References
- Back, Les and Bull, Michael (eds). 2003. The Auditory Culture Reader. Oxford: Berg.
- Barker, Pat. 1997. Regeneration/The Eye in the Door/The Ghost Road. New York: Quality Paperback Book Club.
- Birdsall, Carolyn and Enns, Anthony (eds). 2008. Sonic Mediations: Body, Sound, Technology. Cambridge: Cambridge Scholars Publishing
- Das, Santanu. 2005. Touch and Intimacy in First World War Literature. Cambridge: Cambridge University Press.
- Koureas, Gabriel. 2008. Memory, Masculinity and National Identity in British Visual Culture, 1914–1930: A Study of “Unconquerable Manhood.” London: Ashgate.
- Lefebvre, Henri. 1991. The Production of Space. London: Blackwell.
- Raphael, Samuel. 1996. Theatres of Memory: Past and Present in Contemporary Culture. London: Verso.
- Rose, Gillian and Thrift, Nigel (eds). 2000a. “Spaces of Performance, part 1.” Environment and Planning D: Society and Space 18(3): 411–535.
- Rose, Gillian and Thrift, Nigel (eds). 2000b. “Spaces of Performance, part 2.” Environment and Planning D: Society and Space 18(4): 575–651.
- Virilio, Paul. 2003. Art and Fear. London: Continuum.
- Winter, Jay. 1995. Sites of Memory, Sites of Mourning: The Great War in European Cultural History. Cambridge: Cambridge University Press.
Filmography
- Powar, Kuldip (dir.). 2008. Unravelling Noise of the Past, AHRC project.
- Scheffner, Phillip (dir.). 2007. The Half Moon Files. Pong.