80
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Underwriting: an experiment in charting studio practice

Pages 59-74 | Published online: 03 Jan 2014

References

  • Beavers, Robert ([1971] 1998), From the Notebooks of.., 35mm, col., sound, 48mins., USA.
  • Brakhage, S. ([1955] 2001), ‘Make Place for the Artist’, Essential Brakhage, New York: McPherson/Documentext, pp. 74–76.
  • Burgin, V. (2006), ‘Thoughts on “research” degrees in visual arts departments’, Journal of Media Practice, 7:2, pp. 101–108.
  • Carroll, L. (1904), Sylvie and Bruno, London: MacMillan, cited in Smithson 1979, pp. 77–78.
  • Carroll, L. ([1876] 1908), The Hunting of The Snark: An Agony in Eight Fits, London: MacMillan.
  • Deleuze, G. and Guattari, F. (1987), A Thousand Plateaus: Capitalism and Schizophrenia, trans. B. Massumi, Minneapolis: University of Minnessota Press.
  • Deleuze, G. ([1981] 2003), Francis Bacon: the Logic of Sensation, trans. D. W. Smith, London: Continuum.
  • Derrida, J. (1977), ‘Signature, Event, Context,’ Glyph, 1, Baltimore: John Hopkins University Press, pp. 185–186.
  • Duchamp, M. (1934), The Green Box, details of this work at: http://www.tate.org.uk/research/tateresearch/tatepapers/05spring/thirkell.htm
  • Frend, C. (dir.) (1953), The Cruel Sea, 126mins, B/W, UK.
  • Gilbert—Rolfe, J. (1995), Beyond Piety, Cambridge: Cambridge University Press.
  • Godfrey, M. (2009), ‘Diagrams of Thought’, Tate etc, Issue 15, Spring 2009, pp. 94–99.
  • Grassie, A. (2006), ‘Document First’, unpubl. talk given at: Did Hans Namuth Kill Jackson Pollock symposium at Chelsea School of Art, 28th April, 2006. http://www.visualintelligences.com/andrew-grassie-pollock_940.html. Accessed 3rd January 2009.
  • Hughes, R. (1990), Frank Auerbach, London: Thames and Hudson.
  • Jarvis, M. (2007), ‘Articulating the tacit dimension in artmaking’, Journal of Visual Arts Practice, 6:3, pp. 201–213.
  • Russell, J. (1971), Francis Bacon, London: Thames and Hudson.
  • Schön, D. A. (1987), Educating the Reflective Practitioner, San Francisco, CA: Jossey-Bass.
  • Smithson, R. (1979), ‘A Museum of Language in the Vicinity of Art’, N. Holt (ed.), The Writings of Robert Smithson, New York: New York University Press. First published in Art International, March 1968.
  • Sutherland, I. and Krzys Acord, S. (2007), ‘Thinking with art: from situated knowledge to experiential knowing’, Journal of Visual Art Practice, 6:2, pp. 125–140.
  • Stiles, K. (1996), Theories and documents in contemporary art: a sourcebook of artists' writings, Berkeley: University of California Press.
  • Weiss, J. (2004), ‘Language in the Vicinity of Art: artists’ writings, 1960–1975’, Artforum, Summer, http://flndarticles.com/p/articles/mi_m0268/is_10_42/ai_n6232012. Accessed 15th January 2009.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.