References
- Beckett, Samuel. Happy Days. New York: Grove Press, 1961.
- Beckett, Samuel. Waiting for Godot. New York: Grove Press, 1972.
- Bennett, Simon. Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett. New Haven: Yale UP, 1988.
- Duckworth, Colin. Angels of Darkness: Dramatic Effect in Beckett and Ionesco. London: Allen, 1972.
- Jacquart, Emmanuel. Le Téâtre de dérision: Beckett, Ionesco, Adamov. Paris: Gallimard, 1978.
- Kerbrat-Orecchioni, Catherine. "La ironía como tropo." De la Ironía a lo grotesco. Ed. Hernán Silva. Trans. Pilar Hernández Cobos. Mexico: Universidad Metropolitana Iztapalapa, 1992. 195-221.
- Kierkegaard, Soren. The Concept of Irony, with Constant Reference to Socrates. Trans. Lee M. Capel. Bloomington: Indiana UP, 1968.
- Peterson, George. "Suffering in Modern Drama." Literary Analysis 21 (1992) 87-96.
- Robbe-Grillet, Alain. "Samuel Beckett, or ‘Presence’ in the Theater." Samuel Beckett, A Collection of Critical Essays. Ed. Martin Esslin. Englewood Cliffs, Prentice Hall, 1965.
- Rotjman, Bretty. Forme et signification dans le théâtre de Beckett. Paris: Nizet, 1976.
- Stanislavski, Constantin. Un actor se prepara. Mexico: Editorial Diana, 1994.