Britt Swartjes & Jo Haynes. (2023) Working live. A sociological account of the entangled relations of liveness through festival work.. Poetics 100, pages 101820.
Crossref
Clementina Casula. (2023) Book Review: Transnational Musicians. Precariousness, Ethnicity and Gender in the Creative Industry. Cultural Sociology 17:3, pages 412-414.
Crossref
Rainer Prokop & Rosa Reitsamer. (2023) The DIY careers of young classical musicians in neoliberal times. DIY, Alternative Cultures & Society 1:2, pages 111-124.
Crossref
A. Zhuparova, A. Asilova & G. Isataeva. (2023) Education as a factor in the development of a creative economy: a scientific synthesis of research evaluation. Central Asian Economic Review:2, pages 72-93.
Crossref
Manfredi de Bernard, Roberta Comunian, Sarah Jewell, Elisa Salvador & Dave O’Brien. (2023) The role of higher education in sustainable creative careers: Exploring UK theatre graduates and theatre careers. Industry and Higher Education.
Crossref
Tomas Kačerauskas. (2023) Disinterestedness in the Creative Economy: The Case of the MO Museum in Vilnius. Sustainability 15:13, pages 10115.
Crossref
Muyuan Wu. (2023) The Paradox of Creative Work: Exploring Autonomy and Inequality in the Cultural and Creative Industries. International Journal of Education and Humanities 9:1, pages 110-113.
Crossref
Anne O’Brien, Paraic Kerrigan & Susan Liddy. (2022) Conceptualising change in equality, diversity and inclusion: A case study of the Irish film and television sector. European Journal of Cultural Studies 26:3, pages 336-353.
Crossref
Ana Oliveira. (2023) DIY or die? A typology of DIY careers in the Portuguese independent music scenes. DIY, Alternative Cultures & Society 1:1, pages 20-33.
Crossref
Maria Norbäck. (2021) Back to the future of journalist work? Entrepreneurial subjectivity and freelance journalism in Sweden. Journalism 24:4, pages 785-802.
Crossref
Matthew J. DureyMatthew J. Durey. 2023. Art Work. Art Work
223
259
.
Matthew J. DureyMatthew J. Durey. 2023. Art Work. Art Work
61
96
.
Homero Rodriguez-Insuasti, Marcelo Leon, Néstor Montalván-Burbano & Katherine Parrales-Guerrero. 2023. Innovations in Bio-Inspired Computing and Applications. Innovations in Bio-Inspired Computing and Applications
778
795
.
Elien Hanselaer. (2022) Other-orientedness: A practical tool for performance spirituality. Dance, Movement & Spiritualities 9:1, pages 65-76.
Crossref
Frances Howard. (2022) Artistic Production and (Re)production: Youth Arts Programmes as Enablers of Common Cultural Dispositions. Cultural Sociology 16:4, pages 468-485.
Crossref
Homero Rodríguez-Insuasti, Néstor Montalván-Burbano, Otto Suárez-Rodríguez, Marcela Yonfá-Medranda & Katherine Parrales-Guerrero. (2022) Creative Economy: A Worldwide Research in Business, Management and Accounting. Sustainability 14:23, pages 16010.
Crossref
James Douglas. (2021) Entrepreneurial navigation of the Australian screen industries: The case of Dr D Studios. Media International Australia 185:1, pages 110-123.
Crossref
Tommy Tse. (2022) Work Faster, Harder, Cheaper? Global, Local and Sectoral Co-Configurations of Job Insecurities Among Hong Kong Creative Workers. Critical Sociology 48:7-8, pages 1141-1167.
Crossref
Ali FitzGibbon & Ioannis Tsioulakis. (2022) Making it up: Adaptive approaches to bringing freelance cultural work to a cultural ecologies discourse. European Urban and Regional Studies 29:4, pages 461-478.
