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Original Articles

Artaud's mental illness reconsidered

Pages 165-168 | Published online: 06 Jan 2014

Works cited

  • Artaud, Antonin (1976), Selected Writings (ed. and intro. Susan Sontag), New York: Farrar, Straus and Giroux.
  • Forman, Robert (ed.) (1990), The Problem of Pure Consciousness: Mysticism and Philosophy, Oxford: Oxford University Press.
  • Hagelin, J. (1987), ‘Is consciousness the unified field? A field theorist's perspective’, Modern Science and Vedic Science, 1, pp. 29–88.
  • Innes, Christopher (1981), Holy Theatre: Ritual and the Avant-Garde, Cambridge: Cambridge University Press.
  • Meyer-Dinkgräfe, Daniel (1996), Consciousness and the Actor: A Reassessment of Western and Indian Approaches to the Actor's Emotional Involvement from the Perspective of Vedic Psychology, Frankfurt am Main: Peter Lang.
  • Saunders, Graham (2002), ‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremities, Manchester: Manchester University Press.
  • Sierz, Aleks (2001), In-Yer-Face Theatre: British Drama Today, London, Faber and Faber.
  • Stace, Walter T. (1960), Mysticism and Philosophy, London: Macmillan.

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