About this journal

Aims and scope

South Asian Popular Culture is an interdisciplinary journal designed to respond to the growing interest in South Asian popular culture within the different subject disciplines in the social sciences and humanities. South Asian popular culture is defined in a broad and inclusive way to incorporate lived and textual cultures, the mass media, ways of life, and discursive modes of representation. Central to the formation of popular cultures are articulations of the economic, social and political spheres and the journal welcomes contributions that will highlight these issues.

South Asian Popular Culture is of interest to cultural, media, and film studies, as well as social geography, history, diaspora studies, postmodern and postcolonial theoretical formulations, and contributions are invited from these fields. The journal critically examines from theoretical and empirical perspectives the production, distribution, and consumption of South Asian popular cultural forms within the subcontinent and across international borders. Attention to the use of popular cultures in the South Asian diasporas as well as the development of traditional cultural practices in forging hybrid forms is also an important focus. As such the journal is a forum for authors from around the world.

The journal of South Asian Popular Culture seeks to serve as an innovative and informative venue to discuss and debate the emergence and vibrancy of new forms of social, economic, cultural and political strategies and representations including those in film, music, radio, television, the press, fiction, sports, visual and cyber cultures, fashion, dance and sexuality. These forms, in fact, pose a challenge to be understood within a context of culture that enshrines a transnational focus and open attitude towards difference and diversity. The journal also encourages the exploration of how South Asian cultural practice has developed within wider parameters of transnational policies of art and culture.

South Asian Popular Culture also features a regular section entitled Working Notes that includes contributions from cultural practitioners within South Asian popular culture (film, radio, and television makers, musicians, artists, personnel, cultural activists, fashion designers, and sexuality campaigners). It offers original insights into their work and current debates by way of interviews, diary notes, short essays, visual images and discussions.

South Asian Popular Culture welcomes new and original research articles for consideration for peer review. We invite clearly written, well researched, using current theoretical paradigms and methodology, and academically rigorous work of international standing. Please see research articles that have been published in previous issues of South Asian Popular Culture for examples and please do read the Aims and Scope of the Journal.

Peer Review Policy:
All research articles in this journal have undergone editorial screening and anonymous peer review.

Journal metrics

Usage

  • 45K annual downloads/views

Citation metrics

  • 0.3 (2023) Impact Factor
  • 1.0 (2023) CiteScore (Scopus)
  • Q1 CiteScore Best Quartile
  • 1.464 (2023) SNIP
  • 0.185 (2023) SJR

Speed/acceptance

  • 5% acceptance rate

Editorial board

Editors:

Rajinder Kumar DudrahBirmingham City University, UK
Gita Rajan - Fairfield University, USA


Associate Editor:

Souraj Dutta - Birmingham City University, UK


Advisory Board:

Poonam Arora - University of Michigan, Dearborn, USA
Nandi Bhatia - Dept. of English, University of Western Ontario, Canada
Ann David - University of Roehampton, UK
Jigna Desai, University of Minnesota, USA
Wimal Dissanayake - University of Hawaii, USA
Rachel Dwyer - University of London, UK
K Hariharan - University of Pennsylvania, USA
Vamsee K Juluri - University of San Francisco, USA
Radha Krishnan - University of California, Irvine, USA
Sarita Malik , University of Brunel, UK
Chandra Talapade Mohanty - Syracuse Unversity, USA
Ashis Nandy - New Delhi, India
Bhikhu Parekh - University of Hull, UK
Amit Rai - Florida State University, USA
Ashish Rajadhyaksha - Centre for the Study of Culture and Society, Bangalore, India
Subramaniam Shankar - University of Hawaii, USA
Nitasha Sharma - Northwestern University, USA
Shailja Sharma - DePaul University, USA
Radha Subramanyam - New York, USA
Shashwati Talukdar - Philadelphia, USA
E. Dawson Varughese - Independent Scholar, UK and India

Abstracting and indexing

Abstracted/Indexed in: ABC-CLIO; British Humanities Index; Electronic Collections Online; International Bibliography of the Social Sciences; OCLC; RILM; Scopus and Sociological Abstracts.

Open access

South Asian Popular Culture is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.

Why choose open access?

  1. Increase the discoverability and readership of your article
  2. Make an impact and reach new readers, not just those with easy access to a research library
  3. Freely share your work with anyone, anywhere
  4. Comply with funding mandates and meet the requirements of your institution, employer or funder
  5. Rigorous peer review for every open access article

Article Publishing Charges (APC)

If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.

Use our APC finder to calculate your article publishing charge

Advertising information

Would you like to advertise in South Asian Popular Culture?

Reach an engaged target audience and position your brand alongside authoritative peer-reviewed research by advertising in South Asian Popular Culture.

Explore advertising solutions

Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in our publications. However, Taylor & Francis, our agents (including the editor, any member of the editorial team or editorial board, and any guest editors), and our licensors, make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor & Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to, or arising out of the use of the Content. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions .

Ready to submit?

Start a new submission or continue a submission in progress

Go to submission site (link opens in a new window) Instructions for authors