122
Views
4
CrossRef citations to date
0
Altmetric
Original Articles

Styles of national and global integration: Charting media transformation in Australian cities

Pages 223-238 | Published online: 03 Jan 2014

REFERENCES

  • Australian Broadcasting Corporation (ABC) (2010), Annual Report 2010, Sydney: ABC.
  • Australian Bureau of Statistics (ABS) (2008), ‘Television, Film and Video Production And Post-Production Services, Australia, 2006–07.’, catalogue no. 8679.0, Canberra: AUS: Australian Bureau of Statistics.
  • Australian Bureau of Statistics (ABS) (2009), ‘Australian Demographic Statistics, June 2009’, 3 December, catalogue no. 3101.0, Canberra: ABS.
  • Cook, Gary A. S. and Pandit, Naresh R. (2008), ‘Clusters in the broadcasting industry’, in C. Karlsson (ed.), Handbook of Research Cluster Theory, Cheltenham: Edward Elgar, pp. 274–91.
  • Curtin, Michael (2003), ‘Media capital: Towards the study of spatial flows’, International Journal of Cultural Studies, 6: 2, pp. 202–28.
  • Department of Premier and Cabinet, NSW (2008), Making NSW Film Friendly, NSW, Australia: Department of Premier and Cabinet, NSW.
  • Encore Directory 1987–1990. Manly, NSW: Chekeven; 1991–1993. Redfern, NSW: Trade News Corporation; 1994–2009. Chatswood, NSW: Reed Business Publications.
  • Film Broken Hill (2011), ‘Made in broken hill’, Film Broken Hill, http://www.filmbrokenhill.com/madein.html. Accessed 20 September 2011.
  • Film Victoria (2011), Film Melbourne Now, Melbourne: Film Victoria, http://www.filmmelbournenow.com/. Accessed 21September 2011.
  • Gibson, Chris, Murphy, Peter and Freestone, Roger (2002), 'Employment and socio-spatial relations in Australia's cultural economy7, Australian Geographer, 33: 2, pp. 173–89.
  • Goldsmith, Ben and O'Regan, Tom (2004), ‘Locomotives and stargates: Inner- city studio complexes in Sydney, Melbourne and Toronto’, International Journal of Cultural Policy, 10: 1, pp. 29–45.
  • Goldsmith, Ben and O'Regan, Tom (2005), The Film Studio: Film Production in the Global Economy, Lanham: Rowman & Littlefield.
  • Goldsmith, Ben, Ward, Susan and O'Regan, Tom (2010), Local Hollywood: Global Film Production and the Gold Coast, St Lucia: University of Queensland Press.
  • Henkel, Cathy (2000), Imagining the Future: Strategies for the Development of Creative Industries in the Northern Rivers Region of NSW, Lismore: Northern Rivers Regional Development Board.
  • Higgs, Peter, Cunningham, Stuart and Pagan, Janet (2007), ‘Australia's creative economy: Basic evidence on size, growth, income and employment’, Technical Report, ARC Centre of Excellence for Creative Industries & Innovation (CCI), http://eprints.qut.edu.au
  • Higgs, Peter and Hagaman, S. (2008), ‘Strong attractors and lily pads: How putting numbers to the drift of creative talent in the creative economy through the concentration effect can reveal the impact of local factors’, presented at the International Forum on the Creative Economy, Gatineau, Quebec, Canada, 17–18. March.
  • Hogan, P. J. (2003), Peter Pan, Los Angeles: Universal Pictures.
  • House of Representatives (2003), ‘Question: Communications—special broadcasting service’, Hansard, 11 September, pp. 19973–75.
  • Krätke, Stefan (2003), ‘Global media cities in a world-wide urban network’, European Planning Studies, 11: 6, pp. 605–28.
  • Krätke, Stefan and Taylor, Peter (2004), ‘A world geography of global media cities’, European Planning Studies, 12: 4, pp. 459–77.
  • Luhrmann, Baz (2008), Australia, Los Angeles: Twentieth Century Fox Film Corporation.
  • Luhrmann, Baz (2001), Moulin Rouge, Los Angeles: Twentieth Century Fox Film Corporation.
  • Malick, Terence (1998), The Thin Red Line, Los Angeles: Fox 2000 Pictures.
  • Miller, George (1981), Mad Max 2: The Road Warrior, Sydney: Kennedy Miller Productions.
  • Miller, George (1985), Mad Max Beyond Thunderdome, Sydney: Kennedy Miller Productions.
  • Miller, George (2006), Happy Feet, Los Angeles: Warner Bros. Pictures.
  • Miller, George (2011), Happy Feet 2, Los Angeles: Warner Bros. Pictures.
