Les Fetes de la Renaissance, J. Jacquot, ed, 3 vols (Paris 1956-75) ii, pp147–59
  • Baldwin, D., The Chapel Royal: Ancient and Modern (London 1990)
  • Bastian, J., ‘The Cappella Musicale at San Marco in the Late Sixteenth Century’, American Choral Review, 12 (1970) pp3–15
  • Benham, H., ‘Prince Arthur (1486-1502), a Carol and a Cantus Firmus’, Early Music, 15 (1987) pp463–68
  • Bent, I., ‘The English Chapel Royal Before 1300’, Proceedings of the Royal Musical Association, 90 (1963-64) pp77–95
  • Bent, I., ‘The Early History of the English Chapel Royal c1066-1327’, PhD dissertation (University of Cambridge 1969)
  • Bernstein, J., ‘Philip Van Wilder and the Netherlandish Chanson in England’, Musica Disciplina, 33 (1979) pp55–75 [Tudor court]
  • Birnbaum, E., Jewish Musicians at the Court of the Mantuan Dukes 1542-1628, J. Cohen, trans and ed, (Tel Aviv 1978)
  • Blackburn, B. J., ‘Music and Festivities at the Court of Leo X: a Venetian View’, Early Music History, 12 (1993) pp1–37
  • Bonime, S., ‘The Musicians of the Royal Stable Under Charles VIII and Louis XII 1484-1514’, Current Musicology, 25 (1978). pp7–21
  • Bonime, S. ‘Music for the Royal Entree into Paris, 1483-1517’, Musique naturelle and musique artificielle:in memoriam Gustave Reese, M. B. Winn, ed, ( Montreal 1979) pp115–29
  • Bouquet, M., ‘La Capella musicale dei Duchi di Savoia da 1450 a 1500’, Revista Banana di musi-cologia, 3 (1968) pp233–85
  • Bowers, R., ‘Choral Institutions within the English Church: their Constitution and Development, 1340-1500’, PhD dissertation (University of East Anglia 1975)
  • Bowers, R., ‘The Cultivation and Promotion of Music in the Household and Orbit of Thomas Wolsey’, in Cardinal Wolsey: Church, State and Art, S. Gunn and P. G. Lindley, eds, (Cambridge 1991) pp178–218
  • Bradley, R., ‘Music at the court of Savoy 1420-1450’, PhD dissertation (City University of New York 1992)
  • Brett, P., ‘English Music for the Scottish Progress of 1617’, Source Materials and the Interpretation of Music: a Memorial Volume to Thurston Dart, I. Bent, ed, (London 1981) pp209–26
  • Brobeck, J. T., ‘The Motet at the Court of Francis I’, PhD dissertation (University of Pennsylvania 1991)
  • Brobeck, J. T., ‘Musical Patronage in the Royal Chapel of France under Francis I, 1515-1547’, Journal of theAmerican Musicological Society, 48 (1995) pp15–46
  • Brzezinska, B, Ilenryk Finck w Polsce'. Muzyka, 29 (1984) pp79-81 [Finch in Poland at the court of the Grand Duke of Lithuania]
  • Bullock-Davies, C., Register of Royal and Baronial Domestic Minstrels 1272-1327 (Bury St Edmunds, 1986)
  • Burrows, D. J., ‘Handel and the English Chapel Royal During the Reigns of Queen Anne and King George I’, PhD dissertation (Open University 1981)
  • Burrows, D. J., Handel and the English Chapel Royal (London 1985)
  • Burrows, D. J., ‘Theology, Politics and Instruments in Church: Musicians and Monarchs in London, 1660-1760’, Göttinger Händel-Beiträge, 5 (1993) pp145–60 [court music under William III, Charles II and George II]
  • Butchart, D. S., 'A Musical Journey of 1567: Alessandro Striggio in Vienna, Munich, Paris and London', Music and Letters, 63 (1982) pp1–16 [musical journey to four European courts]
