Bibliography
- Archer, Michael, Art since 1960, London: Thames and Hudson, 1997.
- Aronowitz, Stanley, Dead Artists Live Theories, London: Routledge, 1994, p. 35.
- Calow, Jane, ‘New Territories for Art Education’, in John Carson and Susannah Silver (eds.), Out of the Bubble: Approaches to Contextual Practice within Fine Art Education, London: London Institute/Central St. Martin's College of Art and Design and London Arts Board, 2000, pp. 105–112.
- Carson, John and Silver, Susannah (eds.), Out of the Bubble: Approaches to Contextual Practice within Fine Art Education, London: the London Institute/Central St. Martin's College of Art and Design and London Arts Board, 2000.
- Caute, David, Sixty-Eight: The Year of the Barricades, London: Paladin, 1988.
- Cheetam, Mark A., The Rhetoric of Purity, Cambridge: Cambridge University Press, 1994.
- Connor, Steven, ‘Modernism and Postmodernism’, in David Cooper (ed.), A Companion to Aesthetics, Oxford: Blackwell, 1995, pp 289–293.
- Debord, Guy, ‘Preliminary Problems in Constructing a Situation’, Situationist Anthology, Bureau of Public Secrets, 1981.
- Freire, Paulo, Cultural Action for Freedom, London: Penguin, 1972.
- Freire, Paulo, The Pedagogy of the Oppressed, London: Penguin, 1972.
- Fried, Michael, Art and Objecthood, Chicago: University of Chicago Press, 1998.
- Green, Nicholas and Mort, Frank, ‘Art History, Pleasure and Politics’, Another Standard, London: Shelton Trust, Autumn 1982.
- Greenberg, Clement, ‘The New Sculpture’, in John O'Brian (ed.), Clement Greenberg: The Collected Essays and Criticism. Volume 2, Chicago and London: University of Chicago Press, 1986.
- Kelly, Owen, Community, Art and the State: Storming the Citadels, London: Comedia, 1984.
- Killip, Dermott, ‘Biting the Hand that Feeds Us? A Community Artist writes to Sir Roy Shaw’, Another Standard, London: Shelton Trust, 1980.
- Krauss, Rosalind, The Originality of the Avant-Garde and Other Modernist Myths, Cambridge MA and London: MIT Press, 1986.
- Latham, John, Report of a Surveyor, London: Tate Gallery, 1986.
- Layzell, Richard, ‘Beginnings in Britain’, in Robert Ayers and David Butler (eds.), Live Art, Sunderland: AN, 1991.
- Lippard, Lucy, Six Years-The Dematerialisation of the Art Object, New York: Studio Vista, 1973.
- Lucie-Smith, Edward, Movements in Art Since 1945, London: Thames and Hudson, 1969 and 1975.
- Moriarty, Gerri, ‘The Association of Community Artists — not a history, more a point of view’, in Bernard Ross, Sally Brown, and Sue Kennedy (eds.), Community Arts Principles and Practices, Gateshead: South Tyneside Community Arts, 1980.
- Morgan, Sally J., ‘The Border-guards have lost interest: The “Problem” of Public Art and the rise of Contextual Practice’, Drawing Fire, 2:4 (1999), Bristol: NAFAE.
- Morgan, Sally J., ‘Looking Back over 25 Years’, in Malcolm Dickson (ed.), Art With People, Sunderland, AN, 1995, pp. 16–26.
- Morgan, Sally J., unpublished lecture, Dartington, 1986.
- Sayre, Henry M., The Object of Performance, Chicago and London: University of Chicago Press, 1989.
- Students and Staff of Hornsey College of Art, The Hornsey Affair, London: Penguin, 1969.
- White, Hayden, The Content of the Form: Narrative, Discourse and Historical Representation, Baltimore: Johns Hopkins University Press, 1987.
- Wheale, Nigel, Postmodern Arts, London: Routledge, 1995.
- Williams, Raymond, Culture and Society: Coleridge to Orwell, London: Hogarth Press, 1987.
- Yorkshire Arts, policy document, collection of the author, 1994.