Theater as a Site for Technology Demonstration and Knowledge Production: Theatrical Robots in Japan and Taiwan

References

• Baron-Cohen Simon (1995). Mindblindness: An Essay on Autism and Theory of Mind. Cambridge, MA: MIT Press.
   Google Scholar
• Barry Andrew , and Born Georgina (2013). Interdisciplinarity: Reconfigurations of the Social and Natural Science. In Interdisciplinarity: Reconfigurations of the Social and Natural Science, edited by Barry Andrew and Born Georgina , 1–56. London: Routledge.
   Google Scholar
• Bono Mayumi 坊農真弓 , Yoshikawa 吉川雄一郎 Yuichiro , Ishiguro 石黒 浩 Hiroshi , and Hirata 平田オリザ Oriza (2014). Robotto・andoroido engeki no kōgaku・kagaku・geijyutsu niokeru imi ロボット・アンドロイド演劇の工学・科学・芸術における意味 (The Meaning of Robot/Android-Human Theater: From the Perspectives of Engineering, Science and Arts). IEICE (Institute of Electronics, Information and Communication Engineers) Fundamentals 7, no. 4: 326–35.
   Google Scholar
• Born Georgina , and Barry Andrew (2013). Art-Science: From the Public Understanding to Public Experiment. In Interdisciplinarity: Reconfigurations of the Social and Natural Sciences, edited by Barry Andrew and Born Georgina , 247–72. London: Routledge.
   Google Scholar
• Caporael Linnda R. (1986). Anthropomorphism and Mechanomorphism: Two Faces of the Human Machine. Computers in Human Behavior 2: 215–34.
   Google Scholar
• Dixon Steve (2004). Metal Performance: Humanizing Robots, Returning to Nature, and Camping About. Drama Review 48, no. 4: 15–46.
   Web of Science ®Google Scholar
• Feng, Jian Zhang 馮建彰 (2014). San jie mei ren xing ji qi ren ban yan ju de ren lei xue lian xiang 「三姐妹—人形機器人版」演劇的人類學聯想 (Anthropological Suggestions of Three Sisters, Android Version). Paper presented at the sixth annual meeting of the Taiwan Science, Technology and Society Association, National Chiao Tung University, Taiwan, 22–23 March.
   Google Scholar
• Guthrie Stewart (1993). Faces in the Clouds: A New Theory of Religion. Oxford: Oxford University Press.
   Google Scholar
• Hibino Kei (2012). Oscillating between Fakery and Authenticity: Hirata Oriza's Android Theater. Comparative Theater Review 11, no. 1: 30–42.
   Google Scholar
• Hirata Oriza 平田オリザ (1995). Gendai kōgo engeki no tameni 現代口語演劇 のために (Towards Contemporary Colloquial Theater). Tokyo: Banseisha.
   Google Scholar
• Hirata, Oriza 平田オリザ (2010). I, Worker. Translated by Joanna Kriese. Unpublished script.
   Google Scholar
• Hirata Oriza 平田オリザ , and Ishiguro 石黒浩 Hiroshi (2010). Robotto ga engeki? Robotto to engeki!? ロボットが演劇!ロボットと演劇!? (Robots Act? Act with Robots!?). In Robotto engeki ロボット演劇 (Robot Theater), edited by Osaka daigaku komyunikēshon sentā 大阪大学コミュニケイション・センタ (Osaka University Center for the Study of Communication-Design), 14–33. Osaka: Osaka daigaku shuppankai.
   Google Scholar
• Hutson Matthew (2012). The Seven Laws of Magical Thinking: How Irrational Beliefs Keep Us Happy, Healthy, and Sane. New York: Hudson Street.
   Google Scholar
• Ishiguro Hiroshi 石黒浩 (2007). Andoroido saiensu: ningen wo siru tame no robotto kenkyū アンドロイドサイエンス:人間を知るためのロボット研究 (Android Science: Robotics Research for Human Understanding). Tokyo: Mainichi komyunikēshonzu.
   Google Scholar
• Ishiguro Hiroshi 石黒浩 (2009). Robotto towa nani ka—hito no kokoro wo utsusu kagami ロボットと はなにか:人の心を映す鏡 (What Is Robot? The Mirror That Reflects the Human Mind). Tokyo: Kōdansha.
   Google Scholar
• Kawai Shōichirō 河合祥一郎 , and Yamaguchi 山口宏子 Hiroko (2010). Engeki jihyō 演劇時評 (Theater Comment). Higeki Kigeki 悲劇喜劇 (Tragedy and Comedy) 63, no. 11: 76–95.
   Google Scholar
• Keller Evelyn Fox (2007). Booting Up Baby. In Genesis Redux: Essays in the History and Philosophy of Artificial Life, edited by Riskin Jessica , 334–45. Chicago: University of Chicago Press.
