Works cited
- Barba, Eugenio (1995), The Paper Canoe: a guide to theatre anthropology, trans. Richard Fowler, London and New York: Routledge.
- Barba, Eugenio (1996), ‘How ISTA came into being’, in Kirsten Hastrup (ed.), The Performers Village, Gaarsten: Drama (reprinted in ISTA Programme, 2004).
- Barba, Eugenio (2002), An amulet made of memory: the significance of exercises in the actor's dramaturgy', in Phillip Zarrilli (ed.), Acting (Re)considered, 2nd edition, London and New York: Routledge.
- Barba, Eugenio and Savarese, Nicola (1991), A Dictionary of Theatre Anthropology: the Secret Art of the Performer, London and New York: Routledge.
- ISTA (International School of Theatre Anthropology) Programme (2004), Artists, Performances, Scholars: 13th ISTA, Seville.
- Odin Teatret (2004), programme for Andersen's Dream.
- Risum, Janne (2001), A Study in Motley: the Odin Actors', in Ian Watson (ed.), Performer Training: Developments Across Cultures, Amsterdam: Harwood Academic Publishers.
- Turner, Andrea and Smith, Phil (2004), ‘Making silence sing: Odin Teatret's South West residency 2004’, Total Theatre Magazine, 16:2[JL1], p. 11.
- Turner, Jane (2004), Eugenio Barba, London and New York: Routledge.
- Watson, Ian (2002), Negotiating Cultures: Eugenio Barba and the Intercultural Debate, Manchester: Manchester University Press.
- Wethal, Torgeir (2004), ‘Mirrors damaged by damp and rust’, in Odin Teatret (2004), programme for Andersen's Dream.