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Founded in 1977, History of Photography is an international quarterly journal devoted to the history, practice and theory of photography in all its definitions - artistic, scientific, commercial, and domestic; in archives, art galleries, and museums; on the page, on the wall, or on the screen. The journal is inclusive and interdisciplinary, welcoming all scholarly approaches, whether historical, art historical, anthropological, sociological, archival or theoretical. It embraces global photographic history, ranging across all geographical and cultural contexts around the world.
The journal aims to provide a significant resource to diverse communities, including academics, curators, photographers, collectors, independent scholars, undergraduate and postgraduate students - indeed, anyone with an interest in the history and practice of photography. The journal encourages submissions from emerging scholars, while also seeking to publish work by established writers. We are proud of our reputation for rigorous and constructive reviewing. Over the past decades History of Photography has become an indispensable source of documentary texts, new and original scholarly articles, novel interpretations, and original thinking in this field.
History of Photography is a peer reviewed journal overseen by the Editor and supported by a board of scholars in international standing.
Readership:
Photographers, curators, collectors, art historians, social historians, historians of science, sociologists, anthropologists and librarians.
Editor-in-Chief
Professor Patrizia Di Bello
Department of History of Art
School of Arts
Birkbeck, University of London
43 Gordon Square,
London WC1H 0PD
[email protected]
Assistant Editor
Laurie Taylor
Arts Institute at Bournemouth
Former Editors
Heinz K. Henisch (1977–1990)
Mike Weaver & Anne Hammond (1991–2000)
Graham Smith (2001-2013)
Luke Gartlan (2013-2018)
Reviews Editor
Sean Willcock
Lecturer in History of Art
Department for Continuing Education University of Oxford,
Ewert House
Oxford, OX2 7SG
Email: [email protected]
Contributing Editors
Natalie Adamson, University of St Andrews, Scotland, UK
Jan Baetens, University of Leuven, Belgium
Geoffrey Batchen, Victoria University of Wellington, New Zealand
Jordan Bear, University of Toronto, Ontario, Canada
Matthew Biro, University of Michigan, USA
Laurie Dahlberg, Bard College, New York, USA
Elizabeth Edwards, Professor Emerita, De Montfort University, Leicester, UK
Ahmet Ersoy, Bogaziçi University, Turkey
Luke Gartlan, University of St Andrews, Scotland, UK
Louis Kaplan, University of Toronto, Ontario, Canada
Robin Kelsey, Harvard University, Massachusetts, USA
Nina Lager Vestberg, Norwegian University of Science and Technology, Norway
Martha Langford, Concordia University, Montreal, Canada
Jane Lydon, University of Western Australia
Melissa Miles, Monash University, Melbourne, Australia
Jeremy Taylor, University of Nottingham, UK
Ian Walker, writer and photographer, London, UK
Matthew S. Witkovsky, Art Institute of Chicago, USA
Roberta Wue, University of California, Irvine, USA
Andrés Mario Zervigon, Rutgers University, USA
If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.
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