REFERENCES
- Auslander, P. (1999), Liveness: Performance in a Mediatized Culture, London and NewYork: Routledge.
- Baars, B.J. (1997), ‘In the Theatre of Consciousness: Global Workspace Theory, A Rigorous Scientific Theory of Consciousness’, Journal of Consciousness Studies, 4:4, pp. 292–309.
- Baker, C. (2008) ‘”Liveness” and “Presence” in Bio-Networked Mobile Performance Practices: Emerging Perspectives’, The International Journal of Performance Arts and Digital Media, 4: 2&3, pp. 117–136.
- Blast Theory (2003), Uncle Roy All Around You from performance group from Brighton, UK. http://www.blasttheory.co.uk/bt/work_uncleroy.html. Accessed July 2006.
- Boal, A. (1992). Games for Actors and Non-Actors (trans. A. Jackson), London and New York: Routledge.
- Damasio, A. (1999), The Feeling of What Happens: Body and Emotion in the Making of Consciousness, New York, San Diego, London: Harcourt Brace & Company.
- FILMobile (March 2008), Conference and Exhibition (Online), London, UK: University of Westminster, http://www.filmobile.net. Accessed September 2009.
- Goffman, E. (1959), The Presentation of Self in Everyday Life, New York: Bantam Dell Pub Group.
- Hawley, H. (2004), Speech Marks, mobile video installtion. http://www.artdes.mmu.ac.uk/profile/shawley/image/10349. Accessed 20 March 2010
- Idhe, D. (2002), Bodies in Technology, Electronic Mediations Vol. 5, Minneapolis, MN: University of Minnesota Press.
- Kozel, S. (2007), Closer: Performance, Technologies, Phenomenology, Cambridge, MA: The MIT Press.
- Lewis, T. MD, Amini, F. MD, Lannon, R. MD (2001), A General Theory of Love, NewYork: Vintage Books division of Random House.
- Libet, B. (2004), Mind Time: The Temporal Factor In Consciousness, Cambridge, MA: Harvard University Press.
- Manovich, L. (2005), Soft-Cinema, interactive art project. http://www.manovich. net and http://www.softcinema.net/movies.htm or http://www.manovich. net/cinema_future/toc.htm. Accessed August 2009.
- Massumi, B. (2002), Parables for the Virtual: Movement, Affect, Sensation, Durham and London: Duke University Press.
- Merleau-Ponty, M. ([1958] 2002), Phenomenology of Perception, London and New York: Routledge.
- Phelan, P. (1993), Unmarked: The Politics of Performance, London and New York: Routledge.
- Richardson, I. (2005), ‘Mobile Technosoma: Some Phenomenological Reflections On Iterant Media Devices’, Fibreculture Journal 2005, Mobility, New Social Intensities and the Coordinates of Digital Networks, 6(online) www.journal.fibreculture.org/issue6/issue6_richarson. Accessed 10 June 2007.
- Schechner, R. ([1988] 2003), Performance Theory, London and New York: Routledge.
- Shusterman, R. (2000), Performing Live: Aesthetic Alternatives for the Ends of Art, Ithaca and London: Cornell University Press.
- Terry, D. (2005), mo.vid.1, film (Online) http://www.deanterry.com/blog/index.php/2005/10/. Accessed December 2008.
PROJECT REFERENCES
- Auslander, P. (1997), ‘Ontology vs. history: Making distinctions between the live and the mediatized’, in The School of Literature, Communication & Culture, Georgia Institute of Technology: The 3rd Annual Performance Studies Conference, Atlanta, Georgia: Conference Archives. http://webcast.gatech.edu/papers/arch/Auslander.html. Accessed 11 July 2006.
- Bourriaud, N. ([1998] 2002), Relational Aesthetics, Dijon: Les Presses du Réel, pp. 84–102.
- Christensen, M. S. (2006), ‘As we may feel: Interpreting the cultural of emerging personal affective mobile media’, Ph.D. dissertation, Denmark: Department of Innovative Communication at the IT University of Copenhagen.
- Dixon, S. (2007), Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation, Cambridge, MA: The MIT Press.
- Manovich, L. (2001), The Language of New Media, Cambridge, MA: The MIT Press.
- Mitchell, W. (2003), Me++: The Cyborg Self and the Networked City, Cambridge, MA: The MIT Press.
- Presence Project (2006–2009), Research Project, Stanford University, Palo Alto, CA; Exeter, UK: University of Exeter and London: University College of London, http://presence.stanford.edu/.
- Schiphorst, T. and Anderson, K. (2004), Between Bodies: Using Experience Modeling to Create Gestural Protocols for Physiological Data Transfer, International Conference for Human-Computer Interaction Systems, Vienna, Austria: Conference Proceedings for CHI 2004.
- Schleser, M., Baker, C. and Molga, K. (2009), ‘Aesthetics of Mobile Media Art’, Intellect: Journal of Media Practice, 10: 2&3, pp. 101–22. http://www.intellectbooks.co.uk/journals/view-Article,id=8520/ Accessed May 2010, Bristol, UK: Intellect Press, pp. 101–22.
- Shusterman, R. (2008), Body Consciousness: A Philosophy of Mindfulness and Somaesthetics, New York, NY: Cambridge University Press.
- Varela, F., Thompson, E. and Rosch, E. (1991), The Embodied Mind: Cognitive Science and Human Experience, Cambridge, MA: The MIT Press.
- whisper(s) project (2002–2006), Lead by Thecla Schiphorst, School of Interactive Arts and Technology, Surrey, BC Canada: Simon Fraser University.