About this journal

Aims and scope

Included in the Thomson Reuters Arts & Humanaities Citation Index


Third Text has established itself as the leading international journal dedicated to the critical analysis of contemporary art in the global field. It has brought with that analysis a particular focus on both the impact of globalisation on cultural practices and the lessons of postcolonial theory. The journal has created a significant archive of critical knowledge to benefit artists, researchers and art historians. Third Text offers a platform to pursue timely dialogue about experimental cultures, to advance independent education, and to study the historical and current conditions of art’s practice, reception and distribution worldwide.

Click for full statement

Peer Review Policy:
All research articles published in this journal have undergone peer review based on initial editorial screening.

Journal metrics

Usage

  • 134K annual downloads/views

Citation metrics

  • 0.3 (2023) Impact Factor
  • 0.5 (2023) 5 year IF
  • 0.4 (2023) CiteScore (Scopus)
  • Q2 CiteScore Best Quartile
  • 0.000 (2023) SNIP
  • 0.143 (2023) SJR

Speed/acceptance

  • 30 days avg. from acceptance to online publication

Editorial board

EDITOR IN CHIEF
Richard Dyer

ASSISTANT EDITOR
Geelia Ronkina

EDITORS
Khadija von Zinnenburg Carroll
Chair of Global Art at the University of Birmingham
Glyn Davis
Professor of Film Studies at the University of St Andrews, Fife, Scotland
TJ Demos
Professor in the Department of the History of Art and Visual Culture, University of California, Santa Cruz, and Founder and Director of its Center for Creative Ecologies
Angela Dimitrakaki
Senior Lecturer in Contemporary Art History and Theory at the University of Edinburgh
Anthony Downey
Professor of Visual Culture in the Middle East and North Africa at Birmingham City University; Editor-in-chief of Ibraaz
Natasha Eaton
Teaches eighteenth- and nineteenth-century British art and the visual culture of South Asia at University College London
Kodwo Eshun
Teaches on the MA in Contemporary Art Theory in the Department of Visual Cultures at Goldsmiths College, University of London
Denise Ferreira da Silva
Professor & Director, The Social Justice Institute (GRSJ); Senior Faculty Fellow, St John’s College, University of British Columbia
Reuben Fowkes
Co-director of the Post-socialist Art Centre (PACT) at the Institute of Advanced Studies, UCL; co-founder of the Translocal Institute for Contemporary Art, a centre for transnational research into East European art and ecology
Ros Gray
Senior lecturer in Fine Art Critical Studies at Goldsmiths, University of London
Nomusa Makhubu
Associate Professor in Art History and Visual Culture at the University of Cape Town, South Africa
Basia Sliwinska
Researcher at the Institute of Art History of Universidade NOVA de Lisboa, Portugal

WEBSITE MANAGER
Nicola Gray

ARCHIVIST
Galen Riley

SOCIAL MEDIA MANAGER
Nicole-Ann Lobo

ADVISORY BOARD
Gülsen Bal
Programme Leader for MA/MFA Contemporary Curating, Manchester School of Art; and Director, Head of Development of Projects and Programmes, Open Space – Verein für ein neues Forum von Kunst und visueller Kultur, Vienna
Iain Chambers
Professor of Cultural and Postcolonial Studies, Università degli Studi di Napoli
Justin Clemens
Senior Lecturer in the School of Culture and Communication at the University of Melbourne
Renate Dohmen
Lecturer in Modern and Contemporary Art, Department of Art History, The Open University, Milton Keynes
Jacqueline Francis
Professor of History of Art and Visual Culture and Dean, Humanities and Sciences Division, California College of the Arts, San Francisco
Dario Giugliano
Professor of Aesthetics, Academy of Fine Arts, Naples
Janis Jefferies
Associate Pro-Warden, Goldsmiths, University of London
Vinay Lal
Professor of History, University of California, Los Angeles
Bashir Makhoul
Vice-Chancellor, University for the Creative Arts
Derek Conrad Murray
Professor, History of Art and Visual Culture, University of California, Santa Cruz
Anamik Saha
Lecturer in Media, Communications and Promotion, Goldsmiths University of London
Arnd Schneider
Professor of Social Anthropology, University of Oslo
Eyal Weizman
Professor of Visual Cultures and Director of the Centre for Research Architecture at Goldsmiths, University of London

Third Text is peer reviewed by an independent panel of reviewers.

TRUSTEES
Alice Correia (Chair)
Felicity Allen (Deputy Chair)
Voon Pow Bartlett
Simon Tegala

EDITORIAL CONTACT
Richard Dyer, Editor in Chief: [email protected]
Geelia Ronkina, Assistant Editor: [email protected]
Nicola Gray, Website Manager: [email protected]
Galen Riley, Archivist: [email protected]
Nicole-Ann Lobo, Social Media Manager: [email protected]

Third Text Ltd is a registered charity, no 11108974, governed by the board of trustees listed above. Third Text is published by Routledge on behalf of Third Text Ltd.

Third Text has established itself as the leading international journal dedicated to the critical analysis of contemporary art in the global field. It has brought with that analysis a particular focus on both the impact of globalisation on cultural practices and the lessons of postcolonial theory.

Open Systems, Vienna, is a project and research partner of Third Text.

Abstracting and indexing

Third Text is indexed/abstracted in:

Art Index; ARTbibliographies Modern; BHA Bibliography of the History of Art; British Humanities Index; Current Abstracts; Film Literature Index; Humanities International Index; Index Islamicus; International Bibliography of the Social Sciences; OCLC; SCOPUS; Thomson Reuters’ Arts & Humanities Citation Index.

Open access

Third Text is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.

Why choose open access?

  1. Increase the discoverability and readership of your article
  2. Make an impact and reach new readers, not just those with easy access to a research library
  3. Freely share your work with anyone, anywhere
  4. Comply with funding mandates and meet the requirements of your institution, employer or funder
  5. Rigorous peer review for every open access article

Article Publishing Charges (APC)

If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.

Use our APC finder to calculate your article publishing charge

News, offers and calls for papers

News and offers

  • Included in the Thomson Reuters Arts & Humanities Journal Citation Index

Advertising information

Would you like to advertise in Third Text?

Reach an engaged target audience and position your brand alongside authoritative peer-reviewed research by advertising in Third Text.

Explore advertising solutions

Third Text and our publisher Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in our publications. However, Third Text and our publisher Taylor & Francis, our agents (including the editor, any member of the editorial team or editorial board, and any guest editors), and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Third Text and our publisher Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Third Text and our publisher Taylor & Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to, or arising out of the use of the Content. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions .