About this journal
Aims and scope
Shakespeare publishes articles drawn from the best international research on the most recent developments in Shakespearean criticism, historical and textual scholarship, and performance.
The journal promotes the goal of the British Shakespeare Association to bridge the gap between literary and performance based criticism of Shakespeare, and provides an outlet for Shakespeare research undertaken to the very highest standards from around the world. Without privileging any particular critical approaches, methodologies, or theories, the journal welcomes all contributions that throw light upon Shakespeare, his works, and his world, in his time and through to the present day.
In addition to publishing articles of original scholarship, the journal also offers an extensive range of performance reviews covering productions from around the globe, reviews of recent books, and a dedicated section for critical debates and state-of-the-field surveys. Each volume also contains special issues compiled by guest editors drawing together scholarship on a particular theme or topic. Proposals for such special issues are welcomed, and should be emailed to the permanent editors.
Peer review policy
All manuscripts are submitted via the publisher's electronic peer review system, ScholarOne, and are subject to initial appraisal by the team of permanent editors. If found suitable for further consideration, submissions are sent for double-anonymized peer review by at least two independent, anonymous expert referees.
Journal metrics
Usage
- 56K annual downloads/views
Citation metrics
- 0.4 (2023) Impact Factor
- 0.3 (2023) 5 year IF
- 0.3 (2023) CiteScore (Scopus)
- Q2 CiteScore Best Quartile
- 0.547 (2023) SNIP
- 0.205 (2023) SJR
Speed/acceptance
- 16 days avg. from submission to first decision
- 56 days avg. from submission to first post-review decision
- 12 days avg. from acceptance to online publication
- 65% acceptance rate
Understanding and using journal metrics
Journal metrics can be a useful tool for readers, as well as for authors who are deciding where to submit their next manuscript for publication. However, any one metric only tells a part of the story of a journal’s quality and impact. Each metric has its limitations which means that it should never be considered in isolation, and metrics should be used to support and not replace qualitative review.
We strongly recommend that you always use a number of metrics, alongside other qualitative factors such as a journal’s aims & scope, its readership, and a review of past content published in the journal. In addition, a single article should always be assessed on its own merits and never based on the metrics of the journal it was published in.
For more details, please read the Author Services guide to understanding journal metrics.
Journal metrics in brief
Usage and acceptance rate data above are for the last full calendar year and are updated annually in February. Speed data is updated every six months, based on the prior six months. Citation metrics are updated annually mid-year. Please note that some journals do not display all of the following metrics (find out why).
- Usage: the total number of times articles in the journal were viewed by users of Taylor & Francis Online in the previous calendar year, rounded to the nearest thousand.
Citation Metrics
- Impact Factor*: the average number of citations received by articles published in the journal within a two-year window. Only journals in the Clarivate Science Citation Index Expanded (SCIE), Social Sciences Citation Index (SSCI), Arts and Humanities Citation Index (AHCI) and the Emerging Sources Citation Index (ESCI) have an Impact Factor.
- Impact Factor Best Quartile*: the journal’s highest subject category ranking in the Journal Citation Reports. Q1 = 25% of journals with the highest Impact Factors.
- 5 Year Impact Factor*: the average number of citations received by articles in the journal within a five-year window.
- CiteScore (Scopus)†: the average number of citations received by articles in the journal over a four-year period.
- CiteScore Best Quartile†: the journal’s highest CiteScore ranking in a Scopus subject category. Q1 = 25% of journals with the highest CiteScores.
- SNIP (Source Normalized Impact per Paper): the number of citations per paper in the journal, divided by citation potential in the field.
- SJR (Scimago Journal Rank): Average number of (weighted) citations in one year, divided by the number of articles published in the journal in the previous three years.
Speed/acceptance
- From submission to first decision: the average (median) number of days for a manuscript submitted to the journal to receive a first decision. Based on manuscripts receiving a first decision in the last six months.
- From submission to first post-review decision: the average (median) number of days for a manuscript submitted to the journal to receive a first decision if it is sent out for peer review. Based on manuscripts receiving a post-review first decision in the last six months.
- From acceptance to online publication: the average (median) number of days from acceptance of a manuscript to online publication of the Version of Record. Based on articles published in the last six months.
- Acceptance rate: articles accepted for publication by the journal in the previous calendar year as percentage of all papers receiving a final decision.
For more details on the data above, please read the Author Services guide to understanding journal metrics.
