Advanced search
Publication Cover
Popular Music and Society Volume 8, 1982 - Issue 2
Submit an article Journal homepage
62
Views
9
CrossRef citations to date
0
Altmetric
Original Articles

Record world and billboard charts compared: Singles hits, 1970–1979Footnote∗

Peter Hesbacher Ph.D. Assistant Professor of Sociology, Department of Psychiatry, University of Pennsylvania, 5533 Pulaski Av., Philadelphia, PA, 19144; Policy Analyst at the Center for Social Policy and Community Development, Temple University,
,
Bruce Anderson M.A. Composer‐performer and Doctoral Candidate in History, University of Pennsylvania,
,
Paul Snyderman PhD. Senior Market Analyst, Sunmark Industries, A Division of the Sun Company, Pennsylvania
&
Ross Koppel Ph.D. Director of Research at the Center for Social Policy and Community Development, Temple University,
Pages 101-112 | Published online: 24 Jul 2008

Citations (9)

Keep up to date with the latest research on this topic with citation updates for this article.

Subscribe to citation updates

Read on this site (6)

William F. Carroll$suffix/text()$suffix/text(). (2022) Did Billboard, Cash Box, and Record World Charts Tell the Same Story? Perception and Reality, 1960-1979. Rock Music Studies 9:2, pages 199-219.
Read now
Ola Haampland. (2017) Power Laws and Market Shares: Cumulative Advantage and the Billboard Hot 100. Journal of New Music Research 46:4, pages 356-380.
Read now
William F. Carroll$suffix/text()$suffix/text(). (2015) Not So Lonely at the Top: Billboard #1s and a New Methodology for Comparing Records, 1958–75. Popular Music and Society 38:5, pages 586-610.
Read now
Alan Wells. (1987) The British invasion of American popular music: What is it and who pays?. Popular Music and Society 11:2, pages 65-78.
Read now
Alan Wells. (1986) Women in popular music changing fortunes from 1955 to 1984. Popular Music and Society 10:4, pages 73-85.
Read now
GeorgeH. Lewis. (1983) Dimensions of popularity: A comparison of billboard and the Gavin report singles charts, 1970–1979. Popular Music and Society 9:2, pages 54-60.
Read now

Articles from other publishers (3)

Boris Gourévitch. (2023) Billboard 200: The Lessons of Musical Success in the U.S.. Music & Science 6.
Crossref
Andrea Ordanini, Joseph C. Nunes & Anastasia Nanni. (2018) The featuring phenomenon in music: how combining artists of different genres increases a song’s popularity. Marketing Letters 29:4, pages 485-499.
Crossref
Gilbert B. Rodman. (2006) Everyday I Write the Book: A Bibliography of (Mostly) Academic Work on Rock & Pop Music. Journal of Popular Music Studies 2:2, pages 17-50.
Crossref

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.