Music and identity in Inxeba (The Wound): the exploration and disruption of representations

References

• Amico, S (2001). ‘”I want muscles”: House music, homosexuality and masculine signification.’ Popular Music, 20(3):359–378. doi: 10.1017/S0261143001001556
   Google Scholar
• Brady, M T (2011). ‘”Sometimes we are prejudiced against ourselves”: Internalized and external homophobia in the treatment of an adolescent boy.’ Contemporary Pscyhoanalysis, 47(4):458–479. doi: 10.1080/00107530.2011.10746472
   Web of Science ®Google Scholar
• Dayimani, M (2018). ‘Joy after “Inxeba” screening halted.’ Saturday Dispatch, 3 February.
   Google Scholar
• Dowling, T, S Deyi & A Gobodwana (2018). ‘When culturally significant songs are decontextualised: The initiation song “Somagwaza”, a case study.’ Southern African Journal for Folklore Studies, 28(2):1–19. doi: 10.25159/1016-8427/3919
   Google Scholar
• Du Plessis, R (2018). ‘A sex-critical reading of the homosexual sex acts depicted in “Inxeba”.’ Image & Text, 32:1–13.
   Google Scholar
• Gorbman, C (1987). Unheard Melodies: Narrative Film Music. London: BFI Publishing.
   Google Scholar
• Green, J (2010). ‘Understanding the score: Film music communicating to and influencing the audience.’ The Journal of Aesthetic Education, 44(4):81–94. doi: 10.1353/jae.2010.0009
   Web of Science ®Google Scholar
• Hansen, D D (1981). The music of the Xhosa-speaking people. Johannesburg: University of the Witswatersrand, unpublished doctoral thesis.
   Google Scholar
• Heet Sound Products (2020). EBow home. <https://ebow.com> accessed 1 October 2020.
   Google Scholar
• Inxeba Press Kit (2017). The wound. <http://www.inxeba.com/wp-content/themes/the-wound/force_download.php?file=TheWound_PressKit.pdf> accessed 1 October 2020.
   Google Scholar
• Kumalo, S H & L Gama (2018). ‘Interrogating conceptions of manhood, sexuality and cultural identity.’ Image & Text, 32:1–19.
   Google Scholar
• Manona, L & A Hurst (2018). ‘”What is it to be a man?” Rites, hashtags, outrage.’ Image & Text, 32:1–17.
   Google Scholar
• Martinez, M (2019). ‘Toxic masculinity: An outcome of colonialism and its effects on the Latinx/Chicanx LGBTQ+ community.’ McNair Research Journal SJSU, 15(1):35–64.
   Google Scholar
• Mera, M (2005). ‘“Reap just what you sow”: Trainspotting’s perfect day.’ In S Lannin & M Caley (eds), Pop Fiction – The Song in Cinema. Bristol: Intellect Books, 85–97.
   Google Scholar
• Müller, B M (2019). ‘The (un)promised land: Queer identity and South Africa’s post-apartheid urban landscape.’ Gender, Place & Culture, 26(11):1609–1631. doi: 10.1080/0966369X.2019.1586650
   Web of Science ®Google Scholar
• Nettl, B (2015[1983]). The Study of Ethnomusicology: Thirty-Three Discussions, third edition. Urbana: University of Illinois Press.
   Google Scholar
• Nombembe, C (2013). Music-making of the Xhosa diasporic community: A focus on the ‘umguyo’ tradition in Zimbabwe. Johannesburg: University of the Witswatersrand, unpublished Master’s dissertation.
   Google Scholar
• Ntozini, A & H Ngqangweni (2016). ‘Gay Xhosa men’s experiences of “ulwaluko” (traditional male initiation).’ Culture, Health & Sexuality, 18(11):1309–1318. doi: 10.1080/13691058.2016.1182213
   PubMed Web of Science ®Google Scholar
• Orecchia, J (2019). Personal communication via email correspondence. Johannesburg & New York, 13 July.
   Google Scholar
• Rice, K (2014). ‘”Ukuthwala” in rural South Africa: Abduction marriage as a site of negotiation about gender, rights and the generational authority among the Xhosa.’ Journal of Southern African Studies, 40(2):381–399. doi: 10.1080/03057070.2014.896720
   Web of Science ®Google Scholar
• Rodman, R (2006). ‘The popular song as leitmotif in 1990s film.’ In P Powrie & R Stilwell (eds), Changing Tunes: The Use of Pre-Existing Music in Film. Aldershot: Ashgate, 119–136.
   Google Scholar
• Siswana, A & P Kiguwa (2018). ‘Social media representations of masculinity and culture in “Inxeba” (“The Wound”).’ Agenda, 32(3):53–61. doi: 10.1080/10130950.2018.1485290
   Web of Science ®Google Scholar
• Slobin, M (2008). ‘The Steiner superculture.’ In M Slobin (ed.), Global Soundtracks: Worlds of Film Music. Middletown: Wesleyan University Press, 3–35.
   Google Scholar
• Tan, S, M P Spackman & M A Bezdek (2007). ‘Viewers’ interpretations of film characters’ emotions: Effects of presenting film music before or after a character is shown.’ Music Perception: An Intersidciplinary Journal, 25(2):135–152. doi: 10.1525/mp.2007.25.2.135
   Web of Science ®Google Scholar
• Tsumele, E (2018). ‘”Inxeba” cuts to the heart of traditions.’ Business Day, 7 February.
   Google Scholar
• Vincent, L (2008). ‘”Boys will be boys”: Traditional Xhosa male circumcision, HIV and sexual socialisation in contemporary South Africa.’ Culture, Health & Sexuality, 10(5):431–446. doi: 10.1080/13691050701861447
   PubMed Web of Science ®Google Scholar