REFERENCES
- Augé, Marc (1995), Non-Places: Introduction to an Anthropology of Supermodernity, London and New York: Verso.
- Berry, Chris (2010), ‘What is transnational cinema? Thinking from the Chinese situation’, Transnational Cinemas, 1:2, pp. 111–27.
- Choi, JungBong (2011), ‘National cinema: An anachronistic delirium?’, Journal of Korean Studies, 16:2, pp. 173–92.
- Deleuze, Dilles and Guattari, Félix ([1972] 2004), Anti-Oedipus (trans. Robert Hurley, Mark Seem and Helen R. Lane), London and New York: Continuum.
- Higbee, Will and Lim, Song Hwee (2010), ‘Concepts of transnational cinema: Towards a critical transnationalism in film studies’, Transnational Cinemas, 1:1, pp. 7–21.
- Hjort, Mette (2010), ‘On the plurality of cinematic transnationalism’, World Cinemas, Transnational Perspectives, Durovicová, Nataša and Newman, Kathleen (eds) London: Routledge.
- Hobsbawm, Eric and Ranger, Terence (eds) (1983), The Invention of Tradition, Cambridge: Cambridge University Press.
- Nader, Linda (1993), ‘Comparative Consciousness’, in Assessing Cultural Anthropology, (ed.) Robert Borofsky, New York: MacGrawhill.
- Ong, Aihwa (1999), Flexible Citizenship: the Cultural Logics of Transnationality, Durham: Duke University Press.