REFERENCES
- Aymer, G. (2006), ‘Lambie Nairn’, Computer Arts, 120, http://www.computerarts.co.uk/in_depth/interviews/lambie-nairn#Scene_l. Accessed 17 July 2011.
- Barthes, R. (1977), Image Music Text (trans. S. Heath), London: Fontana Press.
- Block, J. R. (2002), ‘What is an illusion?’ Sandlot Science, http://www.sandlots-cience.com/EyeonIllusions/whatisanillusion.htm. Accessed 19 July 2011.
- Coquaillart, S. and Jancéne, P. (1991) ‘Animated free-form deformation: An interactive animation technique’, Computer Graphics, 25:4, pp. 23–26.
- Damisch, H. (2002), A Theory of Cloud: Toward a History of Painting, Stanford, CA: Stanford University Press.
- Docherty, D., Morison, D. E. and Tracey, M. (1988), Keeping the Faith? Channel Four and Its Audience, London: John Libbey.
- Fanthome, C. (2007), ‘Creating an iconic brand — An account of the history, development context and significance of Channel 4's idents', Journal of Media Practice, 8:3, pp. 255–71.
- Fitzkee, D. (1945), Magic by Misdirection, Pomeroy, OH: Lee Jacobs, as cited in Tognazzini (1993).
- Foakes, R. A. (1989), ‘Making and breaking dramatic illusion’, in F. Burwick and W. Pape (eds), Aesthetic Illusion: Theoretical and Historical Approaches, New York: Walter de Gruyter, pp. 217–28.
- Grainge, P. (2009), ‘Lost logos: Channel 4 and the branding of American event television’, http://web.mit.edu/uricchio/Public/television/grainge%20uk%20branding%20lost.pdf. Accessed 17 July 2011 (originally published in R. E. Pearson (ed.) (2009), Reading Lost, London: IB Tauris, pp. 95–115).
- Heusser, J., Montgomery, J. and Seymour, S. (2007), ‘MPC London's award winning Channel 4 idents’, FX Guide, http://www.fxguide.com/featured/MPC_Londons_Award_Winning_Channel_4_Idents/. Accessed 19 July 2011.
- Hobson, D. (2008), Channel 4: The Early Years and the Jeremy Isaacs Legacy, London: I.B. Tauris.
- Holenstein, E. (1983), ‘Double articulation in writing’, in F. Coulmas and K. Ehlich (eds.), Writing in Focus, New York: Walter de Gruyter, pp. 45–62.
- Icon Group International. (2008), Brandies: Webster's Quotations, Facts and Phrases, San Diego, CA: ICON Group International.
- Jobling, P. and Crowley, D. (1996), Graphic Design: Reproduction and Representation since 1800, Manchester, UK: Manchester University Press.
- Kac, E. (1995) ‘Holopetry: from “Holo/Olho” (1983) to “When?” (1988)’, in Holopoetry: Essays, Manifestos, Critical and Theoretical Writings, Lexington New Media Editions, pp. 29–36, http://www.ekac.org/holopoetrybook.pdf. Accessed 19 July 2011 (originally published in Leonardo, 22:3/4 (1989), pp. 397–402).
- Kac, E. (1997), ‘Key concepts of holopoetry’, Electronic Book Review, http://www.electronicbookreview.com/thread/electropoetics/uncontrollable. Accessed 10 April 2006 (originally published in D. Jacksin, E. Vos and J. Drucker (eds) (1996), Experimental-Visual-Concrete: Avant-Garde Poetry since the 1960s, Amsterdam and Atlanta, GA: Rodopi, pp. 247–57).
- Kettley, S. (2005), ‘Framing the ambiguous wearable’, Convivio Journal, 2, http://www.sarahkettleydesign.co.uk/sarahkettley/friendship_Jewellery_01_sarah_kettley_files/Framing%20the%20Ambiguous%20Wearable.pdf. Accessed 15 April 2011.
- Kim, J. (2007), ‘Motion gestalt for screen design: applied theory of grouping principles for visual motion integrity’, Ph.D. thesis, Illinois Institute of Technology.
- Lamont, P. and Wiseman, R. (2005), Magic in Theory: An Introduction to the Theoretical and Psychological Elements of Conjuring, Hatfield, UK: University of Hertfordshire Press.
- Massin (1970), Letter and Image, London: Studio Vista.
- Miller, J. A. (1996), Dimensional Typography, New York: Princeton Architectural Press.
- Mollerup, P. (1999), Marks of Excellence, London: Phiadon.
- MPC (not dated), ‘Channel 4 idents’, http://www.moving-picture.com/index.php?option=com_content&view=article&id=341&Itemid=873&contentview=single§ion=1&pagenum=1. Accessed 19 July 2011.
- Ozler, L. (2007), ‘Channel 4 brings its logo to life to launch big art in 2008’, Dexigner, 14 October, http://www.dexigner.com/news/12348. Accessed 19 July 2011.
- Rosenberger, T., and MacNiel, R. L. (1999), ‘Prosodic font: translating speech into graphics’, CHI 99 Conference Proceedings, http://alumni.media.mit.edu/~tara/CHI1999.pdf. Accessed 13 July 2011.
- Ryan, D. (2001), Letter Perfect: The Art of Modernist Typography, 1896–1953, Rohnert Park, CA: Pomegranate.
- Slater, D. (1995), ‘Photography and modern vision: the spectacle of natural magic’, in C. Jenks (ed.), Visual Culture, London: Routledge, pp. 218–37.
- Tesauro, E. (2004), ‘Beyond anamorphosis’, in F. Varini, L. Müller and F. López-Durán (eds), Felice Varini: Points of View, Baden, Switzerland: Lars Müller.
- Tognazzini, B. (1993), ‘Principles, techniques, and ethics of stage magic and their application to human interface design’, Proceedings of InterCHI '93, pp. 355–62, doi: 10.1145/169059.169284. Accessed 20 June 2011.
- Tsur, R. (2000), ‘Picture poetry, mannerism, and sign relationships’, Poetics Today, 21:4, pp. 751–81, http://muse.jhu.edu/journals/poetics_today/v021/21.4tsur.html. Accessed 19 July 2011.
- Wertheimer, M. (1938a), ‘The General Theoretical Situation’, in W. D. Ellis (ed.), A Source Book of Gestalt Psychology, London: Routledge & Kegan Paul Ltd. pp. 12–16 (originally published as Wertheimer, M. (1922), ‘Untersuchungen zur Lehre von der Gestalt, I’, Psychol. Forsch. 1, pp. 47–58).
- Wertheimer, M. (1938b), ‘Laws of Organisation of Perceptual Forms’, in W. D. Ellis (ed.), A Source Book of Gestalt Psychology, London: Routledge & Kegan Paul Ltd. pp. 71–88 (originally published as Wertheimer, M. (1923), ‘Untersuchungen zur Lehre von der Gestalt, II’, Psychol. Forsch. 4, pp. 301–350).
- Wong, Y. Y. (1995), ‘Temporal typography: characterization of time-varying typographic form’, MS thesis, MIT, http://hdl.handle.net/1721.1/29102. Accessed to 19 July 2011.
- Woolman, M. and Bellantoni, J. (1999), Type in Motion, London: Thames & Hudson.