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Architecture and Culture Volume 2, 2014 - Issue 3: Transgression: Body and Space
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Original Articles

Filmic Bodies: Transgressing Boundaries between Filmic and Real Space

Ken WilderKen WilderChelsea College of Arts, University of the Arts London, [email protected]View further author information
Pages 361-377 | Published online: 28 Apr 2015

References

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  • - Fried, Michael. 1980. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Chicago and London: University of Chicago Press.
  • - Fried, Michael. 2008. “Michael Fried on Douglas Gordon.” Lecture given at Witte de With Centre for Contemporary Art, Rotterdam, May 8, 2008. Available online: www.wdw.nl/event/michael-fried-on-douglas-gordon/ (accessed January 9, 2011).
  • - Fried, Michael. 2011. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven, CT: Yale University Press.
  • - Hopkins, Robert. 2008. “What Do We See In Film?” Journal of Aesthetics and Art Criticism 66: 149–59.
  • - Kristeva, Julia. 1989. “Holbein's Dead Christ.” In Black Sun: Depression and Melancholia, translated by Leon S. Roudiez, 105–38. New York: Colombia University Press.
  • - Mondloch, Kate. 2010. Screens: Viewing Media Installation Art. Minneapolis: University of Minnesota Press.
  • - Müller, Christian. 2001. “It Is the Viewpoint That Matters: Observations on the Illusionistic Effect of Early Works by Hans Holbein.” In Hans Holbein: Paintings, Prints, and Reception, edited by M. Roskill and J. O. Hand, 17–35. Washington: National Gallery of Art;
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  • - Mulvey, Laura. 2006. Death 24x a Second: Stillness and the Moving Image. London: Reaktion Books.
  • - Puttfarken, Thomas. 2000. The Discovery of Pictorial Composition: Theories of Visual Order in Painting 1400–1800. New Haven and London: Yale University Press.
  • - Sandström, Sven. 1963. Levels of Unreality: Studies in Structure and Construction in Italian Mural Painting During the Renaissance. Stockholm: Almqvist and Wiksell.
  • - Watelet and Levesque. 1792. Dictionnaire des arts de peinture, sculptur et gravure 1. Paris.
  • - Wilder, Ken. 2008. “The Case for an External Spectator.” British Journal of Aesthetics 48, no. 3: 261–77.
  • - Wilder, Ken. 2011. “Neither Here Nor Elsewhere: Displacement Devices in Representing the Supernatural.” Estetika: The Central European Journal of Aesthetics XLVIII/IV, no. 1: 46–62.
  • - Wilder, Ken. 2012. “Anri Sala: Absorption and ‘Theatricalizing’ Reception.” Moving Image Review and Art Journal 1, no. 2: 254–63.
  • - Wilder, Ken. 2012. “Michael Fried and Beholding Video Art.” Estetika: The Central European Journal of Aesthetics XLIX/V, no. 1: 5–25.

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