notes and references
- Secrets Under the Skin, http://www.uaa.alaska.edu/spotlight/secretsundertheskin.
- For further reflection, see http://www.ethnographicterminalia.org.
- Behr, Ruth. 2007. Ethnography in a Time of Blurred Genres. Anthropology and Humanism 32(2): 145–55.
- Brodine, Maria T., 2011. Struggling to Recover New Orleans: Creativity in the Gaps and Margins. Visual Anthropology Review 27(1): 78–93.
- Campbell, Craig. 2011. Terminus: Ethnographic Terminalia. Visual Anthropology Review 27(1): 52–6.
- Delport, Peggy. 2001, Signposts for Retrieval: A Visual Framework for Enabling Memory of Place and Time. In Recalling Community in Cape Town: Creating and Curating the District Six Museum, ed. Ciraj Rassool and Sandra Prosalendis. Cape Town: The District Six Foundation, 31–46.
- Errington, Shelly. 2012. Ethnographic Terminalia: 2009–10-11. American Anthropologist 114(3): 538–42.
- Gibson, N. Jade. 2013. Visual Ethnographies of Displacement and Violence: Land(e)scapes in Artists' Work at Thulepo Artists' Workshop, Wellington, South Africa, 2012. Critical Arts 27(5): 531–52. Accessed
- December 20, 2013. doi: 10.1080/02560046.2013.855519.
- Jackson, Michael. 2009. Ethnographic Verisimilitude. Etnofoor 21(9): 9–19.
- Meyer, Birgit. 2008. Media and Senses in the Making of Religious Experience. Material Religion 4(2): 124–35.
- Miller, Thomas Ross. 2011. Ethnographic Termini: Of Moments and Metaphors. Visual Anthropology Review 27(1): 75–7.
- Rassool, Ciraj. 2001. Introduction: Recalling Community in Cape Town. In Recalling Community in Cape Town: Creating and Curating the District Six Museum, ed. Ciraj Rassool and Sandra Prosalendis. Cape Town: The District Six Foundation, vii–xii.
- Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.