  • Cardamone, D. G.,`The Prince of Salerno and the Dynamics of Oral Transmission in Songs of Political Exile', Acta Musicologica, 67 (1995) pp77–108
  • Carpenter, N. C., ‘Skelton's Hand in William Cornish's Musical Parable’, Comparative Literature, 22 (1970) pp157–72
  • Carter, T., ‘A Florentine Wedding of 1608’, Ada Musicologica, 55 (1983) pp89–107 [contains bibli-ography on Medici court entertainments]
  • Cazeaux, I., French Music in the Fifteenth and Sixteenth Centuries (Oxford 1975)
  • Chambers, E. K., The Elizabethan Stage, 2 volt (Oxford 1923-26)
  • Chateris, R., ‘Jacobean Musicians at Hatfield House 1605-1613’, Royal Musical Association Research Chronicle, 12 (1974) pp115–36
  • Chew, G., ‘The Early Cyclic Mass as an Expression of Royal and Papal Supremacy’, Music and Letters, 53 (1972) pp254–69
  • Christensen, K., ‘The Danish Royal Chapel's Part-Books from 1541 and Ludwig Mair - once Again’, Dansk drbog for musiklbrskning, 20 (1992) pp19–21 [Christian III King of Denmark and trumpet ensembles]
  • Comberiati, C. P., ‘Polyphonic Settings of Mass Ordinary at the Court of Rudolf II, 1576-1612’, PhD dissertation (University of Michigan 1983)
  • Comberiati, C. P., Late Renaissance Music at the Hapsburg Court: Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II, 1576-1612 (New York 1987)
  • Comberiati, C. P., ‘Carl Luython at the Court of Emperor Rudolf II: a Biography and his polyphonic Settings ofthe Mass Ordinary’, in Music from the Middle Ages through the Twentieth Century: Essays in Honour of Gwynn S. McPeek, C. P. Comberiati and M. C. Steel, eds, (New York 1988) pp130-48
  • Corp, E. T., ‘The Exiled Court of James II and James III: a Centre of Italian Music in France, 1689-1712’, Journal of the Royal Musical Association, 120 (1995) pp216–31
  • Crowther, V., ‘A Case-Study in the Power of the Purse: the Management of the Ducal Cappella in Modena in the Reign of Francesco 11 d'Este’, Journal of the Royal Musical Association, 115 (1990) pp207–l9
  • Cummings, A. M., The Politicized Muse: Music for Medici Festivals 1512-1537, (Princeton 1992)
  • Cuyler, L., The Emperor Maximilian land Music (Oxford 1979)
  • Czepiel, T. M. M., Music at the Royal Court and Chapel in Poland c1543-1600 (New York 1996)
  • Dammann, R., 'Die Musik im Triumphzug Kaiser Maximilians Archiv fiir Musikwissenschaft, 31 (1974) pp245–89
  • Darbellay, E., `La musique tt la cour de Maximilien 1(1459-1519)', Schweitzerische Musikzeitung / Revue musicale Suisse, 118 (1978) pp1–10
  • Dart, T., ‘Two English Musicians at Heidelberg in 1613’, Musical Times, 111 (1970) pp29–32 [visit to Heidelberg by John Coperario and Orlando Gibbons in the train of Princess Elizabeth and the Elector Palatine - with an account of the music performed at the wedding of the Elector and the Princess in the chapel royal at Whitehall, 1613]
  • DeMolen, R. L., `Pueri Christi Imitatio: the Festival of the Boy-Bishop in Tudor England', Moreana, 45 (1975) pp17–28
  • Dixon, G., ‘Behold Our Affliction: Celebration and Supplication in the Gonzaga Household’, Early Music, 24 (1996) pp250–62
  • Doe, P., ‘Tallis's Spem in alium and the Elizabethan Respond-motet’, Music and Letters, 51 (1970) pp 1–14
