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Loisir et Société / Society and Leisure Volume 27, 2004 - Issue 2
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Cultural Scenes

Will StrawMcGill UniversityView further author information
Pages 411-422 | Published online: 02 Jul 2013

Citations (51)

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Cristian Stromblad & Andrea Baker. (2023) Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study). Popular Music and Society 46:3, pages 242-264.
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Linda Cimardi. (2022) Whose jembe? A drum as a countercultural icon and a symbol of African authenticity in Zagreb. Ethnomusicology Forum 31:3, pages 393-411.
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Cristina Mateos-Mora, Clemente J. Navarro-Yañez & María-Jesús Rodríguez-García. (2022) A guide for the analysis of cultural scenes: a measurement proposal and its validation for the Spanish case. Cultural Trends 31:4, pages 354-371.
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Diego Eugênio Roquette Godoy Almeida. (2022) Night-time leisure: Gender and sexuality intersected by generation, style, and race in the São Paulo pop LGBTQ+ scene. Journal of Occupational Science 29:1, pages 52-67.
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Shams Bin Quader. (2022) How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic. The Journal of International Communication 28:1, pages 90-109.
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Shams Bin Quader. (2022) Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy. Continuum 36:1, pages 135-149.
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Hai Ren. (2021) The aesthetic scene: A critique of the creative economy in urban China. Journal of Urban Affairs 43:7, pages 960-974.
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Sean Martin-Iverson. (2021) The value of the underground: punk, politics, and creative urbanism in Bandung, Indonesia. Cultural Studies 35:1, pages 110-135.
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Shu Min Yuen. (2020) Unqueer queers—drinking parties and negotiations of cultural citizenship by female-to-male trans people in Japan. Asian Anthropology 19:2, pages 86-101.
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Elena Omelchenko, Sviatoslav Poliakov & Alina Mayboroda. (2019) Peers/strangers/others? The youth of Dagestan in search of group identities. Cultural Studies 33:5, pages 841-865.
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Cheng-Yi Lin. (2018) Emerging challenges of an urban creative economy: reflections on the governance of creative clusters in Taipei City. European Planning Studies 26:2, pages 421-437.
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Marie-Claude Lapointe & Jason Luckerhoff. (2018) L’apport de la revue Loisir et Société dans le champ culturel. Loisir et Société / Society and Leisure 41:1, pages 46-67.
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Kerryn Drysdale. (2016) Tactile places: doing sensory ethnography in Sydney’s drag king scene. Continuum 30:2, pages 206-217.
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Mark Finch. (2015) “Toronto is the Best!”: Cultural Scenes, Independent Music, and Competing Urban Visions. Popular Music and Society 38:3, pages 299-317.
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Benjamin Woo, Jamie Rennie & Stuart R. Poyntz. (2015) Scene Thinking. Cultural Studies 29:3, pages 285-297.
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Ayaka Yoshimizu. (2015) Bodies That Remember. Cultural Studies 29:3, pages 450-475.
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Sara M. Grimes. (2015) Little Big Scene. Cultural Studies 29:3, pages 379-400.
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Kerryn Drysdale. (2015) When Scenes Fade. Cultural Studies 29:3, pages 345-362.
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Danielle J. Deveau. (2015) ‘We Weren't Hip, Downtown People’. Cultural Studies 29:3, pages 326-344.
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Michael Darroch. (2015) Border Scenes. Cultural Studies 29:3, pages 298-325.
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Benjamin Duester & Andy Bennett. (2023) How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes. Journal of Consumer Culture 23:4, pages 829-845.
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Michaël Spanu & Catherine Rudent. (2022) La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musiqueThe Concert Video and its Paradoxes. Reflecting on the Audiovisual Mediation of Concerts in a Context of Music Platformization. Communiquer. Revue de communication sociale et publique:35, pages 101-120.
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Francesca Quercia. (2022) Sur l’utilité du concept beckerien de « monde de l’art » afin d’appréhender un objet multiniveau. Le cas des projets de théâtre dans les quartiers populaires. Bulletin of Sociological Methodology/Bulletin de Méthodologie Sociologique 156:1, pages 57-91.
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Andy BennettAndy Bennett. 2022. Popular Music Heritage. Popular Music Heritage 15 37 .
