8
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

LINING OF EASEL PAINTINGS - A SHORT BIBLIOGRAPHY

Pages 53-58 | Published online: 21 Apr 2015

Bibliography

  • Boustead, W. 1968 The conservation and restoration of easel paintings. Museums and Monuments XI, UNESCO, 191–208
  • Bradley, M.C. Jr 1950 The Treatment of Pictures. Cambridge Art Technology: Massachusetts
  • Clarke, C.D. 1959 Pictures, Their Preservation and Restoration. The Standards Arts Press: Maryland
  • Emile-Mâle, G. 1976 The Restorer's Handbook of Easel Painting. Van Nostrand Reinhold: New York
  • International Museums Office 1940 Manual on the Conservation of Paintings. International Institute of Intellectual Co-operation: Paris
  • Keck, C.K. 1972 A Handbook on the Care of Paintings. Watson-Guptill: New York
  • Kelly, F. 1971 Art Restoration. David and Charles: Newton Abbot: UK
  • Percival-Prescott, W. 1974 The lining cycle, fundamental causes of deterioration in paintings on canvas: materials and methods of impregnation and lining from the seventeenth century to the present day. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Percival-Prescott, W. (ed.) 1974 Handbook of Terms used in the Lining of Paintings. National Maritime Museum: Greenwich
  • Percival-Prescott, W. 1975 Report on the Greenwich Lining Conference. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Rees-Jones, S., A. Cummings and G. Hedley 1975 Relining materials and techniques: summary of replies to a questionnaire. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Stout, G.L. 1975 The Care of Pictures. Dover: New York
  • Berger, G.A. 1970 The Testing of Adhesives for the Consolidation of Paintings. American Group - IIC Technical Papers from 1968 through 1970, 63–71
  • Berger, G.A. 1970 A new adhesive for the consolidation of paintings, drawings and textiles. Bulletin of the American Group - IIC, 11(1):36–8
  • Berger, G.A. 1971 Application of heat-activated adhesives for the consolidation of paintings. Bulletin of the American Group - IIC, 11(2): 124–8
  • Berger, G.A. 1972 Some effects of impregnating adhesives on paint films. Bulletin of the American Group - IIC, 12(2):25–45b
  • Berger, G.A. 1972 Testing adhesives for the consolidation of paintings. Studies in Conservation 17(4):173–94
  • Berger, G.A. 1972 Formulating adhesives for the conservation of paintings. In N. Brommelle and P. Smith (eds) Conservation and Restoration of Pictorial Art. Butterworths. pp.169–81
  • Berger, G.A. and H.I. Zeliger 1974 Wax impregnation of cellulose: an irreversible process. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Berger, G.A. and H.I. Zeliger 1974 Effects of consolidation measures on fibrous materials. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Berger, G.A. and H.I. Zeliger 1975 Detrimental and irreversible effects of wax impregnation on easel paintings. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Byrne, A.F. 1977 Lining adhesives for oil paintings. ICCM Bulletin 3(4): 26–33
  • Feller, R.L. and M. Curran 1970 Solubility and crosslinking characteristics of ethylene/vinylacetate copolymers. Bulletin of the American Group - IIC, 11(1):42–45
  • Fieux, R.E. 1974 Consolidation and lining adhesives compared. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Hulmer, E.C. 1971 Notes on the formulation and application of adhesives and supports. Bulletin of the American Group - IIC, 12(1):46–54
  • Keck, C.K. 1977 Lining adhesives: their history, uses and abuses. Journal of the American Institute for Conservation 17(1):45–52
  • Plenderleith, H.J. and S. Cursiter 1934 The problems of lining adhesives for paintings - wax adhesives. Technical Studies in the Field of the Fine Arts 3(2):90–113
  • Rees-Jones, S. and P.F.J.M. Hermesdorf 1959 The adhesive strength of whiting - wax - resin cements. Studies in Conservation 4(1):5–12
  • Stout, G.L. and R.J. Gettens 1933 The problems of lining adhesives for paintings. Technical Studies in the Field of the Fine Arts 2(2): 81–104
  • Berger, G.A. 1966 Weave interference in vacuum lining of pictures. Studies in Conservation 11(4):170–80