   Google Scholar
• Kinsui Satoshi 金水敏 (2010). Ee, mā no gengogaku 「ええ、まぁ」の言語学 (The Linguistics of ee and mā). In Robotto engeki ロボット演劇 (Robot Theater), edited by Osaka daigaku komyunikēshon sentā 大阪大学コミュニケイション・センタ (Osaka University Center for the Study of Communication-Design), 66–71. Osaka: Osaka daigaku shuppankai.
   Google Scholar
• Kuroki Kazunari 黒木一成 (2010). Robotto engeki no kaihatsu ロボット演劇の開 発 (Development of Robot Theater). In Robotto engeki ロボット演劇 (Robot Theater), edited by Osaka daigaku komyunikēshon sentā 大阪大学コミュニケイション・センタ (Osaka University Center for the Study of Communication-Design), 60–65. Osaka: Osaka daigaku shuppankai.
   Google Scholar
• Leudar Ivan , and Costall Alan (2009). Introduction: Against “Theory of Mind.” In Against Theory of Mind, edited by Leudar Ivan and Costall Alan , 1–16. Basingstoke, UK: Palgrave Macmillan.
   Google Scholar
• Lin Chyi-Yeu , Cheng Li-Chien , Huang Chun-Chia , Chuang Li-Wen , Teng Wei-Chung , Kuo Chung-Hsien , Gu Hung-Yan , Chung Kuo-Liang , and Fahn Chin-Shyurng (2013). Versatile Humanoid Robots for Theatrical Performances. International Journal of Advanced Robotics Systems 10, no. 7: 1–13.
   Google Scholar
• Lin Chyi-Yeu , Cheng Li-Chien , Tseng Chan-Kuo , Gu Hung-Yan , Chung Kuo-Liang , Fahn Chin-Shyurng , Lu Kai-Jay , and Chang Chih-Cheng (2011). A Face Robot for Autonomous Simplified Musical Notation Reading and Singing. Robotics and Autonomous Systems 59: 943–53.
   Web of Science ®Google Scholar
• Lin Chyi-Yeu , Tseng Chan-Kuo , Teng Wei-Chung , Lee Wei-Chen , Kuo Chung-Hsien , Gu Hung-Yan , Chung Kuo-Liang , and Fahn Chin-Shyurng (2009). The Realization of Robot Theater: Humanoid Robots and Theatric Performance. In Proceedings of the 14th IEEE International Conference on Advanced Robotics, 374–79. New York: Institute of Electrical and Electronics Engineers.
   Google Scholar
• Lu David V. , and Smart William D. (2011). Human-Robot Interactions as Theatre. In Proceedings of the 20th IEEE International Symposium on Robot and Human Interactive Communication, 473–78. New York: Institute of Electrical and Electronics Engineers.
   Google Scholar
• Mori Masahiro (2012 [1970]). The Uncanny Valley. Translated by Karl F. MacDorman and Norri Kageki. IEEE Robotics and Automation Magazine 19, no. 2: 98–100.
   Web of Science ®Google Scholar
• Nowotny Helga , Scott Peter , and Gibbons Michael (2001). Re-thinking Science: Knowledge and the Public in an Age of Uncertainty. Cambridge: Polity Press.
   Google Scholar
• Robertson Jennifer (2010). Gendering Humanoid Robots: Robo-Sexism in Japan. Body and Society 16, no. 2: 1–36.
   Web of Science ®Google Scholar
• Sasaki Atsushi 佐々木敦 (2011). Sokkyō no kaitai/kaitai: Ensō to engeki no aporia 即興の解体/懐胎 演奏と演劇のアポリア (Deconstruction/Conception of Improvisation: Aporia of Free Improvisation and the Theater). Tokyo: Seidosha.
   Google Scholar
• Sena Hideaki (2003). “Astro Boy Was Born on April 7, 2003.” Japan Echo 30, no. 4: 9–12.
   Google Scholar
• Suchman Lucy (2007). Human-Machine Reconfigurations: Plans and Situated Actions, 2nd ed. Cambridge: Cambridge University Press.
   Google Scholar
• Turkle Sherry (2010). Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books.
   Google Scholar
• Waytz Adam , Cacioppo John , and Epley Nicholas (2010). Who Sees Human? The Stability and Importance of Individual Differences in Anthropomorphism. Perspectives on Psychological Science 5, no. 3: 219–32.
   Web of Science ®Google Scholar
• Weber Jutta (2008). Human-Robot Interaction. In Handbook of Research on Computer Mediated Communication, edited by Kelsey Sigrid and Amant Kirk St. , 855–67. Hershey, PA: Information Science Reference.
   Google Scholar
• Wright Alex (2012). Robots like Us. Communications of the ACM 55, no. 5: 12–13.
   Web of Science ®Google Scholar
• Yearley Steve (2005). Making Sense of Science. London: Sage.
   Google Scholar
• Zlatev Jordan , Racine Timothy P. , Sinha Chris , and Itkonen Esa (2008). Intersubjectivity: What Makes Us Human? In The Shared Mind: Perspectives on Intersubjectivity, edited by Zlatev Jordan Racine Timothy P. Sinha Chris Itkonen Esa , 1–14. Amsterdam: Benjamins.
   Google Scholar