Works cited
- Baudrillard, J. (1983) ‘The Ecstasy of Communication’, in Postmodern Culture (ed. Foster, H.), Port Townsend: Pluto Press.
- Fisher, J. (1996) ‘Susan Hiller: Élan and other Evocations’, in Inside the Visible: an elliptical traverse of the twentieth century art in, of and from, the feminine (ed. de Zegher, C.), Cambridge, MA: MIT Press.
- Fisher, J. (1996) ‘The Echoes of Enchantment’, in Inside the Visible: an elliptical traverse of the twentieth century art in, of and from, the feminine (ed. de Zegher, C.), Cambridge, MA: MIT Press.
- Hiller, S. (1983) ‘Looking at New Work: An Interview with Rozsika Parker’, in Thinking About Art: Conversations with Susan Hiller (ed. Einzig, B.).
- Hiller, S. (1989) ‘Reflections’, in Thinking About Art: Conversations with Susan Hiller (ed. Einzig, B.). (Townsend Lecture delivered at University College London.)
- Hiller, S. (1996) ‘Portrait of the artist as a photomat’, in Thinking About Art: Conversations with Susan Hiller (ed. Einzig, B.), Manchester: Manchester University Press. (An improvised talk given on the occasion of Hiller's exhibition at Gimpel-Fils, London, March-April 1983.)
- Hiller, S. (1996), Transcript, 2:1.
- Lippard, L., ‘Preface’ in Thinking About Art: Conversations with Susan Hiller (ed. Einzig, B.).
- Lowe, R. (2001) ‘Giving and Withholding: The Projection Art of Rachel Lowe’ (interview with Paul Tebbs), Afterimage, 29:2.
- Milne, L. (2002) ‘On the Side of the Angels: Susan Hiller's Witness and Other Works’, in Susan Hiller (exhibition catalogue), Roskilde, Denmark: Museum of Contemporary Art.
- Tebbs, P. (2001) ‘Giving and Withholding: The Projection Art of Rachel Lowe’, Afterimage, 29:2.