Crossref
Ana Alacovska. (2021) The Wageless Life of Creative Workers: Alternative Economic Practices, Commoning and Consumption Work in Cultural Labour. Sociology 56:4, pages 673-692.
Crossref
Mark David Ryan, Guy Healy & Stuart Cunningham. (2022) Where are they now? Career sustainability and Australian web-series producers. Media International Australia, pages 1329878X2211144.
Crossref
Maria Jansson & Louise Wallenberg. (2022) Women’s agency in the Swedish film industry: Annoying little buggers and passionate team players. Journal of Scandinavian Cinema 12:2, pages 201-216.
Crossref
Jérémy Vachet. 2022. Fantasy, Neoliberalism and Precariousness. Fantasy, Neoliberalism and Precariousness
103
125
.
Fernando Januário Lopes Soares & Jorge Ferreira da Silva. (2022) Perceptions about Internationalization Barriers in the Creative Economy: a Multiple-Case Study with Brazilian SMEs. Internext 17:2, pages 243-263.
Crossref
Deborah Giustini. (2022) ‘They Wouldn’t Mind Pushing People Off the Bus’: Exploring Power in Practice Theory through the Work of Simultaneous Interpreters. Sociological Research Online, pages 136078042110554.
Crossref
Nnamdi O. Madichie & Robert Ebo HinsonNnamdi O. Madichie & Robert Ebo Hinson. 2022. The Creative Industries and International Business Development in Africa. The Creative Industries and International Business Development in Africa
135
152
.
Deirdre O'Neill & Mike Wayne. (2022)
The Acting Class
and the Myths of Meritocracy
. Journal of British Cinema and Television 19:1, pages 1-21.
Crossref
Preethi Rajaprakasam. (2022) Luxury industry as a pioneer for sustainability through improved communication: A consumer perspective. Luxury Studies: The In Pursuit of Luxury Journal 1:1, pages 25-43.
Crossref
Zheng Liu. (2021) The Impact of Government Policy on Macro Dynamic Innovation of the Creative Industries: Studies of the UK’s and China’s Animation Sectors. Journal of Open Innovation: Technology, Market, and Complexity 7:3, pages 168.
Crossref
Bingqing Xia. (2023) Rethinking digital labour: A renewed critique moving beyond the exploitation paradigm. The Economic and Labour Relations Review 32:3, pages 311-321.
Crossref
Laura Vonk. (2020) Peer Feedback in Aesthetic Labour: Forms, Logics and Responses. Cultural Sociology 15:2, pages 213-232.
Crossref
Maria Norbäck. (2019) Glimpses of resistance: Entrepreneurial subjectivity and freelance journalist work. Organization 28:3, pages 426-448.
Crossref
Caitlin Vincent, Hilary Glow, Katya Johanson & Bronwyn Coate. (2021) Who Did You Meet at the Venice Biennale? Education-to-Work Transition Enhancers for Aspiring Arts Professionals in Australia. Work, Employment and Society, pages 095001702110042.
Crossref
Charlotte Carey. 2021. Exploring Cultural Value. Exploring Cultural Value
119
132
.
Iryna SaukhOlha Vikarchuk. (2021) Creativity in management and creative management: meta-analysis. Marketing and Management of Innovations:1, pages 65-80.
Crossref
Michael Wayne & Vinícius Neves de Cabral. (2021) Capitalismo, Classe e Meritocracia: um estudo transnacional entre o Reino Unido e o Brasil. Educação & Realidade 46:3.
Crossref
Roberta Comunian, Lauren England, Alessandra Faggian & Charlotta MellanderRoberta Comunian, Lauren England, Alessandra Faggian & Charlotta Mellander. 2021. The Economics of Talent. The Economics of Talent
75
92
.
Anne O'Brien, Sarah Arnold & Páraic KerriganAnne O’Brien, Sarah Arnold & Páraic Kerrigan. 2021. Media Graduates at Work. Media Graduates at Work
29
54
.
