136
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Performance studies, actor training and boutique borrowing

Pages 77-90 | Published online: 03 Jan 2014

REFERENCES

  • Babbitt, Irving (1919), Rousseau and Romanticism, Boston: Houghton Mifflin.
  • Bridgstock, Ruth (2010), ‘Skills for creative industries graduate success’, Education and Training, 53:1, pp. 9–26.
  • Goldman, William (1984), Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting, New York: Grand and Central Publishing.
  • Hall, Stuart and Paul de Guy (eds) (1996), Questions of Cultural Identity, London: Sage.
  • Lyotard, Jean-François (1984), The Postmodern Condition A Report on Knowledge, Minneapolis: University of Minnesota Press.
  • Phelan, Peggy (1993), Unmarked: The Ends of Performance, London & New York: Routledge.
  • Pink, Daniel (2006), A Whole New Mind: Why Right-Brainers Will Rule the Future, New York: Riverhead Books.
  • Plonkey, Kenneth (2011), The Tao of Acting, Colorado: Winners Press.
  • Russell, Bertrand (1916), Principles of Social Reconstruction, London: Allen & Unwin.
  • Russell, Bertrand (1996), An Inquiry into Meaning and Truth, London & New York: Routledge.
  • Schechner, Richard (1988), Performance Theory, London: Routledge.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.