References
- Bourdieau, P., The Logic of Practice, Cambridge: Polity Press, 1990.
- Deleuze, G., Cinema 2 — The Time Image, London: The Athlone Press, 1985.
- Deleuze, G., Hume, in Pure Immanence — Essays on A Life, New York: Zone Books, 2001.
- Hamman, M., ‘Structure as Performance: Cognitive Musicology and the Objectification of Compositional Procedure’, in Otto Laske, Navigating New Musical Horizons, ed. J. Tabor, Westport, Connecticut: Greenwood Press, 1999.
- Heidegger, M., ‘The Question Concerning Technology’, In Basic Writings, San Francisco: HarperCollins, 1977.
- Heidegger, M., ‘The Origin of the Work of Art’, In Basic Writings, San Francisco: HarperCollins, 1977.
- Klee, P., Das Bildnerische Denken, Basel: Schwabe& Co, 1981.
- Kostelanitz, R., Conversing with Cage, New York: Limelight Editions, 1991.
- Laske, O., ‘The Humanities as Sciences of the Artificial’, Interface 23:3–4, 1992, pp. 239–55.
- McCullough, M., Abstracting Craft — The Practiced Digital Hand, Cambridge, Massachusetts: MIT Press, 1996.
- Tarkovsky, A., Sculpting in Time: Reflections on the Cinema, Austin: University of Texas Press, 1991.
Bibliographies
- Deleuze, G., and Guatarri, F., A Thousand Plateaus — Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press, 1987.
- Wilson, S., Research and Development as a Source of Inspiration and Ideas for Artists, http://userwww.sfsu.edu/~swilson, 1989.