About this journal

Aims and scope

The Journal of Popular Film was founded in 1971 at the Center for Popular Culture Studies at Bowling Green State University. It became the Journal of Popular Film and Television with Volume 7, Number 1 (1978), being the first scholarly film journal anywhere to include television in its title and editorial purview. From the beginning, the Journal of Popular Film and Television has been resolutely committed to the widest possible range of analytical views and techniques. The primary purpose of the Journal of Popular Film and Television is to provide a representative cross section of critical-cultural perspectives and to broaden the existing literature to include the “public visions” of popular filmmakers and television showrunners, economic and industrial factors, and an emphasis on the complex role of audiences in the development of film and television as art forms and wide-reaching sociocultural forces.

Today the Journal of Popular Film and Television remains the leading scholarly publication for sociocultural analyses of films and television programming. A sociocultural orientation to film and television has understandably matured and advanced in many diverse directions over the years, but one elemental assumption remains: The first allegiance of this genre of criticism is to the cultural context and not the media. As basic as this premise is, it powerfully asserts that film and television are cultural products and forms of social knowledge. They are never neutral technologies, but are only meaningful within their relationships to broader contexts, institutions, and discourses.

Regular features of Journal of Popular Film and Television include original essays, “perspective” pieces on controversial issues, “retrospective” articles on older films and television programs, and commissioned book and video reviews. Periodically the journal publishes special issues on subjects such as “The Western,” “Television as Text,” and “Mixed-Up Confusion: Television in the Twenty-First Century.” The Journal of Popular Film and Television  delivers lively and insightful commentaries, written in accessible prose. Authors from across the arts, humanities, and social sciences are welcome and encouraged to submit their work. Please email Editor-in-Chief  Dr Tom Ue if you have any questions or possible suggestions for future articles or theme issues.


Peer Review Policy:

All peer review is single anonymized and submissions are typically reviewed by two external referees.

Publication office: Taylor & Francis, Inc., 530 Walnut Street, Suite 850, Philadelphia, PA 19106

Journal metrics

Usage

  • 61K annual downloads/views

Citation metrics

  • 0.5 (2023) Impact Factor
  • 0.5 (2023) 5 year IF
  • 0.6 (2023) CiteScore (Scopus)
  • Q2 CiteScore Best Quartile
  • 0.985 (2023) SNIP
  • 0.119 (2023) SJR

Speed/acceptance

  • 53 days avg. from submission to first decision
  • 11% acceptance rate

Editorial board

EDITOR-IN-CHIEF
Tom Ue, Cape Breton University, Canada

CONSULTING EDITORS
Sam L. Grogg Jr., Adelphi University, USA

Ralph Haven Wolfe, Bowling Green State University, USA

SENIOR ASSOCIATE EDITOR
Jack Nachbar, Bowling Green State University, USA

BOOK REVIEW EDITOR
Sue Matheson, University College of the North, Canada

INTERIM VIDEO REVIEW EDITOR
Michael T. Marsden


ASSOCIATE EDITORS

Kathy Merlock Jackson, Virginia Wesleyan University, USA

Vivian C. Sobchack, University of California, Los Angeles, USA

ADVISORY BOARD
Jane Caputi, Florida Atlantic University, USA

John G. Cawelti, University of Kentucky, USA

Kathy Fuller-Seeley, University of Texas at Austin, USA

Harvey Roy Greenberg, M.D. New York, New York

Leonard G. Heldreth, Northern Michigan University, USA

Frank Manchel, University of Vermont, USA

George Plasketes , Auburn University, USA

Brian Rose, Fordham University–College at Lincoln Center, USA

Timothy Scheurer, Shawnee State University, USA

John Tibbetts , University of Kansas, USA

J. P. Telotte, Georgia Institute of Technology, USA

Mary Ann Watson, Eastern Michigan University, USA

Abstracting and indexing

Abstracted/Indexed in: Canada in Context, FIAF International Index to Film Periodicals, Arts & Humanities Citation Index, Current Contents, Web of Science, De Gruyter Saur online research databases, EBSCOhost, Scopus, Advanced Placement Fine Arts and Music, Book Review Index Plus, Expanded Academic ASAP, General OneFile, MLA International Bibliography, OCLC Humanities Index (Online), Ovid FIAF Databases, ProQuest online research databases.

Open access

Journal of Popular Film and Television is a hybrid open access journal that is part of our Open Select publishing program, giving you the option to publish open access. Publishing open access means that your article will be free to access online immediately on publication, increasing the visibility, readership, and impact of your research.

Why choose open access?

  1. Increase the discoverability and readership of your article
  2. Make an impact and reach new readers, not just those with easy access to a research library
  3. Freely share your work with anyone, anywhere
  4. Comply with funding mandates and meet the requirements of your institution, employer or funder
  5. Rigorous peer review for every open access article

Article Publishing Charges (APC)

If you choose to publish open access in this journal you may be asked to pay an Article Publishing Charge (APC). You may be able to publish your article at no cost to yourself or with a reduced APC if your institution or research funder has an open access agreement or membership with Taylor & Francis.

Use our APC finder to calculate your article publishing charge

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