  • Downey, P., ‘A Renaissance Correspondence Concerning Trumpet Music’, Early Music, 9 (1981) pp325–29 [trumpeters at the court of Christian III, King of Denmark and Norway, and August, Elector of Saxony]
  • Downey, P., ‘The Danish Trumpet Ensemble at the Court of King Christian III: Some Notes on its Instruments and its Music’, Dansk drbog for musikfiffskning, 19 (1988-91) pp7–17
  • Duffin, R. W., ‘Princely Pastimes, or a Courtly Catch, being the History of another musical fragment at Case Western University’, Notes, 49 (1993) pp911–24 [the English court in the seventeenth century]
  • Dufourcq, N., ‘Francois-Eustache Du Caurroy (1549-1609) et son entourage familial et profession-nel’, Recherches sur la musique francaise classique, 21 (1983) pp9–40 [royal chapel under last Valois]
  • Edinborough, A., ‘The Early-Tudor Revels Office’, Shakespeare Quarterly, 2 (1951) pp19–25
  • Edwards, W., ‘The Instrumental Music of Henry VIII's Manuscript’, Consort, 34 (1978) pp274–82
  • Fabbri, M., and Zanetti, E., `La cappella musicale dei Gonzaga a Mantova'. Nuova rivista musicale Italiana, 8 (1974) pp371–81
  • Fallows, D., ‘Henry VIII as Composer’, in Sundry Sorts of Music Books: Essays on the British Library Collections Presented to O. W. Neighbour on his 70th Birthday, C. Banks, A. Searle and M. Turner, eds, (London 1993) pp27–39
  • Falvy, Z., Mediteranean Culture and Troubadour Music, Studies in Central and Eastern European Music (Budapest 1986) [Troubadours at the medieval Hungarian court]
  • Federhofer, H., Musikpflege und Musiker am Grazer Habsburgerhof der Erzherzöge Karl rind Ferdinand von Innerösterreich (1564-1619) (Mainz, 1967)
  • Federhofer, H., 'Musik am Grazer Habsburgerhof der Erzherz6ge Karl II und Ferdinand 1564-1619', Osterre-ichische Musikzeitschrift, 25 (1970) pp585–95
  • Fenlon, I., ‘Music and Spectacle at the Gonzaga Court, c1580-1600’, Proceedings of the Royal Musical Association, 103 (1976-77) pp90–105
  • Fenlon, I., ‘Patterns of Style and Patronage: Music at the Mantuan Court 1565-1600’, PhD dissertation (University of Cambridge 1977)
  • Fenlon, I., ‘An Imperial Repertory for Charles V’, Studi Musicali, 13 (1984) pp221–40
  • Fenlon, I., ‘Preparations for a Princess: Florence 1588-89’, in In Cantu et in Sermone: for Nino Pirrotta on his 80th Birthday, F. Della Seta and F. Pipemo, eds. Italian Medieval and Renaissance Studies, 2 (Firenze, 1989) pp259–82
  • Fink, M. A., ‘The Life and Mantuan Masses of Francesco Rovigo 1541-1597’, PhD dissertation (University of South California 1977) [music in the ducal chapel at Mantua]
  • Flood, W. H. G., ‘Queen Mary's Chapel Royal’, English Historical Review, 33 (1918) pp83–89
  • Ford, W. K., ‘The Chapel Royal at the Restoration’, Monthly Musical Record, 90 (1960) pp99–106
  • Freedman, R., 'Music, Musicians and the House of Lorraine during the First Half of the Sixteenth Century', PhD dissertation (University of Pennsylvania 1987)
  • Freedman, R., ‘Paris and the French Court Under Francois I’, in The Renaissance from the 1470s to the End of the Sixteenth Century, I. Fenlon, ed, (London 1989) pp174–96
  • Freedman, R., `Pastourelle jolie: the Chanson at the Court of Lorraine c1500', Journal of the Royal Musical Association, 116 (1991) pp 161–201
  • Gallo, F. A., Musica nel castello: Trovatori, libri, oratori nelle corti ltaliane dal XIII al XV secolo (Bologna 1992)
