Sound Studies, Volume 3, Issue 1 (2017)

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Sound Studies, Volume 3, Issue 1 (2017)

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Editorial

Editorial
Editorial
Michael Bull & Veit Erlmann
Pages: 1-2
Published online: 19 Sep 2017
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Articles

Article
Thoughts on autonomy, sound and artistic compromise: three experimental radio broadcasts of poetry with radiophonic sound by Delia Derbyshire (1965–1966)
Teresa Winter
Pages: 3-16
Published online: 23 Dec 2016
AbstractforThoughts on autonomy, sound and artistic compromise: three experimental radio broadcasts of poetry with radiophonic sound by Delia Derbyshire (1965–1966) | Full Text | References | PDF (875 KB)
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Article
Sonic colour zones: Laura Boulton and the hunt for music
Alejandra Bronfman
Pages: 17-32
Published online: 20 Jul 2017
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Article
Broken records from Berlin: the place of listening in People on Sunday (dir. Curt and Robert Siodmak/Edgar G. Ulmer, 1929)
Elodie A. Roy
Pages: 33-48
Published online: 01 Sep 2017
AbstractforBroken records from Berlin: the place of listening in People on Sunday (dir. Curt and Robert Siodmak/Edgar G. Ulmer, 1929) | Full Text | References | PDF (993.1 KB)
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Article
Subordinating sound to screen: television music supervision in an imagocentric world
Amanda Nell Edgar
Pages: 49-63
Published online: 30 Aug 2017
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Second Sound

Article
Orpheus unglued: sticky shed syndrome and tape’s archival anxieties
Michael C. Heller
Pages: 64-70
Published online: 21 Jul 2017
AbstractforOrpheus unglued: sticky shed syndrome and tape’s archival anxieties | Full Text | References | PDF (716.2 KB)
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Book Reviews

Book Review
Listening to postcolonial Latin America
Aurality: listening and knowledge in nineteenth-century Colombia, by Ana María Ochoa Gautier
Christine Ehrick
Pages: 71-73
Published online: 22 Mar 2017
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Book Review
Embodied minds and their aural imaginings
Sonic virtuality: sound as emergent perception, by Mark Grimshaw and Tom Garner
James A. Steintrager
Pages: 73-76
Published online: 05 Apr 2017
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Book Review
Towards an ethics of care in musicology
Just vibrations: the purpose of sounding good, by William Cheng
Jessica A. Holmes
Pages: 76-79
Published online: 01 Sep 2017
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Book Review
The “belliphonic” ear: listening to sound and music in wartime Iraq and Afghanistan
Listening to war: sound, music, trauma, and survival in wartime Iraq, by J. Martin Daughtry / My music, my war: the listening habits of U.S. troops in Iraq and Afghanistan, by Lisa Gilman / Sound targets: American soldiers and music in the Iraq war, by Jonathan Pieslak
James Deaville
Pages: 80-84
Published online: 30 Aug 2017
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Sound Reviews

Review
The sound of science. Hearing research in Ernst Karel’s “Heard Laboratories”
Heard laboratories, by Ernst Karel
Christoph Borbach
Pages: 85-87
Published online: 05 Apr 2017
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Review
The pop cultural materialisation of sound in the museum
Exhibition “Rock und Pop im Pott”, Essen/Germany, Ruhr Museum
Kathrin Dreckmann
Pages: 88-90
Published online: 19 May 2017
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Review
Sonic anarchy on display
Critical Constellations of the Audio-Machine in Mexico, curated by Carlos Prieto Acevedo
Andrea F. Bohlman
Pages: 90-93
Published online: 29 Jun 2017
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Review
Maximal vastness and minimal aesthetics. How Kurt Hentschläger challenges our sense of perception in his immersive installation SOL
SOL installation, by Kurt Hentschläger
Dahlia Borsche
Pages: 93-96
Published online: 11 Aug 2017
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