Rethinking distribution: developing the parameters for a micro-analysis of the movement of motion pictures

References

• Alexander, J.O. (1950), ‘The Chief Commonwealth Film Censor's Official 1950 Report’, Film Weekly Motion Picture Directory, 1951–2, pp. 58–59.
   Google Scholar
• Anon. (1929), The Daily Witness, Young, Wednesday, 27 November, n.p.
   Google Scholar
• Bailey, J. J. (1998), ‘Independent Exhibition in Country Queensland from the 1930s to 1960s’, in J. Doyle, B. van der Heide and S. Cowan (eds), Our Selection On: Writing on Cinemas' Histories, Canberra: National Film and Sound Archive/Australian Defence Force Academy, pp. 43–60.
   Google Scholar
• Bertrand, I. and Routt, W.D. (1989), ‘The Big Bad Combine’, in A. Moran and T. O'Regan (eds), The Australian Screen, Ringwood, Victoria: Penguin, pp. 3–27.
   Google Scholar
• Boyd, M. (2006), ‘Travelling Picture Show-man, Stan Boyd’ (edited from a transcribed oral history tape recorded by M. Boyd), People and Physical Environment Research, 58–60, pp. 155–58.
   Google Scholar
• Broome, P. (2006a), ‘Memoirs of a Film Distributor: Part One’, Cinema Record, 51: 2, pp. 10–12.
   Google Scholar
• Broome, P. (2006b), ‘Memoirs of a Film Distributor: Part Two’, Cinema Record, 52: 3, pp. 24–29.
   Google Scholar
• Broome, P. (2007) personal communication with the author, 14 May.
   Google Scholar
• Brown, L. (ed.) (1993), The New Shorter Oxford English Dictionary on Historical Principles, vol. 1, Oxford: Clarendon Press, p. 709.
   Google Scholar
• Chief Secretary of NSW (1935), ‘Report by Police Sergeant at Canowindra, dated 26 September’, Kingswood: State Records (NSW) Series 15318, Container 17/3392, Item 2295.
   Google Scholar
• Collins, D. (1987), Hollywood Down Under: Australians at the Movies: 1896 to the Present Day, North Ryde, NSW: Angus & Robertson.
   Google Scholar
• Commonwealth Bureau of Census and Statistics (1955–62), Census of the Commonwealth of Australia, 30 June 1954, Canberra: Commonwealth Bureau of Census and Statistics.
   Google Scholar
• Cork, K. J. (1995), ‘Cinema as “Place”: The Case of the Picture Theatres in a Group of Towns and Villages in the Central West of New South Wales’, People and Physical Environment Research, 49, pp. 8–18.
   Google Scholar
• Cork, K. and Thorne, R. (2006), ‘The Social Significance of the Picture Theatre. How Many People Did Attend Picture Theatres in New South Wales before Television and Video?’ People and Physical Environment Research, 58–60, pp. 48–67.
   Google Scholar
• Film Weekly Motion Picture Directory, 1951–2, (n.d.), Sydney: Film Weekly Pty Ltd, p.14.
   Google Scholar
• Garlick, B. (1995), ‘Touring’, in P. Parsons with V Chance (eds.), Companion to Theatre in Australia, Sydney/Cambridge, UK: Currency/Cambridge University Press, pp. 609–12.
   Google Scholar
• Gomery, D. (1990), ‘The Theater: If You've Seen One, You've Seen the Mall’, in M.C. Miller (ed.), Seeing Through the Movies, New York: Pantheon, pp. 49–80.
   Google Scholar
• Headley, R.K. (2006), Motion Picture Exhibition in Baltimore: An Illustrated History and Directory of Theaters, 1895–2004, Jefferson, NC: McFarland.
   Google Scholar
• Jowett, G. (1976), Film: The Democratic Art: A Social History of American Film, Boston: Little Brown and Company.
   Google Scholar
• Kelly, C.A. (1959), Theatres and Public Halls, Sydney: Chief Secretary's Department, 22 September.
   Google Scholar
• MacFarlane, B., Mayer, G., and Bertrand, I. (1999), The Oxford Companion to Australian Film, Melbourne: Oxford University Press.
   Google Scholar
• NSW Government Railways (1963–66), ‘Railways Commissioner NSW, Traffic Branch Statistical Return’, unpublished report, State Records (NSW), Kingswood, Series NRS 15285, Container 1, Item [01].
   Google Scholar
• O'Connell, C. (1984), Report to the Minister for Planning and Environment: An Inquiry pursuant to Section 41 of the Heritage Act, 1977, into objections to the making of a Permanent Conservation Order in respect of the building known as the Odeon Theatre, East Esplanade, Manly, Sydney: Office of the Commissioners of Inquiry [for NSW], November.
   Google Scholar
• O'Regan, T. (1996), Australian National Cinema, London: Routledge.
   Google Scholar
• Pevney, J. (1957), Tammy [and the Bachelor], USA: Universal-International.
   Google Scholar
• Ricketson, F.H., Jr. (1938), The Management of Motion Picture Theatres, New York: McGraw-Hill.
   Google Scholar
• Ross, J. (ed.) (1999), Chronicle of the 20th Century, Ringwood: Viking.
   Google Scholar
• St Leon, M. (1983), Spangles and Sawdust: The Circus in Australia, Melbourne: Greenhouse.
   Google Scholar
• Thorne, R. (1999) Recorded oral histories of five elderly residents of Canowindra (born 1920 to 1939) including a former half-share owner, and part-time assistant projectionist, 15 and 17 August; on two CD discs deposited in the local Cabonne Shire Library and the National Film and Sound Archive, Canberra.
   Google Scholar
• Thorne, R. (2003), ‘Heritage Assessment of the JADDA Centre formerly known as the Athenium (sic) Theatre, Junee, NSW for the NSW Heritage Office’, unpublished report, 14 September.
   Google Scholar
• Thorne, R. (2006), A Study of the Type of Historical Research needed to Establish Heritage Significance: The Case of Early Theatre and Cinema in Junee, New South Wales', People and Physical Environment Research, 58–60, pp. 5–23.
   Google Scholar
• Thorne, R. (2007a) Twentieth Century Fox Film Distributors, Moore Park (Sydney), personal communication with the author, 1 May.
   Google Scholar
• Thorne, R. (2007b) Universal Pictures Australasia Pty Ltd, Milsons Point (Sydney), personal communication with the author, 1 May.
   Google Scholar
• Thorne, R., Tod, L. and Cork, K. (1996), Movie Theatre Heritage Register for New South Wales, 1896–1996, Sydney: Department of Architecture, University of Sydney.
   Google Scholar
• Tod, L. (2007) personal communication with the author, 22 May.
   Google Scholar
• Tulloch, J. (1982), Australian Cinema: Industry, Narrative and Meaning, Sydney: Allen and Unwin.
   Google Scholar
• Walker, J. (ed.) (1993), Halliwell's Film Guide, 9th edn., London: Harper Collins.
   Google Scholar