*Copyright: Journal Citation Reports®, Clarivate Analytics
†Copyright: CiteScore™, Scopus
Editorial board
Editors:
Deborah Cartmell - De Montfort University, UK
Lisa Hopkins - Sheffield Hallam University, UK
Brett Greatley-Hirsch - University of Leeds, UK
Tom Rutter - University of Sheffield, UK
Performance Editor:
Tom Rutter - University of Sheffield, UK
Book Review Editor:
Brett Greatley-Hirsch - University of Leeds, UK
Editorial Board:
Patricia Akhimie - Rutgers University, USA
Todd A. Borlik - University of Huddersfield, UK
Dympna Callaghan - Syracuse University, USA
David Carnegie - Victoria University of Wellington, New Zealand
Hugh Craig - University of Newcastle, Australia
Michael Dobson - Shakespeare Institute, UK
Tobias Doering - University of Munich, Germany
Lukas Erne - University of Geneva, Switzerland
John Gillies - University of Essex, UK
Hugh Grady - Arcadia University, USA
Stuart Hampton-Reeves - University of Central Lancashire, UK
Peter Holland - University of Notre Dame, USA
Mark Houlahan - University of Waikato, New Zealand
Sujata Iyengar - University of Georgia, USA
MacDonald P. Jackson - University of Auckland, New Zealand
Russell Jackson - University of Birmingham, UK
Laurence Johnson - University of Southern Queensland, Australia
Alexa Alice Joubin - George Washington University, USA
John Jowett - Shakespeare Institute, UK
Siobhan Keenan - De Montfort University, UK
Annette Kern-Staehler - University of Bern, Switzerland
Edmund King - Open University, UK
Peter Kirwan - Mary Baldwin University, USA
Douglas Lanier - University of New Hampshire, USA
Niamh O'Leary - Xavier University, USA
John Lee - University of Bristol, UK
Domenico Lovascio - University of Genoa, Italy
Laurie Maguire - Oxford University, UK
James Mardock - University of Nevada-Reno, USA
David McInnis - University of Melbourne, Australia
Katharine E. Maus - University of Virginia, USA
Gordon McMullan - King's College London, UK
Richard Meek - University of Hull, UK
Helen Ostovich - McMaster University, Canada
Elizabeth Rivlin - Clemson University, USA
Julie Sanders - Nottingham University, UK
Duncan Salkeld - University of Chichester, UK
Robert Shaughnessy - University of Surrey, UK
Monika Smialkowska - Northumbria University, UK
Emma Smith - Oxford University, UK
Peter Smith - Nottingham Trent University, UK
B. J. Sokol - Goldsmiths, University of London, UK
Matt Steggle - Sheffield Hallam University, UK
Evelyn Tribble - University of Connecticut, USA
Poonam Trivedi - University of Delhi, India
Stanley Wells - Shakespeare Birthplace Trust, UK
R. S. White - University of Western Australia, Australia
Lawrence Wright - Rhodes University, South Africa
John Wyver - Illuminations TV, UK
Updated 02-03-2023
Open access
Shakespeare is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.
Why choose open access?
- Increase the discoverability and readership of your article
- Make an impact and reach new readers, not just those with easy access to a research library
- Freely share your work with anyone, anywhere
- Comply with funding mandates and meet the requirements of your institution, employer or funder
- Rigorous peer review for every open access article
Article Publishing Charges (APC)
If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.
Use our APC finder to calculate your article publishing charge
Association information
British Shakespeare Association (BSA)
The British Shakespeare Association (whose patron is Dame Judi Dench), founded August 2003, brings together Shakespeare in schools, the community, performance and academia, and the journal aims to address recent developments in the latter two areas. The executive includes actors, academics and representatives from the Royal Shakespeare Company and the Shakespeare Birthplace Trust.
BSA members can opt-in to receive the journal Shakespeare at a discounted rate. Contact the contact the Membership Secretary ( [email protected]) to arrange this.
For more information on the BSA, please visit http://www.britishshakespeare.ws/.
4 issues per year
Advertising information
Would you like to advertise in Shakespeare?
Reach an engaged target audience and position your brand alongside authoritative peer-reviewed research by advertising in Shakespeare.
Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content") contained in our publications. However, Taylor & Francis, our agents (including the editor, any member of the editorial team or editorial board, and any guest editors), and our licensors, make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor & Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to, or arising out of the use of the Content. Terms & Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions .
Ready to submit?
Start a new submission or continue a submission in progress
Go to submission site (link opens in a new window) Instructions for authors