  • Gambassi, I., ‘Il concerto Palatino della Signoria di Bologna: cinque secoli di vita musicali a cone 1250-1797’, Historiae musicae cultores biblioteca, 55 (Firenze 1989)
  • Glahn, H., ‘Der kongeligi kantoris stemmeböger = trompeterkorpsets stemmeboger’, Dansk drbog for Musikforskning, 8 (1977) pp137–39
  • Gómez, C., ‘Musique et musiciéns dans les chapelle,s de la maison royale d'Aragon (1336-1413)’, Musica Disciplina, 38 (1984) pp67–86
  • Gómez, C., `La Musique A la maison royale de Navarre A la fin du moyen-fige et le chantre Johan Robert',Musica Disciplina, 41 (1987) pp109–51
  • Guiomar, P., `La Musique dans les trois fetes A la cour ducale de Wurttemberg en 1609, 1616, 1617' Les Fetes de la Renaissance, J. Jacquot, ed. 3 volt (Paris 1956-75) iii, pp393–409
  • Haar, J., ‘The Courtier as Musician: Castiglione's View of the Science and Art of Music’, in Castiglione: the Ideal and the Real in Renaissance Culture. Papers Presented at a Conference Celebrating the 500th Anniversary of Baldassare Castiglione 's Birth, R. W. Hanning and D. Rosand, eds, (New Haven 1983) pp165–89
  • Haggh, B., ‘The Archives of the Order of the Golden Fleece and Music’, Journal of the Royal Musical Association, 120 (1995) pp1–43
  • Halfpenny, E., ‘Musicians at James II's Coronation,in Music and Letters, 32 (1981) pp 103–14
  • Halfpenny, E., 'The 'Entertainment’ of Charles II', Music and Letters, 38 (1957) pp32–44
  • Happé, P., Song in Morality Plays and Interludes (Lancaster 1991)
  • Harley, J., ‘Music at the English Court in the Eighteenth and Nineteenth Centuries’, Music and Letters, 50 (1969) pp332–51
  • Harich, J., Anfdnge der Musikpflege in der Residenz des Palatins Nikolaus Esterházy', Osterreichis-che Musikzeitschrift, 25 (1970) pp221–28
  • Hanis-Warrick, R., ‘Ballroom Dancing at the Court of Louis XIV’, Early Music, 14 (1986) pp41–50
  • Heinig, P, 'Musik und Medizin am Hof Kaiser Friedrichs III (1440-1493): Studien zum Personal der Deutschen Herrscher im 15 Jahrhundert', Zeitschrift fiir Hiswrische Forschung, 16 (1989) pp151–81
  • Heyink, R., `Zur Wiederentdeckung der Motu Proprio-Erlasse Papst Leos X an Jean Mouton und Weitere Mitlieder der Französischen Hoflcapell', Kirchenmusilcalisches Jahrbuch, 76 (1992) pp45–58
  • Hillebrand, H. N., ‘The Early History of the Chapel Royal’, Modern Philology, 18 (1920) pp65–100
  • Hogwood, C., Music at Court (London 1977)
  • Holman, P., Four and Twenty Fiddlers: the Violin at the English Court 1540-1690 (Oxford 1990) Hoyoux, R., `L'organization musicale h la cour des Ducs de Bourgogne', Publication du Centre Européen d'Etudes Bourguignonnes, 25 (1985) pp57–72
  • Hulse, L., ‘The Musical Patronage of the English Aristocracy 1590-1640’, PhD dissertation (University of London 1993)
  • Hughes, A., ‘Antiphons and Acclamations: the Politics of Music in the Coronation Service of Edward II, 1308’, Journal of Musicology, 6 (1988) pp150–68
  • Isherwood, R. M., Music in the Service of the King: France in the Seventeenth Century (Ithaca 1973)Izon, J., 'Italian Musicians at the Tudor Court', Musical Quarterly, 44 (1958) pp329–37
  • Kast, P, 'Remarques sur la musique et les musiciens de la chapelle de Francois I au Camp du Drap d'Or', in Les Fetes de la Renaissance, J. Jacquot, ed, 3 vols (Paris 1956-75) ii, pp135–42
