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Logopedics Phoniatrics Vocology Volume 35, 2010 - Issue 2
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ORIGINAL ARTICLE

Electrolaryngographically revealed aspects of the voice source in singing

David M. Howard Audio Laboratory, Department of Electronics, University of York, Heslington, York, YO10 5DD, UKCorrespondence[email protected]
Pages 81-89 | Received 11 Mar 2010, Accepted 11 Mar 2010, Published online: 01 Jul 2010

References

  • Howard DM, Murphy DT. Voice science acoustics and recording. San Diego: Plural Press; 20082008.
  • Fourcin AJ, Abberton ERM. First applications of a new laryngograph. Medical and Biological Review. 1971;21: 172–82.
  • Howard DM. Electroglottography/electrolaryngography. Fried MP, Ferlito A. The larynx. 3rd. San Diego: Plural Press; 2009. 227–43.
  • Baken RJ. Clinical measurement of speech and voice. 2nd. San Diego: Singular; 1999.
  • Howard DM. Quantifiable aspects of different singing styles – A case study. Voice. 1992;1:47–62.
  • Howard DM, Brereton J, Daffern H. Case study of voice quality differences in a soprano singing in different early music performance styles. To appear in Proceedings of MAVEBA-09; 14–15 December 2009; Florence.
  • Bethel R. Preferred vocal emission for Handel's arias: a case study. Abstracts of NEMA International Conference; 7–10 July 2009; York, UK. Available at: http://www.rma.ac.uk/news-and-events-html/Abstracts_for_NEMA_conference_at_York.pdf (accessed 2 October 2009).
  • Daffern H, Howard DM. Voice source comparison between modern singers of early music and opera. Logoped Phoniatr Vocol. 2010. In press.
  • Howard DM, Angus JAS. Acoustics and psychoacoustics. 4th ed. Oxford: Focal Press; 2009.
  • Howard DM. Equal or non-equal temperament in a capella SATB singing. Logoped Phoniatr Vocol. 2007;32:87–94.
  • Howard DM. Intonation drift in a capella SATB quartet singing with key modulation. J Voice. 2007;21: 300–15.
  • Abberton ERM, Howard DM, Fourcin AJ. Laryngographic assessment of normal voice: A tutorial. Clin Ling Phon. 1989;3:281–96.
  • Howard DM. Variation of electrolaryngographically derived closed quotient for trained and untrained adult singers. J Voice. 1995;9:163–72.
  • Barlow CA, Howard DM. Voice source changes of child and adolescent subjects undergoing singing training. Logoped Phoniatr Vocol. 2002;27:66–73.
  • Evans M, Howard DM. Larynx closed quotient in female belt and opera qualities: a case study. Voice. 1993; 2:7–14.
  • Yanagisawa E, Estill J, Kmucha ST, Leder SB. The contribution of aryepigtottic constriction to ‘ringing’ voice quality—a videolaryngoscopic study with acoustic analysis. J Voice. 1989;3:342–50.
  • Evans M. Female singing voice quality quantification [PhD thesis]. York: University of York; 1995.
  • Howard DM, Rimell S. Real-time gesture-controlled physical modelling music synthesis with tactile feedback. EURASIP Journal of Applied Signal Processing (Special issue on model-based sound synthesis). 2004;7:1001–6.
  • Mullen J, Howard DM, Murphy DT. Real-time dynamic articulations in the 2d waveguide mesh vocal tract model. IEEE Transactions on Speech and Audio Processing. 2007;15:577–85.
  • Howard DM, Tyrrell AM, Murphy DT, Cooper C, Mullen J. Bio-inspired evolutionary oral tract shape modelling for physical modelling vocal synthesis. Journal of Voice. 2009; 23:11–20.
  • Estill J. Belting and classic voice quality: some physiological differences. Medical problems of Performing Artists. Philadelphia: Hanley and Belfus; 1988. 37–43.
  • Howard DM. Larynx closed quotient in a capella SATB quartet singing. Proceedings of the Stockholm Music Acoustics Conference, SMAC-03; KTH; 6–9 August 2003; Stockholm, Sweden. vol. 2, 467–70.
  • Fourcin A, Abberton E. Hearing and phonetic criteria in voice measurement: clinical applications. Logoped Phoniatri Vocol. 2008;33:35–48.

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