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Original Articles

Digital systems for live multimodal performance in Death and the Powers

Pages 109-123 | Published online: 03 Jan 2014

REFERENCES

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  • Auslander, P. (2008), Liveness. Performance in a Mediatized Culture, 2nd ed., London and New York: Routledge.
  • Causey, M. (2006), Theatre and Performance in Digital Culture. From Simulation to Embeddedness, Abingdon, Oxon and New York: Routledge.
  • Clynes, M. (1978), Sentics: The Touch of Emotions, New York: Anchor Press/Doubleday.
  • Dodge, C. (1997), ‘The abstraction, transmission, and reconstruction of presence: A proposed model for computer based interactive art’, Master's thesis, Cambridge: Massachusetts Institute of Technology.
  • Duncan, M. (2004), ‘The operatic scandal of the singing body: Voice, presence, performativity’, Cambridge Opera Journal, 16: 3, pp. 283–306.
  • Laban, R. ([1950] 1988), Mastery of Movement, London: Northcote House.
  • Marrin Nakra, T. A. (2000), ‘Inside the conductor's jacket: Analysis, interpretation and musical synthesis of expressive gesture’, Ph.D. thesis, Cambridge: Massachusetts Institute of Technology.
  • Pinsky, R. (2010), ‘Death and the Powers: A robot pageant’, Poetry, July/August, pp. 285–327.
  • Torpey, P. (2009), ‘Disembodied performance: Abstraction of representation in live theater’, Master's thesis, Cambridge: Massachusetts Institute of Technology.

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