  • Boissonnas, A. 1961 Relining with glass-fibre fabric. Studies in Conservation 6(1):26–30
  • Boissonnas, P. 1974 Comparisons of dimensional stability between woven glass fibre fabric and conventional linene canvas as lining supports for paintings. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Buck, R.D. and R. Merrill 1972 Honeycomed core construction for supporting panels. Bulletin of the American Group - IIC 12(2):62–67
  • Cummings, A.J. and G.A. Medley 1974 Surface texture changes in vacuum lining: experiments with raw canvas. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Fieux, R.E. 1973 Teflon coated fibreglass as a support for relining paintings. Bulletin of the American Institute for Conservation 14(1):73–74
  • Hedley, G.A. 1975 The effects of beeswax/resin impregnation on the tensile properties of canvas. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Hedley, G.A. 1975 Some empirical determinations of the strain distribution in stretched canvases. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Mecklenburg, M.F. and J.E. Webster 1977 Aluminium honeycomb supports: their fabrication and use in painting conservation. Studies in Conservation 22(4):177–89
  • Parrini, P. 1978 A new lining canvas. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Ronca, G. 1978 The prediction of stress relaxation and incipient instability in lining. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Tassinari, E. 1974 Characterization of lining canvases. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Baldini, U. and S. Taiti 1974 Italian lining techniques: lining with pasta adhesive (and other methods) at the Fortezza Da Basso, Florence. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Berger, G.A. 1965 Relining outsize paintings. Studies in Conservation 10 (4):142–46
  • Berger, G.A. 1974 Beva lining of torn paintings - three films. Bulletin of the American Institute for Conservation 14(2):22–27
  • Berger, G.A. 1974 Lining of a torn painting with Beva 371. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Berger, G.A. 1975 Heat-seal lining of a torn painting with Beva 371. Studies in Conservation 20(3):126–51
  • Berger, G.A. 1976 Unconventional treatments for unconventional paintings. Studies in Conservation 21(3):115–28
  • Berger, G.A. 1978 Consolidation of delaminating paintings. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Boissonnas, A.G. 1963 The treatment of fire blistered oil paintings. Studies in Conservation 3(2):55–66
  • Boissonnas, P. 1978 Separation of a double sided oil painting on canvas: a case history. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Chittenden, R., G. Lewis and W. Percival-Prescott 1974 Prestretched low pressure lining methods (including vacuum envelope). Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Cursiter, S. and A.M. De Wild 1937 Picture relining. Technical Studies in the Field of the Fine Arts 5(3):157–78
  • Cursiter, S. and A.M. De Wild 1938 A note on picture relining. Technical Studies in the Field of the Fine Arts 6(3):174–79
  • Cursiter, S. and A.M. De Wild 1938 Picture relining with wax. Technical Studies in the Field of the Fine Arts 7(2):80–87
  • Cursiter, S. and A.M. De Wild 1939 Picture relining. Technical Studies in the Field of the Fine Arts 7(4):191–95
  • De Wild, A.M. 1959 A vacuum-relining apparatus for general use. Studies in Conservation 4(2):73–77
  • Drinkwater, G.N. 1957 A new hot table for relining. Studies in Conservation 3(2):89–91
  • Essex, J.R. 1974 The removal of old linings from oil paintings by the use of the vacuum hot table. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Etchison, B. 1969 Radiant heat for vacuum tables. Studies in Conservation 14(4):170–3
  • Fieux, R.E. 1974 Mechanical aspects of vacuum lining of paintings. Bulletin of the American Institute for Conservation 15(1):48–50
  • Fieux, R.E. 1978 Electrostatic hold: a new technique of lining. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Goist, D.C. 1977 Treatment of a flood-damaged oil painting on a solid support. Journal of the American Institute for Conservation 16 (2):21–26