. 2021. Mettre la ville en musique (Paris-Berlin). Mettre la ville en musique (Paris-Berlin) 305 319 .
Kerryn Drysdale. (2021) ‘Scene’ as a critical framing device: Extending analysis of chemsex cultures. Sexualities, pages 136346072199546.
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Jonathan Rouleau. (2021) L’université contemporaine comme scène culturelle : le cas de MontréalThe Contemporary University as a Cultural Scene: The Case of MontrealLa universidad contemporánea como escena de lo cultural : el caso de Montreal. Cahiers de recherche sociologique:71, pages 185.
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David Murphy. 2021. Game History and the Local. Game History and the Local 141 157 .
Tanja Halužan. (2020) “Tko će, ako ne mi sami?”“If not Us, then Who?”. Narodna umjetnost 57:2, pages 79-105.
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Michael Audette-Longo. 2020. Punk, Fanzines and DIY Cultures in a Global World. Punk, Fanzines and DIY Cultures in a Global World 125 141 .
Ricardo Klein. (2019) Construcciones de ciudad y espacio público desde el graffiti y el street art. Universitas Humanística:88.
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Pierre Raboud. 2019. Disorder. Disorder 131 146 .
Kerryn DrysdaleKerryn Drysdale. 2019. Intimate Investments in Drag King Cultures. Intimate Investments in Drag King Cultures 157 184 .
Kerryn DrysdaleKerryn Drysdale. 2019. Intimate Investments in Drag King Cultures. Intimate Investments in Drag King Cultures 3 22 .
Jamie Jelinski. (2018) “An Artist’s View of Tattooing”: Aba Bayefsky and the Tattoo Scenes of Toronto and Yokohama, 1978–86. Journal of Canadian Studies 52:2, pages 451-480.
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Paula Guerra. (2018) UMA CIDADE ENTRE SONHOS DE NÉON. ENCONTROS, TRANSAÇÕES E FRUIÇÕES COM AS CULTURAS MUSICAIS URBANAS CONTEMPORÂNEAS. Sociologia & Antropologia 8:2, pages 375-400.
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Kerryn Drysdale. (2018) Intimate attunements: Everyday affect in Sydney’s drag king scene. Sexualities 21:4, pages 640-656.
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Luciana Xavier de Oliveira. 2018. A cena musical da Black Rio: estilos e mediações nos bailes soul dos anos 1970. A cena musical da Black Rio: estilos e mediações nos bailes soul dos anos 1970.
Noé Cornago. 2018. International Relations, Music and Diplomacy. International Relations, Music and Diplomacy 141 169 .
Antoine FLEURY, Muriel FROMENT-MEURICE & Lorenzo PODDIGHE. (2017) Musiciens de rue et renouveau des espaces publics à Paris. Cahiers de géographie du Québec 61:172, pages 99-116.
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Mônica Rebecca Ferrari Nunes. (2016) Memórias e matrizes em textos midiáticos explosivos: cenas medievalistas na cultura jovem. Intexto, pages 242-262.
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Pierre Raboud. (2016) L’émergence du punk en France : entre dandys et autonomes (1976-1981)The Emergence of Punk in France: Between Dandies and Autonomists (1976-1981). Volume !:13 : 1, pages 47-59.
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Martin Lussier. (2015) Le quartier comme production culturelle: du développement économique municipal au développement culturel des quartiers à Montréal. Canadian Journal of Communication 40:2, pages 315-332.
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Kristian Handberg. (2015) Montreal Modern: Retro Culture and the Modern Past in Montreal. Culture Unbound 7:1, pages 67-89.
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Ariane Gruet-Pelchat. (2015) Wickström, David-Emil. 2014. Rocking St. Petersburg: Transcultural Flows and Identity Politics in the St. Petersburg Popular Music Scene. 2, rev. and expanded ed. Soviet and Post-Soviet Politics and Society; 101. Stuttgart : Ibidem-Verlag. 364 p. ISBN : 9783838206004. Intersections: Canadian Journal of Music 35:2, pages 125.
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Vivek Venkatesh, Jeffrey S. Podoshen, David Perri & Kathryn Urbaniak. 2014. Educational, Psychological, and Behavioral Considerations in Niche Online Communities. Educational, Psychological, and Behavioral Considerations in Niche Online Communities 364 388 .
Barry Hill & Jon Fitzgerald. (2013) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians. Perfect Beat 13:2.
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Myrtille Roy-Valex. 2010. La classe créative selon Richard Florida. La classe créative selon Richard Florida 39 84 .
Geoff Stahl. (2009) Urban Signs/Signs of the Urban: Of Scenes and Streetscapes . Culture Unbound 1:2, pages 249-262.
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Damien Charrieras. (2007) L'apport des cultural studies à l'étude des instances de production professionnalisée de la culture. Les Enjeux de l'information et de la communication Volume 2007:1, pages 21-33.
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Lon Dubinsky. (2006) In Praise of Small Cities: Cultural Life in Kamloops, BC. Canadian Journal of Communication 31:1, pages 85-106.
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