  • Kaufmann, H. W., ‘Music for a Noble Florentine Wedding (1539)’, in Words and Music: the Scholar's View, L. Berman, ed, (Cambridge, Mass. 1972) pp161–88
  • Kellman, H., `Josquin and the Courts of the Netherlands and France: the Evidence of the Sources', Josquin des Prez. Proceedings of the International Josquin Festival Conference held at the Julliard School, E. E. Lowinsky and B. J. Blackburn, eds, (London 1976) pp181–216
  • Kiraly, R,Séjour de Josquin des Prés h la cour de Hongrie?', Revue de musicologie, 78 (1992) pp145–50
  • Kipling, G., ‘Henry VII and the Origins of Tudor Patronage’,in Patronage in the Renaissance, F. Lytle and S. Orgel, eds, (Princeton 1981) pp117–64
  • Kirkendale, W., The Court Musicians in Florence during the Principate of the Medici: with a Reconstruction of the Artistic Establishment (Firenze 1993)
  • Kisby, F., ‘Music and Musicians of Early-Tudor Westminster’, Early Music, 23 (1995) pp223–40
  • Kisby, F., ‘A Minor of Monarchy: Music and Musicians in the Household Chapel of the Lady Margaret Beaufort, Mother of Henry VII’ in Early Music History 116 (1997) pp 197–228
  • Kisby, F., ‘The Royal Household Chapel in Early-Tudor London, 1485-1547’, PhD dissertation (University of London 1996)
  • Kisby, F., ‘Royal Minstrels in the City and Suburbs of Tudor London: Professional Activities and Private Interests’, Early Music, 25 (1997) pp199–221
  • Kmetz, J. ed, Music in the German Renaissance: Sources, Styles and Contexts (Cambridge 1994)
  • Knighton, T., ‘Music and Musicians at the Court of Fernando of Aragon 1474-1516’, PhD disserta-tion (University of Cambridge 1984)
  • Knighton, T., ‘The Spanish Court of Ferdinand and Isabella’, in The Renaissance from the 1470s to the Endof the Sixteenth Century, I. Fenlon, ed, (London 1989) pp241–60
  • Knighton, T., 'Ritual and Regulations: the Organization of the Castilian Royal Chapel during the Reign of the Catholic Monarchs', in De must Ca Hispana et aliis miscekinea en honour at Prof D. José Leipez-Cabo, SJ, en su 65 cumpleatios, E. Casares Rodicio and C. Villanueva, eds, 2 vols, Coleccien aula aberta, mtisica, (Santiago de Compostela 1990) i, pp291–320
  • von Köchel, L. R., Die Kaiserliche Hof-Musik-Kappelle in Wien von 1543-1867 (Hilldesheim 1976)
  • Krabbe, N., Traek af musiklivet i Denmarl pa Christian IV's tid, Engstrom a Sodrings Musikbibliotek (Kobenhavn 1988) [music at the court of Christian IV in the seventeenth century]
  • Kubinyi, A., `Musikleben am Buder Königshof Anfang des 16 Jahrhunderts. Geschutte Musiker und Spielleute', Studia Musicologica, 15 (1973) pp89–100
  • de Lafontaine, H. C., The King's Musick: a Transcript of Records Relating to Music and Musicians (1460-1700) (London 1909)
  • Lamothe, D. R., 'La Reinterpretation Royaliste des textes Bibliques, et surtout des psaumes, dans le repertoire religieux de la cour de France (1560-1610), in La Musique et be rite sacre et profane II. Proceedings of the 13th Congress of the International Society of Musicology, M. Honegger and P. Prevost, eds, (Strasbourg 1988) pp409–20
  • Lasocki, D., and Prior, R., The Bassanos: Venetian Musicians and Instrument Makers in England 1531-1665 (Aldershot 1995)
