REFERENCES
- Borgo, D. (2007), Sync or Swarm: Improvising Music in a Complex Age, New York: Continuum International Publishing Group.
- Chion, M. (1994), Audio-Vision: Sound on Screen, New York: Columbia University Press.
- Chadabe, J. (1999), A Brief Overview of Otto Laske's Work, in Tabor, J. (ed.), Otto Laske — Navigating New Musical Horizons, Westport, CT: Greenwood Press, pp. 73–79.
- Cook, N. (1998), Analysing Musical Multimedia, Oxford: Oxford University Press.
- Delta Saxophone Quartet (dir.) (2011), Uneasy Dreams [DVD]. UK: F.M.R. Records.
- Fonstad, N. O. (2001), ‘The roles of technology in improvising’, Prepared for the International Conference on Information Systems, Doctoral Consortium, New Orleans, LA, 14–16. December 2001.
- Gregory, R. L. (1968), ‘Perceptual illusions and brain models’, http://www.richardgregory.org/papers/brainmodels/illusions-and-brain-models_p1.htm. Accessed 10 August 2011.
- Hamman, M. (1999), ‘Sonology: Structure as performance: Cognitive musicology and the objectification of compositional procedure’, in J. Tabor (ed.), Otto Laske-Navigating New Musical Horizons, Westport, CT: Greenwood Press, pp. 37–53.
- Hermans, C. (2003), ‘When the body takes over’, www.sdela.dds.nl/cinedebate/whenthinkingmovement.pdf. Accessed 8 August 2011.
- Ihde, D. ([1976] 2007), Listening and Voice: Phenomenologies of Sound, Albany: State University of New York Press.
- Kramer, M. E. (2004), ‘The body in communication’, in V. Berdaye (ed.), The Body in Human Inquiry: Interdisciplinary Explorations of Embodiment, Cresskill, New Jersey: Hampton Press, pp. 51–86.
- Lewis, G. E. (2009), ‘The condition of improvisation’, http://www.isimprov.org/writings/Lewis.UCSC.keynote.v3.pdf. Accessed 18 November 2010.
- Miller, P. D. and Iyler, V. (2009), ‘Improvising digital culture’, Critical Studies in Improvisation, Vol 5, No 1, pp. 1–10.
- Musso, E. (2008), ‘Point and line to plane: Mathematical problems related to Kandinsky's conception of art’, in Proceedings 7th International Conference Aplimat 2008, Slovak University of Technology, Bratislava, February 2008, pp. 703–710.
- Redner, G. (2011), Deleuze on Film Music: Building a Methodological Bridge Between Film Theory and Music, Bristol: Intellect.
- Sonnenschein, D. (2001), Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema, Studio City, CA: Michael Wise Productions.
- Taylor, F. S. (2007), ‘Metaphors and mirrors in digital performance: Dress rehearsal for social autism’, International Journal of Performance and Digital Media, 3: 1, pp. 59–81., doi: 10.1386/padm.3.1.59/1.
- Truax, B. (1999), ‘Sonology: A questionable science revisited’, in J. Tabor (ed.), Otto Laske-Navigating New Musical Horizons, Westport, CT: Greenwood Press, pp. 21–36.
- Trueit, D. (2008), ‘Beyond simple order: Complexity and postmodern politics’, Journal of the Canadian Association for Curriculum Studies, 6: 1, pp. 25–43.
- Vihman, M. (2002), ‘The role of mirror neurons in the ontegony of speech’, in M. I. Stamenov and V. Gallese (eds) (2002), Mirror Neurons and the Evolution of Brain and Language, Amsterdam: John Benjamins Publishing Company, pp. 305–314.
- Zemelman, M. (2009), ‘What is contact improvisation’, http://www.contactimprov.com/. Accessed 8 August 2011.