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Original Articles

Luis Buñuel's Land Without Bread: The critics and the contexts

Pages 137-150 | Published online: 03 Jan 2014

References

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  • Bazin, A. (1951), ‘Los Olvidados’, L'Esprit, 20: 186, pp. 85–89. Reprinted in J. Mellen (ed.) (1978), The World of Luis Buñuel: Essays in Criticism, New York: Oxford University Press, pp. 194–200.
  • Breton, A. (1969), Manifestoes of Surrealism (trans. R. Seaver and H.R. Lane), Ann Arbor: University of Michigan Press.
  • Buñuel, L. (1947), ‘Notes on the Making of Un chien andalou’ (trans. G. McCann Morley), in F. Stauffacher (ed.), Art in Cinema: A Symposium on the Avantgarde Film, San Francisco: San Francisco Museum of Art. Reprinted in J. Mellen (ed.) (1978), The World of Luis Buñuel: Essays in Criticism, New York: Oxford University Press, pp. 151–53.
  • Buñuel, L. (1983), My Last Sigh (trans. A. Israel), Minneapolis: University of Minnesota Press.
  • Conley, T. (1987), ‘Documentary Surrealism: On Land Without Bread’, in R.E. Kuenzli (ed.), Dada and Surrealist Film, New York: Willis Locker & Owens, pp. 176–98.
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  • Hammond, P. (1999), ‘To the Paradise of Pitfalls’, in M. Ibarez (ed.), Tierra Sin Pan: Luis Buñuel y los nuevos caminos de las vanguardias, Valencia: IVAM Centre Julio González, pp. 81–95, 211–217.
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  • Kelman, K. (1978). ‘The Other Side of Realism: Buñuel's Un Chien Andalou, L'Age D'Or, Land Without Bread, Los Olvidados’, in P. Adam Sitney (ed.), The Essential Cinema, New York: Anthology Film Archives, pp. 112–33.
  • Kyrou, A. (1963), Luis Buñuel: An Introduction (trans. A. Foulke), New York: Simon and Schuster.
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  • Mendelson, J. (2005), Documenting Spain: Artists, Exhibition Culture, and the Modern Nation, 1929–1939, University Park, PA: Pennsylvania State University Press.
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  • Sobchack, V (1980), ‘Synthetic Vision: The Dialectic Imperative of Luis Buñuel's Las Hurdes’, Millennium Film Journal, 7–9, pp. 140–50. Reprinted in B.K. Grant and J. Sloniowski (eds) (1998), Documenting the Documentary: Close Readings of Documentary Film and Video, Detroit: Wayne State University Press, pp. 70–82.
  • Tagg, J. (1987), ‘Evidence, Truth, and Order: A Means of Surveillance’, in The Burden of Representation, London: Macmillan, pp. 60–102. Reprinted in S. Hall and E. Evans (eds) (1999), Visual Culture: The Reader, London: Sage Publications, pp. 244–73.
  • Thirard, P.L. (2000), ‘Colloque à Pordenone’, Positif, 471, p. 64.
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