  • Lambrecht, J., 'Das Heidelberger kapellinventar von 1544 (Codex Pal. Germ. 318) Heidelberger Bibliotheksschriften, 26 (Heidelberg 1987)
  • Leppert, R. D., Arcadia at Versailles: Noble Amateur Musicians and their Musettes and Hurdy-gurdies at the French Court (cl 660-1789): a visual study (Amsterdam 1978)
  • Lindell, R., ‘The Wedding of Archduke Charles and Maria of Bavaria in 1571’, Early Music, 18 (1989) pp253–70
  • Lindell, R., ‘Music at the Court of Emperor Matthias’, Hudebnf veda, 27 (1990), 291–98
  • Lindell, R., ‘Filippo, Stefano and Martha: New Findings on Chamber Music at the Imperial Court in the Second Half of the Sixteenth Century’, in Atti del XIV amgresso della Societei Internazionale di Musicologia, Bologna, 1987: Trasmissione e recezione delle forme di cultura musicale, A. Pompilio, ed, 3 vols (Torino 1990) iii, pp869–75
  • Lindell, R., ‘Music at the Court of Rudolf II’, in Gallus Carniolus in Evropslat Renesansa : inednarodnisimpozij, Ljubljana 21-21.10.1991 / Gallus Camiolus und die Euinpilische Renaissance: inter-nationale Tagung, D. Cvetko and D. Pokom, eds, (Ljubljana 1992) pp155–70
  • Lionnent, J., ‘Performance Practice in the Papal Chapel during the Seventeenth Century’, Early Music, 15 (1987) pp4–15
  • Llorens, J. M., ‘The Musical Codexes of the Sistine Chapel written through the Generosity of the Pauline Popes’, in Studies in Musicology: Essays in the History, Style and Bibliography of Music in Memory of Glen Haydon, J. W. Pruett, ed, (Chapel Hill 1969) pp18–50
  • Llorens, J. M., 'Los maestros de la capilla Apostelica hasta el pontificando de Sixto V (1585-1590) Anuario musical, 43 (1981) pp35–65
  • Lockwood, L., 'Music at Ferrara in the Period of Ercole d'Este Studi Musicali, 1 (1972) pp101–32
  • Lockwood, L. `Dufay and Ferrara', in Dufay Quincentenary Conference. Papers Read at the Dufay Quincentenary Conference, A. W. Atlas, ed, ( Brooklyn 1976) pp1–26 [Ferrarese court c1440]
  • Lockwood, L., ‘Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-1520’, Journal of the American Musicological Society, 32 (1979) pp191–246
  • Lockwood, L., ‘Strategies of Music Patronage in the Fifteenth Century: the Capella of Ercole I d'Este’, inMusic in Medieval and Early Modern Europe: Patronage, Sources and Texts, I. Fenlon, ed, (New York 1980) pp227-48
  • MacClintock, C., ‘New Sources of Mantuan Music’, Journal of the American Musicological Society, 22 (1969) pp508–11 [Mantuan court and ducal chapel c1600]
  • di Mauro, G., ‘Italian Jewish Musicians in the Western Musical Tradition, l’, Journal of Jewish Music and Liturgy, 12 (1989-90) pp44–51 [musicians at the court of Pope Leo X]
  • Marix, J., Histoire de la musique et des musici ens de la cour de Bougogne sous le regne de Philippe le Bon (Geneve 1972)
  • Mattfeld, J., ‘An Unresolved riddle - the Apparent Absence of Ambrosian Melodies in the Works of Josquin des Prez’ Josquin des Prez: Proceedings of the International Josquin Festival Conference held at the Julliard School, E. E. Lowinsky and B. J. Blackburn, eds, (London 1976) pp360–66 [ducal chapel in Milan]
  • McGee, C. E., and Meagher, J. C., ‘Preliminary Checklist of Tudor and Stuart Entertainments: 1558-1603’, Research Opportunities in Renaissance Drama, 24 (1981) pp51-57