  • Hacke, B. 1978 A low-pressure apparatus for treatment of paintings. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Hallström, B. 1972 Consolidation of pictures on canvas. Remarks on relining. 'fungi Konsthogskolan, Royal Academy Art School, Stockholm. pp.15–44
  • Hallström, B. 1978 Diagnostic factors affecting the structural restoration of paintings on canvas. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Hedley, G.A., S. Hackney and A.J. Cummings 1974 Lining in a vacuum envelope with a tranersing infrared heat source. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Levinson, R. 1978 A new method for strip lining easel paintings. Preprints, ICOM Committee for Conservation 5th Triennial Meeting, Zagreb
  • Lewis, G. 1975 i. Preparatory treatment of paintings for lining. ii. A vacuum envelope lining method as developed by W. Percival-Prescott and R. Chittenden in the Restoration Department of the National Maritime Museum, London. Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Lucas, A. 1974 Lining and relining methods and rules evolved at the National Gallery Conservation Department. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Lyon, R.A. 1934 Comments on relining. Technical Studies in the Field of the Fine Arts 2(4):217–22
  • Makes, F. 1972 Negative effects of relining. Remarks on relining. Kungl Konsthogskolan, Royal Academy School, Stockholm. pp.4–14
  • Marconi, B.L. 1974 Unusual examples of lining with wax-resin in Poland. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Mehra, V.R. 1972 Comparative study on conventional relining methods and materials and a research towards their improvement - attempts at relining without the use of the heat-sealing system. Interim Report, ICOM Committee for Conservation
  • Mehra, V.R. 1975 Nap-bond cold-lining on a low-pressure table. Sonderdruck aus Maltechnik/Restauro 2:87–95
  • Mehra, V.R. 1975 Further developments in cold-lining (nap-bond system). Preprints, ICOM Committee for Conservation 4th Triennial Meeting, Venice
  • Mehra, V.R. 1978 Cold-lining and the care of the paint layer in a triple-stretcher system. Also: Answers to some questions and doubts about the cold-lining system. Preprints, ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb
  • Messens, G. 1974 Hand lining with wax-resin using an iron. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Newman, P. 1974 A method for lining canvas paintings with glue composition. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Rabin, B. 1976 A poly(vinyl acetate) heat-seal adhesive for lining. In N. Brommelle and P. Smith (eds) Conservation and Restoration of Pictorial Art. Butterworths. pp.165–68
  • Robinson, P. 1974 The development of wax-composition lining among the members of the Association of British Picture Restorers. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Ruhemann, H. 1953 The impregnation and lining of paintings on a hot table. Studies in Conservation 1(2):73–76
  • Ruhemann, H., A.G. Boissonnas, C. Wolters, E. Packard and P. Michaels 1960 Some notes on vacuum hot tables. Studies in Conservation 5(1):17–23
  • Seddon, J. 1974 Notes on a recent relining problem. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Slabczynski, S. 1960 The large vacuum hot-table for wax relining of paintings in the Conservation Department of the Tate Gallery. Studies in Conservation 5(1):1–15
  • Straub, R.E. and S. Rees-Jones 1955 Marouflage, relining and the treatment of cupping with atmospheric pressure. Studies in Conservation 2(2): 55–63
  • Volkmer, J., N. Lee, N. Indictor and N.S. Baer 1975 An examination of lining materials and methods for special problems in painting conservation. Bulletin of the American Institute for Conservation 15(2):103–5
  • Yashkina, L. 1974 Relining of easel oil painting with sturgeon glue. Preprints, Conference on Comparative Lining Techniques, Greenwich
  • Yashkina, L. 1974 Adhesive methods of consolidating oil paintings with cuppings and hard craquelure. Preprints, Conference on Comparative Lining Techniques, Greenwich

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.