Anne O'Brien, Sarah Arnold & Páraic KerriganAnne O’Brien, Sarah Arnold & Páraic Kerrigan. 2021. Media Graduates at Work. Media Graduates at Work
7
27
.
David Juliao-Esparragoza, Mariangela Lopez-Lambraño & Alberto Muñoz-Santiago. (2020) Transición del concepto de industrias creativas y su papel en el entorno económico. I+D Revista de Investigaciones 16:1, pages 225-237.
Crossref
Jeroen de Kloet, Jian Lin & Yiu Fai Chow. (2020) Introduction: Creative labour in East Asia. Global Media and China 5:4, pages 347-353.
Crossref
Charles Umney & Graham Symon. (2019) Creative placemaking and the cultural projectariat: Artistic work in the wake of Hull City of Culture 2017. Capital & Class 44:4, pages 595-615.
Crossref
Rebecca McSheaffrey. (2020) Exploring the aspirations of young people to work in the British film industry through comparative focus groups in London secondary schools. Film Education Journal 3:2.
Crossref
Mehdi Arfaoui. (2020) A relational approach to heterodox versus orthodox positions in contemporary cultural policy debates. Humanities and Social Sciences Communications 7:1.
Crossref
Tom Baum. (2018) Changing employment dynamics within the creative city: Exploring the role of ‘ordinary people’ within the changing city landscape. Economic and Industrial Democracy 41:4, pages 954-974.
Crossref
Chun-Liang Chen. (2020) Cross-disciplinary innovations by Taiwanese manufacturing SMEs in the context of Industry 4.0. Journal of Manufacturing Technology Management 31:6, pages 1145-1168.
Crossref
Damiano Razzoli, Stefano Rodighiero, Lorenzo Mizzau & Fabrizio Montanari. (2020) Need for space. How artists rely on space to face precarious work conditions. SOCIOLOGIA DEL LAVORO:157, pages 164-185.
Crossref
Isabelle Mayaud & Laurent Jeanpierre. (2020) Destinies of artistic activity: visual artists' plural forms of employment and trade-offs in a French region. SOCIOLOGIA DEL LAVORO:157, pages 125-144.
Crossref
Anne-Sophie Béliard & Sarah Lécossais. (2020) Screenwriters’ Collectives or the “Making Of” a ProfessionLes collectifs de scénaristes ou la « fabrique » du métier. Compagnonnage et solidarités dans le travail créatifLos colectivos de guionistas o la «fábrica» del oficio. Compañerismo y solidaridades en el trabajo creativo. Biens Symboliques / Symbolic Goods:6.
Crossref
Anne-Sophie Béliard & Sarah Lécossais. (2020) Les collectifs de scénaristes ou la « fabrique » du métierScreenwriters’ Collectives or the “Making Of” a Profession. Companionship and Solidarity in Creative WorkLos colectivos de guionistas o la «fábrica» del oficio. Compañerismo y solidaridades en el trabajo creativo. Biens Symboliques / Symbolic Goods:6.
Crossref
Aslı ALTANLAR, Serkan SINMAZ & Alper ÇAKIROĞLU. (2020) Kentlerin Dönüşüm Sürecinde Yaratıcı Endüstrilerin Rolü: Antalya Dokuma Fabrikası Alanı Özelinde Bir Proje DeneyimiThe Role of Creative Industries on Urban Transformation: A Project Experience in Antalya Weaving Factory Area. Kent Akademisi 13:1, pages 123-145.
Crossref
Yosha Wijngaarden, Erik Hitters & Pawan V. Bhansing. (2020) Cultivating fertile learning grounds: Collegiality, tacit knowledge and innovation in creative co-working spaces. Geoforum 109, pages 86-94.
Crossref
Joëlle Bissonnette. (2021) Devenir entrepreneur culturel en situation linguistique minoritaire : une perspective de la pratique1. Revue internationale P.M.E. 33:3-4, pages 105-137.
