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Original Articles

For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn

The 2007 Dent Medal Address

Pages 205-243 | Published online: 25 Nov 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (23)

Jann Pasler. (2024) Co-producing knowledge and Morocco's musical heritage: a relational paradigm for colonial scholarship. The Journal of North African Studies 29:1, pages 84-130.
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Thaiane Moreira de Oliveira & Marcus Vinicius de Jesus Bomfim. (2023) Funding of research agendas about the global south in Latin America and the Caribbean: lexicometric and content analysis in Latin American scientific production. Tapuya: Latin American Science, Technology and Society 6:1.
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Lasse Pedersen, Inge Bernstein, Karen Lindorff-Larsen, Charlotte Carlsen, Thomas Gerds & Christian Torp-Pedersen. (2023) Colonoscopy performance monitoring: do we need to adjust for case mix?. Scandinavian Journal of Gastroenterology 58:8, pages 937-944.
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Muriel Swijghuisen Reigersberg, Simon McKerrell & Aaron Corn. (2022) Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment. Ethnomusicology Forum 31:1, pages 28-49.
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Veerle Spronck, Peter Peters & Ties van de Werff. (2021) Empty Minds: Innovating Audience Participation in Symphonic Practice. Science as Culture 30:2, pages 216-236.
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Javier Rivas. (2021) A view from below: some thoughts on musicology and EDI work as acts of care. Ethnomusicology Forum 30:1, pages 63-81.
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Christopher Haworth. (2018) Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound. Contemporary Music Review 37:5-6, pages 606-625.
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Eric Drott. (2018) Musical Contention and Contentious Music; or, the Drums of Occupy Wall Street. Contemporary Music Review 37:5-6, pages 626-645.
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Patrick Valiquet. (2018) A Managed Risk: Mediated Musicianships in a Networked Laptop Orchestra. Contemporary Music Review 37:5-6, pages 646-665.
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Joseph Browning. (2017) Mimesis stories: composing new nature music for the shakuhachi . Ethnomusicology Forum 26:2, pages 171-192.
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Juan M. Loaiza. (2016) Musicking, embodiment and participatory enaction of music: outline and key points. Connection Science 28:4, pages 410-422.
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Nick Zangwill. (2014) Re-Centring Musicology and the Philosophy of Music. Journal of Aesthetics and Phenomenology 1:2, pages 231-240.
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Lindelwa Dalamba. (2014) Jyo nana wê! Coplan: an anthropologist's refuge in music. Anthropology Southern Africa 37:1-2, pages 126-129.
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Laudan Nooshin. (2011) Introduction to the Special Issue: The Ethnomusicology of Western Art Music. Ethnomusicology Forum 20:3, pages 285-300.
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Joseph Mfum Manukure, Francis Annor & Angela Anarfi Gyasi-Gyamerah. ‘Leaving the child behind was not easy’: lived experiences of mothers returning to work after maternity leave in Ghana. Community, Work & Family 0:0, pages 1-24.
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Yue Zhou & Fei Huang. (2024) Navigating Knowledge Dynamics: Algorithmic Music Recombination, Deep Learning, Blockchain, Economic Knowledge, and Copyright Challenges. Journal of the Knowledge Economy.
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GAVIN S. K. LEE. (2023) Global Musical Modernisms as Decolonial Method. Twentieth-Century Music, pages 1-25.
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Noah R. Fram. (2023) Music in the Middle: A Culture-Cognition-Mediator Model of Musical Functionality. Perspectives on Psychological Science 18:5, pages 1178-1197.
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Cathy A Wilcock. (2021) In the groove and in the moment: epistemology and ethics in ethnography with Sudanese musician revolutionaries. Qualitative Research 23:3, pages 746-763.
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Peter Peters, Ties van de Werff, Imogen Eve & Jos Roeden. 2023. Interdisciplinarity in the Scholarly Life Cycle. Interdisciplinarity in the Scholarly Life Cycle 253 271 .
Fabian Holt. (2022) The Geo-Ecological Turn in Sociology and its Implications for the Sociology of the Arts. Cultural Sociology 16:4, pages 486-502.
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Michael Silvers. (2020) Attending to the Nightingale: On a Multispecies Ethnomusicology. Ethnomusicology 64:2, pages 199-224.
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Guillaume Boutard. (2020) Alter-Value in Data Reuse: Non-Designated Communities and Creative Processes. Data Science Journal 19.
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Matthew S. Champion & Miranda Stanyon. (2019) MUSICALISING HISTORY. Transactions of the Royal Historical Society 29, pages 79-103.
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Deborah Seabrook. (2019) Toward a radical practice: A recuperative critique of improvisation in music therapy using intersectional feminist theory. The Arts in Psychotherapy 63, pages 1-8.
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Josep Martí. (2019) Beyond Representation: Relationality and Affect in Musical Practices. Journal of Posthuman Studies 3:2, pages 159-180.
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DAVID CLARKE. (2018) Defining Twentieth- and Twenty-First-Century Music. Twentieth-Century Music 14:3, pages 411-462.
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James Mooney, Dorien Schampaert & Tim Boon. (2017) Editorial: Alternative histories of electroacoustic music. Organised Sound 22:2, pages 143-149.
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Jessica A. Holmes. (2017) Expert Listening beyond the Limits of Hearing: Music and Deafness. Journal of the American Musicological Society 70:1, pages 171-220.
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Georgia Volioti. (2016) Dorottya Fabian, Renee Timmers and Emery Schubert, eds, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Oxford: Oxford University Press, 2014). xxx + 383 pp. £55.00.. Nineteenth-Century Music Review 13:2, pages 335-340.
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Gil Fesch. (2016) Rumo a uma etnografia da música contemporânea. Prólogo para um projeto de investigação*Towards an Ethnography of New Music: Prologue to a Research ProjectVers une ethnographie de la musique contemporaine. Prologue pour un projet de recherche. Revista Crítica de Ciências Sociais:109, pages 163-184.
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Christopher Haworth. (2016) ‘All the Musics Which Computers Make Possible’: Questions of genre at the Prix Ars Electronica. Organised Sound 21:1, pages 15-29.
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Owen Green. (2016) The Situation of Practice-Led Research Around NIME, and Two Methodological Suggestions for Improved Communication. Leonardo 49:1, pages 78-79.
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GEORGINA BORN & KYLE DEVINE. (2015) Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain. Twentieth-Century Music 12:2, pages 135-172.
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Nikki Moran. (2014) Social implications arise in embodied music cognition research which can counter musicological “individualismâ€. Frontiers in Psychology 5.
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Christine Guillebaud. (2014) L'art de la multimodalité. Anthropologie et Sociétés 38:1, pages 25-45.
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Jacqueline Waeber, Convenor, Convenor. (2013) Rousseau in 2013. Journal of the American Musicological Society 66:1, pages 251-295.
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ROSS COLE. (2012) “Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65. Journal of the Society for American Music 6:3, pages 315-348.
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Margaret Lam. (2012) Beyond the score: Music visualization and digital humanities. Bulletin of the American Society for Information Science and Technology 38:4, pages 45-47.
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Arnold Whittall. (2011) Being Courteous: The View from the Old Country. Music Theory Spectrum 33:2, pages 222-225.
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Owen Green. (2011) Agility and Playfulness: Technology and skill in the performance ecosystem. Organised Sound 16:2, pages 134-144.
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