Publication Cover
The Design Journal
An International Journal for All Aspects of Design
Volume 6, 2003 - Issue 1
56
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Design, Words and History

Pages 14-22 | Published online: 28 Apr 2015

REFERENCES

  • Banham, P. R. (1999). A Critic Writes: Essays by P. Bantam. Berkeley, CA: University of California Press.
  • Banham, P. R. (1958). ‘Machine Aesthetes'. New Statesman, 16th August, 55, 192–193. Reprinted in A Critic Writes: Essays by P. reyner Banham (1999) (pp.26-28). Berkeley, CA: University of California Press.
  • Boime, A. (1976). ‘Entrepreneurial Patronage in Nineteenth Century France'. In E. C. Carter II, R. Forster & J. N. Moody (eds.), Enterprise and Entrepreneurs in Nineteenth- and Twentieth-Century France (pp.137-207). Baltimore. London: John Hopkins University Press.
  • Bourdieu, P. (1986). Distinction: A Social Critique of the Judgement of Taste (Translated by R. Nice). London: Routledge.
  • Bourdieu, P. & Darbel, A. (1992). “The Love of Art.” In F. Frascina & J. Harris (Eds.), Art in Modern Culture: An Anthology of Critical Texts (pp.174-180). London: Phaidon Press (for Open University).
  • de Certeau, M. (1984). The Practice of Everyday Life. Berkeley: University of California Press.
  • Ewen, S. (1988). All Consuming Images: The Politics of Style in Contemporary Culture. New York: Basic Books.
  • Friedman, L. (2002a). ‘A Paler Shade of White’. Financial Times, 9 th February.
  • Friedman, L. (2002b). ‘Property: Softness and Steel'. Financial Times, 12th January.
  • Greenberg, C. (1993). The Collected Essays and Criticism. Vol. 4 - Modernism with a Vengeance 1957–1969 (Ed. by J. O'Brian). Chicago: University of Chicago Press.
  • Kuhn, T. S. (1962). The Structure of Scientific Revolutions. Chicago: University of Chicago Press.
  • Loos, A. (1997). Ornament and Crime: Selected Essays (translated by M. Mitchell, 1998). Riverside, CA: Ariadne Press.
  • Lucie-Smith, E. (1969). Movements in Art Since 1945. London: Thames & Hudson.
  • Lynes, R. (1959). The Tastemakers. London: Hamish Hamilton.
  • Maciuika, J. V. (2000). ‘Adolf Loos and the Aphoristic Style: Rhetorical Practice in Early Twentieth-Century Design Criticism'. Design Issues, 16 (2), 75–86.
  • Margolis, J. (2000). ‘This Table is Bought by Rich and Poor, Style Gurus and Those with No Discernible Taste, In Identical Stores from New York to Riyadh. What is the Secret of IKEA's appeal?’ Financial Times, How to Spend It (supplement), 2nd December, 8–12.
  • Poggioli, R. (1968). The Theory of the Avant-Garde (translated by G. Fitzgerald). London: Belknap Press of Harvard University Press.
  • Reise, B. M. (1992). ‘Greenberg and the Group: A Retrospective View'. In F. Frascina & J. Harris (Eds.), Art in Modern Culture: An Anthology of Critical Texts (pp.252-263). London: Phaidon Press (for Open University).
  • Rosenberg, H. (1952). ‘The American Action Painters'. Art News, 51 (8), 22.
  • Sudjic, D. (2001). ‘Conran the Egalitarian’. The Observer, August 26th.
  • Tyrell, P. (2001). ‘From Kitsch to Cool’. Financial Times, Weekend (supplement), 29th September.
  • White, Harrison C. & White, C. A. (1993). Canvases and careers: Institutional Change in the French Painting World. Chicago: University of Chicago Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.