Crossref
Jack Newsinger & Doris Ruth Eikhof. (2020) Explicit and Implicit Diversity Policy in the UK Film and Television Industries. Journal of British Cinema and Television 17:1, pages 47-69.
Crossref
Jaka Primorac, Valerija Barada & Edgar Buršić. 2020. The Industrialization of Creativity and Its Limits. The Industrialization of Creativity and Its Limits
31
48
.
Annalisa Murgia & Sarah de Heusch. 2020. Pathways into Creative Working Lives. Pathways into Creative Working Lives
211
230
.
Rachel Granger. 2020. Value Construction in the Creative Economy. Value Construction in the Creative Economy
151
176
.
Marios Samdanis & Soo Hee Lee. (2017) Access Inequalities in the Artistic Labour Market in the UK: A Critical Discourse Analysis of Precariousness, Entrepreneurialism and Voluntarism. European Management Review 16:4, pages 887-907.
Crossref
Maria Norbäck & Alexander Styhre. (2019) Making it work in free agent work: The coping practices of Swedish freelance journalists. Scandinavian Journal of Management 35:4, pages 101076.
Crossref
Navdeep Athwal, Victoria K. Wells, Marylyn Carrigan & Claudia E. Henninger. (2019) Sustainable Luxury Marketing: A Synthesis and Research Agenda. International Journal of Management Reviews 21:4, pages 405-426.
Crossref
Taija Roiha. (2019) Crossing the Magical Barriers of Art:Social Class, Authorship and Capital in the Contemporary FinnishLiterary Field. Nordisk kulturpolitisk tidsskrift 22:1, pages 50-71.
Crossref
Phil Ramsey, Stephen Baker & Robert Porter. (2019)
Screen production on the ‘biggest set in the world’: Northern Ireland Screen and the case of
Game of Thrones
. Media, Culture & Society 41:6, pages 845-862.
Crossref
Isabelle Zinn. (2018) The “Truly Creative” Florists: When Creativity Becomes a Gendered Privilege. Journal of Contemporary Ethnography 48:3, pages 429-447.
Crossref
Xin Gu & Justin O'Connor. (2019) Teaching ‘tacit knowledge' in cultural and creative industries to international students. Arts and Humanities in Higher Education 18:2-3, pages 140-158.
Crossref
Steve Presence. (2019) Freelance Networks, Trade Unions and Below-the-Line Solidarity in Regional Film and Television Clusters: An Interview with the Bristol Editors Network. Journal of British Cinema and Television 16:2, pages 233-249.
Crossref
Logan Molyneux, Seth C Lewis & Avery E Holton. (2018) Media work, identity, and the motivations that shape branding practices among journalists: An explanatory framework. New Media & Society 21:4, pages 836-855.
Crossref
Ana Alacovska & Rosalind Gill. (2019) De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective. International Journal of Cultural Studies 22:2, pages 195-212.
Crossref
Ruth McElroy & Caitriona NoonanRuth McElroy & Caitriona Noonan. 2019. Producing British Television Drama. Producing British Television Drama
97
121
.
Marisol Sandoval & Jo Littler. 2019. Creative Hubs in Question. Creative Hubs in Question
155
168
.
Tarek E. Virani & Rosalind Gill. 2019. Creative Hubs in Question. Creative Hubs in Question
131
154
.
Melanie Ramdarshan BoldMelanie Ramdarshan Bold. 2019. Inclusive Young Adult Fiction. Inclusive Young Adult Fiction
45
91
.
Peter CampbellPeter Campbell. 2019. Persistent Creativity. Persistent Creativity
235
273
.
John Hill & Nobuko Kawashima. 2018. Film Policy in a Globalised Cultural Economy. Film Policy in a Globalised Cultural Economy
1
6
.
Patrick Crogan. (2018) Indie Dreams: Video Games, Creative Economy, and the Hyperindustrial Epoch. Games and Culture 13:7, pages 671-689.
