191
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Primo (2004): The performance of traumatic testimony

Pages 153-165 | Published online: 06 Jan 2014

REFERENCES

  • Adorno, Theodor (1990), ‘Cultural criticism and society’, in Prisms (trans. Samuel and Shierry Weber), Cambridge: MIT Press.
  • Agamben, Georgio (1999), Remains of Auschwitz: The Witness and the Archive, New York: Zone Books.
  • Alford, Fred C. (2009), After the Holocaust: The Book of Job, Primo Levi and the Path to Affliction, Cambridge: Cambridge University Press.
  • Anissimov, Myriam (2006), Primo Levi: Tragedy of an Optimist, London: Little Books Ltd.
  • Appelfeld, Aharon (1988), ‘After the Holocaust’, in Berel Lang (ed.), Writing and the Holocaust, New York: Holmes and Meier, p. 89
  • Appelfeld, Aharon (1994), Beyond Despair, New York: Fromm International.
  • Blocker, Jane (2009), Seeing Witness: Visuality and the Ethics of Testimony, Minneapolis and London: University of Minnesota Press.
  • Clendinnen, Inga (1998), Reading the Holocaust, Melbourne: The Text Publishing Company.
  • Delbo, Charlotte (1990), Days and Memory (trans. and with preface by Rosette Lamont), Vermont: The Marlboro Press.
  • Delbo, Charlotte (1995), Auschwitz and After, New Haven: Yale University Press.
  • Friedlander, Saul (ed.) (1992), ‘Introduction’, in Probing the Limits of Representation: Nazism and the ‘Final Solution’, Cambridge: Harvard University Press, p. 17.
  • Hartman, Geoffrey (1996), ‘Learning from survivors: The Yale testimony project’, in The Longest Shadow: In the Aftermath of the Holocaust, Bloomington: Indiana University Press, p. 138.
  • Heilpern, John (2005), Primo review, The New York Observer, 24 July.
  • Hirsch, Marianne and Spitzer, Leo (2009), ‘The witness in the archive: Holocaust studies/memory studies’, Memory Studies, 2:2, pp. 151–68.
  • Huyssen, Andrea (1995), Twilight Memories: Marking Time in a Culture of Amnesia, New York: Routledge.
  • Kaplan, Brett Ashley (2007), Unwanted Beauty: Aesthetic Pleasure in Holocaust Representation, Urbana and Chicago: University of Illinois Press.
  • LaCapra, Dominick (1994), History and Memory after Auschwitz, Ithaca: Cornell University Press.
  • Langer, Lawrence (1991), Holocaust Testimonies: The Ruins of Memory, New Haven, CT: Yale University Press.
  • Levi, Primo (1967), The Truce (also published as The Reawakening) (trans. Stuart Wolf), London: Abacus.
  • Levi, Primo (1979), If This Is a Man (also published as Survival in Auschwitz) (trans. Stuart Woolf), London: Abacus.
  • Levi, Primo (1984), The Periodic Table, New York: Schocken Books.
  • Levi, Primo (1986), Moments of Reprieve (trans. Ruth Feldman), London: Michael Joseph.
  • Lizzie Loveridge (2004), Review of Primo, Curtain Up, 30 September.
  • Portelli, Alessandro (2006), ‘What Makes Oral History Different?’, in R. Perks and A. Thomson (eds), The Oral History Reader, London and New York: Routledge, p. 37.
  • Reinelt, Janelle (2009), ‘The promise of documentary’, in A. Forsyth and C. Megson (eds), Get Real: Documentary Theatre Past and Present, Basingstoke: Palgrave Macmillan, p. 23.
  • Roth, Philip (2002), Shop Talk: A Writer and His Colleagues and Their Work, London: Vintage.
  • Rothberg, Michael (2009), Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization, Stanford, CA: Stanford University Press.
  • Sher, Antony (2009), Beside Myself: An Actor's Life, London: Nick Hern.
  • Sher, Antony (2005), Primo Time, London: Nick Hern.
  • Trigg, Dylan (2009), ‘The place of trauma: Memory, hauntings and the temporality of ruins’, Memory Studies, 2:1 pp. 87–101.
  • Wieviorka, Annette (2006), The Era of the Witness, Ithaca and London: Cornell University Press.
  • Woolf, Janet (2008), The Aesthetics of Uncertainty, New York: Columbia University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.