  • McGee, C. E., and Meagher, J. C., ‘Preliminary Checklist of Tudor and Stuart Entertainments’, Research Opportunities inRenaissance Drama, 25 (1982) pp31-99
  • McGuiness, R., ‘A Fine Song on the Occasion of the Day was Sung’, Music and Letters, 50 (1969) pp290–95 [English chapel royal in the seventeenth and eighteenth centuries]
  • McGuiness, R., English Court Odes 1660-1820 (Oxford 1971)
  • Minor, A., and Mitchell, B., A Renaissance Entertainment. Festivities for the Marriage of Cosimo I, Duke of Florence in 1539 (Columbus 1968)
  • Moroney, M. D., ‘Under Fower Sovereygnes: Thomas Tallis and the Transformation of English Polyphony’, PhD dissertation (University of California 1980)
  • Myrner, I., ‘Scandinavian late-sixteenth-century Keyboard Music at the Court of Christian IV’, in Livro de honzanagern a Macario Santiago Kastnen M. Cidrais Rodrigues, ed, (Lisboa 1992) pp205–27
  • Newcomb, A., ‘Music at the Court of Ferrara 1550-1600’, PhD dissertation (Princeton 1969)
  • Page, D., 'Uniform and Catholic: Church Music in the Reign of Mary Tudor (1553-58)% PhD disser-tation ( Brandeis University 1996)
  • Palmer, F., ‘Musical Instruments at the Court of Henry VIII: an Inventory and Commentary’, PhD dis-sertation (University of Surrey 1986)
  • Pass, W., ‘Reformation und Katholische Erneuerung’, Musikgeschichte Osterreichs, 1 (1977) pp231–68 [Habsburg courts under Ferdinand I, Maximillian II, Rudolf II, Mathias land in Innsbruck and Graz]
  • Pearsall, E., ‘Tudor Court Musicians, 1485-1547: their Number, Status and Function’, PhD disserta-tion (University of New York 1986)
  • Perkins, L. L., ‘Musical Patronage at the Royal Court of France under Charles VII and Louis XI (1422-83)’, Journal of the American Musicological Society, 37 (1984) pp507–66
  • Phillips, G. A., ‘Crown Musical Patronage from Elizabeth Ito Charles I’, Music and Letters, 58 (1977), pp29–42
  • Picker, M., ‘The Habsburg Courts in the Netherlands and Austria 1437-1530’, The Renaissance from the 1470s to the End of the Sixteenth Century, I. Fenlon, ed, (New York 1989) pp216-42
  • Pietzsch, G., `Ftirsten und Ftirstliche Musiker im Mittelalterlichen Köln', Beitritge zur Rheinischen Musikgeschichte, 66 (Köln 1966)
  • Pietzsch, G., `Erzherzog Philipp der Schöne und die Burgundische Hofkapelle in Köln (1496 und 1503)‘,Mitteilungen der Arbeitsgemeinschaft far Mittelrheinische Musikgeschichte, 31 (1967) pp8–13
  • Pietzsch, G., `Zur Musikfplege an den Hofen von Kleve und Mich’, Studien zur Klevischen Musik- und Liturgiegeschichte Beitrage zur Rheinischen Musikgeschichte, 75 (1968) pp11–46
  • Pietzsch, G., Archivalische Forschungen zur Geschichte der Musik an den Hofen der Grafen und Herzoge von Kleve-Julich-Berg (Ravensberg) bis zunz Erloschen der Linie im Jahr 1609 (Köln 1971)
  • Pietzsch, G., ‘Die Hofmusikkollegien Wittelsbachischer Fiirsten bis zur Mitte des 16. Jahrhunderts’, Musikin Bayern (1976) pp24–48
  • Pietzsch, G., `Namenslisten zur Bayerischen Musikgeschichte Ia. Die Hofmusikkollegien Wittelsbachischer Fürsten bis zur mine des 16 Jahrhunderts 1: Die Hofmusik-Kollegien der Linie Straubing-Holland', Musik in Bayern, 20 (1980) pp97–106; 21 (1980) pp69–70; 23 (1981) pp128–34
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