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Parading Respectability: The Cultural and Moral Aesthetics of the Christmas Bands Movement in the Western Cape, South Africa

Bruinders, Sylvia (2017). Grahamstown: African Humanities Program. ISBN 978-1-920033-19-4. xvii, 205 pp. Index, figures, photographs, maps. <www.nisc.co.za> ZAR 325.00.

References

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  • Erasmus, Z (2001). ‘Introduction: Re-imagining coloured identities in post-apartheid South Africa.’ In Z Erasmus (ed.), Coloured by History, Shaped by Place: New Perspectives on Coloured Identities in Cape Town. Cape Town: Kwela Books, 13–28.
  • Fourie, P (2013). “Ghoema vannie Kaap”: The life and work of Taliep Petersen (1950–2006). Stellenbosch: Stellenbosch University, unpublished doctoral thesis.
  • Glissant, É (1997). Poetics of Relation. Translated by Betsy Wing. Ann Arbor, MI: University of Michigan Press.
  • Martin, D (2010). ‘Cape Town: The ambiguous heritage of creolization in South Africa.’ In D de Lame & D C Rassool (eds), Popular Snapshots and Tracks to the Past: Cape Town, Nairobi, Lubumbashi. Tervuren: Royal Museum for Central Africa, 183–202.
  • Martin, D (2013). Sounding the Cape: Music, Identity and Politics in South Africa. Somerset West: African Minds.

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