  • Newlinds, Peter (2006), ‘Is it money well-spent on Hawthorn?’, ABC Tasmania, 5 September, http://www.abc.net.au/tasmania/stories/s1733013.htm. Accessed 21 September 2011.
  • NSW Department of State and Regional Development (NSWSRD) (2008), NSW Creative Industry Insights, Sydney: NSWSRD.
  • O'Connor, Kevin, Stimson, Robert and Daly, Maurice (2001), Australia's Changing Economic Geography: A Society Dividing, Melbourne: Oxford University Press.
  • O'Regan, Tom, Goldsmith, Ben and Ward, Susan (2011), ‘Sydney's media cluster: Continuity and change’, in Charlie Karlsson and Robert Picard (eds), Media Clusters: Spatial Agglomeration and Content Capabilities, Cheltenham: Edward Elgar, pp. 199–222.
  • Proyas, Alex (2009), Knowing, Los Angeles: Summit Entertainment.
  • Sassen, Saskia (2001), The Global City: New York, London, Tokyo, Princeton: University of Princeton Press.
  • Sassen, Saskia (2006), Cities in a World Economy, 3rd ed., Thousand Oaks: Pine Forge Press.
  • Scott, Allen J. (2000), The Cultural Economy of Cities: Essays on the Geography of Image-producing Industries, London: Sage.
  • Scott, Allen J. (2008), Social Economy of the Metropolis: Cognitive-Cultural Capitalism and the Global Resurgence of Cities, Oxford: Oxford University Press.
  • Screen Australia (2010), Get the Picture, Sydney: Screen Australia, http://www.screenaustralia.gov.au/gtp/default.html. Accessed 12 June 2010.
  • Screen Australia (2011a), ‘Australia and the world: International comparisons’, Sydney: Screen Australia, http://www.screenaustralia.gov.au/research/statistics/intcomp.asp. Accessed 20 September 2011.
  • Screen Australia (2011b), ‘Australia and the world: Audio-visual trade’, Sydney: Screen Australia, http://www.screenaustralia.gov.au/research/statistics/atradetotal.asp. Accessed 20 September 2011.
  • Screen Australia (2011c), Production Industry: Drama, Sydney: Screen Australia, http://www.screenaustralia.gov.au/research/statistics/mptvdramaspendxstate.asp. Accessed 20 September 2011.
  • Screen NSW (2011), ‘Filming in Sydney and NSW’, Sydney: Screen NSW, http://screen.nsw.gov.au/index.php?page_id=5. Accessed 21 September 2011.
  • Snyder, Zack (2010), Legends of the Guardians: the Owls of Ga'Hoole Los Angeles, Melbourne, Sydney: Warner Bros, Village Roadshow Pictures, Animal Logic.
  • Taylor, Peter J. (2004), World City Network: A Global Urban Analysis, London: Routledge.
  • Tonts, Matthew and Taylor, Michael (2010), ‘Corporate location, concentration and performance: Large company headquarters in the Australian urban’, Urban Studies, 47: 12, pp. 2641–64.
  • Various (1966–1968.), Skippy, Sydney: Fauna Productions.
  • Various (1996-), Australian Story, Sydney: ABC.
  • Various (2001–2009), McLeod's Daughters, Sydney: Nine Network Australia.
  • Various (2001–2008), Big Brother, Sydney: Southern Star Endemol.
  • Various (2002-), I'm a Celebrity, Get Me Out of Here, Manchester: Granada Television.
  • Various (2006–2010.), H2O: Just Add Water, Melbourne: Jonathan M. Schiff Productions.
  • Various (2007–2011), Sea Patrol, Sydney: McElroy All-Media.
  • Various (2008-), Packed to the Rafters, Sydney: Seven Network.
  • Various (2009-), Masterchef Sydney: Fremantle Media.
  • Various (2010), The Pacific, Los Angeles: DreamWorks SKG.
  • Various (2011), Cloudstreet, Sydney: Screentime.
  • Wachowski, Andy and Wachowski, Lana (1999), The Matrix, Los Angeles: Warner Bros Pictures.
  • Ward, Susan and O'Regan, Tom (2009), ‘The film producer as the long-stay business tourist: Rethinking film and tourism from a gold coast perspective’, Tourism Geographies, 11: 2, pp. 214–32.
  • Ward, Susan and O'Regan, Tom (2010), ‘Fashioning the boutique location: Remaking the gold coast as an international production location’, in Greg Elmer, Charles Davis, Janine Marchessault and John McCullough (eds), Locating Media, Lanham, MD: Lexington Books, pp. 79–102.
  • Zhang, Yimou (2004), House of Flying Daggers, Beijing: Beijing New Picture Film Co.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.