REFERENCES
- Halliday, M. A. K. (1978), Language as Social Semiotic, London: Edward Arnold.
- Halliday, M. A. K., McIntosh, A. and Strevens, P. (1964), The Linguistic Sciences and Language Teaching, London: Longman.
- Jakobson, R. ([1958] 1960), ‘Closing statement at the conference on style in language: Linguistics and poetics’, in T. A. Sebeok (ed.), Style in Language, Cambridge, MA/London: MIT Press/John Wiley, pp. 350–377.
- Kreitler, H. and Kreitler, S. (1972), Psychology of the Arts, Durham, NC: Duke University Press.
- Kuspit, D. (2006), ‘James Nares's action paintings and chronophotographs’, Art New England, 27:3, p. 10.
- Messing, G. M. ([1960] 1961), ‘Review of T. A. Sebeok (ed.), Style in Language, Cambridge, MA/London: MIT Press/John Wiley’, in Language, 37:2, April/June, pp. 256–66.
- Noland, C. and Ness, S. A. (eds) (2008), Migrations of Gesture, Bristol and Minnesota: University of Minnesota Press.
- O'Toole, M. (2011), The Language of Displayed Art, 2nd ed., London: Routledge.
- Schneckloth, S. (2008), ‘Marking time, figuring space: Gesture and the embodied moment’, Journal of Visual Culture, 7:3, pp. 277–92.
- Steiner, W. (2010), The Real Real Thing. The Model in the Mirror of Art, Chicago: The University of Chicago Press.