REFERENCES
- Audio Commentary with Director Donald Crombie and Stars Michael Craig and Simon Burke (2002), Special Features, in Crombie, D., The Irishman, Forest Home Films/AFC, 1978. Roadshow Entertainment.
- Bowles, K. (2008), ‘Rural Cultural Research: Notes from a Small Country Town’, Australian Humanities Review, 45, pp. 83–96.
- Casey, M. and Syron, L. (2005), ‘The Challenges of Benevolence: The Role of Indigenous Actors’, Journal of Australian Studies, 29: 85, pp. 97–111.
- Craik, J. (1990), ‘The Cultural Politics of the Queensland House’, Continuum, 3: 1, pp. 188–213.
- Crombie, D. (1978), The Irishman, Forest Home Films/AFC. Australia. Roadshow Entertainment (2002).
- Dermody, S. and Jacka, E. (1987), The Screening of Australia: Anatomy of a Film Industry (2 vols.), vol. 1, Sydney: Currency Press.
- Dermody, S. and Jacka, E. (1988), The Screening of Australia: Anatomy of a Film Industry (2 vols.), vol. 2, Sydney: Currency Press.
- Flanagan, M. (1998), The Call, St Leonards: Allen and Unwin.
- Luhrmann, B. (2008), Australia, Twentieth Century Fox Film and Bazmark Films. Australia.
- Murray, S. (ed.) (1994), Australian Cinema, St Leonards: Allen and Unwin in Association with Australian Film Commission.
- O'Conner, E. (1960), The Irishman: A Novel of Northern Australia, Sydney: Angus and Robertson.
- O'Regan, T. (1989), ‘Cinema Oz: The Ocker Films’, in A. Moran and T. O'Regan (eds.), The Australian Screen, Ringwood, Vic: Penguin, pp. 75–98.
- Rattigan, N. (1991), Images of Australia: 100 Films of the New Australian Cinema, Dallas: Southern Methodist University Press.
- Robson, J. and Zalcock, B. (1997), Girls' Own Stories: Australian and New Zealand Women's Films, London: Scarlet Press.
- Routt, W. D. (1989), ‘The Fairest Child of the Motherland: Colonialism and Family in Australian Films of the 1920s and 1930s’, in A. Moran and T. O'Regan (eds), The Australian Screen, Ringwood, Vic: Penguin, pp. 28–52.
- Ryan, L. (2008a), ‘Hugh Helps Local Flick’, Townsville Bulletin, 20 December, p. 27.
- Ryan, L. (2008b), ‘Investors Eye Bowen’, Townsville Bulletin, 27 December, p. 11.
- Schaffer, Kay (1988), Women and the Bush: Forces of Desire in the Australian Cultural Tradition, Cambridge: Cambridge University Press.
- Taylor, C. (2003), ‘Gender and Race Relations in Elizabeth O'Conner's Northern Homesteads’, Australian Literary Studies, 21: 1, pp. 20–31.
- Turner, G. (1987), ‘Breaking the Frame: The Representation of Aborigines in Australian Film’, in A. Rutherford(ed.), Aboriginal Culture Today, Sydney: Dangaroo Press, pp. 135–45.
- Turner, G. (1989), ‘Art Directing History: The Period Film’, in A. Moran and T. O'Regan (eds), The Australian Screen, Ringwood, Vic: Penguin, pp. 99–117.
- Verhoeven, D. (2006), Sheep and the Australian Cinema, Carlton, Vic: Melbourne University Press.
- Voigts-Virchow, E. (2007), ‘Heritage and Literature On Screen: Heimat and Heritage’, in D. Cartmell and I. Whelehan (eds), The Cambridge Companion to Literature on Screen, Cambridge: Cambridge University Press, pp. 123–37.
- Whitlock, G. (1994), ‘The Child in the (Queensland) House: David Malouf and Regional Writing’, in A. Nettlebeck(ed.), Provisional Maps: Critical Essays on David Malouf, Nedlands: The Centre for Studies in Australian Literature, University of Western Australia, pp. 71–84.