Crossref
Dawn BennettSophie Hennekam. (2018) Self-authorship and creative industries workers’ career decision-making. Human Relations 71:11, pages 1454-1477.
Crossref
Ebru KERİMOĞLU & Büşra GÜVEN-GÜNEY. (2018) İstanbul’da Yaratıcı İşgücünün Eğitimi ve Endüstri Pratikleri Üzerine bir DeğerlendirmeAn Evaluation of Creative Class Education and Industry Practises in Istanbul. Sosyoekonomi 26:37, pages 57-80.
Crossref
Pınar Kaygan. (2018) Endüstriyel Tasarım Öğrencileri Arasında Paylaşılan Meslek Söyleminde Birlikte Çalışma ve Özsömürü. Anadolu Üniversitesi Sanat & Tasarım Dergisi 8:1, pages 2-19.
Crossref
Jo Haynes & Lee Marshall. (2018) Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry. The British Journal of Sociology 69:2, pages 459-482.
Crossref
Claire Seungeun Lee. (2018) Experiencing “Internationalized precarity” in inter-Asian film production: A case study of Seediq Bale. Poetics 66, pages 42-53.
Crossref
Claudia Sicondolfo. 2018. Youth Mediations and Affective Relations. Youth Mediations and Affective Relations
175
195
.
Scott Brook & Roberta Comunian. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
125
141
.
Nick Wilson. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
621
647
.
Jonathan Gross. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
501
522
.
Toby Bennett. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
431
459
.
David Wright. 2018. The Palgrave Handbook of Creativity at Work. The Palgrave Handbook of Creativity at Work
311
325
.
Jack Newsinger & Steve Presence. 2018. Handbook of State Aid for Film. Handbook of State Aid for Film
447
462
.
Dr. Gonca ASLAN. (2017) Yaratıcı Endüstrilerin Yükselişi: Geçmiş, Bugün ve Gelecek. Anadolu Üniversitesi Sosyal Bilimler Dergisi 17:4, pages 109-122.
Crossref
Hye-Kyung Lee. (2017) The political economy of ‘creative industries’. Media, Culture & Society 39:7, pages 1078-1088.
Crossref
Jocelyne Guilbault. (2017) Roy Cape's labour of love: theorising work ethics through musical biography. Popular Music 36:3, pages 353-369.
Crossref
Ealasaid Munro. (2017) Building soft skills in the creative economy: Creative intermediaries, business support and the ‘soft skills gap”. Poetics 64, pages 14-25.
Crossref
Radu-Daniel Pintilii, Daniel Peptenatu, Ana-Maria Ciobotaru, Sorin George Toma, Ana Maria Grigore, Cristian-Constantin Drăghici, Răzvan-Cătălin Dobrea, Adrian Gabriel Simion, Ion Andronache, Camelia Teodorescu & Daniel Constantin Diaconu. (2017) Creative economies in Romania – spatial projections and trends. Bulletin of Geography. Socio-economic Series 37:37, pages 95-108.
Crossref
Pierre-Michel Menger. (2017) Contingent High-Skilled Work and Flexible Labor Markets. Creative Workers and Independent Contractors Cycling Between Employment and Unemployment. Swiss Journal of Sociology 43:2, pages 253-284.
Crossref
Nando Malmelin & Mikko Villi. (2017) Media work in change: Understanding the role of media professionals in times of digital transformation and convergence. Sociology Compass 11:7, pages e12494.
Crossref
Mara Ferreri, Gloria Dawson & Alexander Vasudevan. (2017) Living precariously: property guardianship and the flexible city. Transactions of the Institute of British Geographers 42:2, pages 246-259.
Crossref
Joanne Duberley, Marylyn Carrigan, Jennifer Ferreira & Carmela Bosangit. (2017) Diamonds are a girl’s best friend …? Examining gender and careers in the jewellery industry. Organization 24:3, pages 355-376.
Crossref
Nando Malmelin & Lotta Nivari-Lindström. (2016) Rethinking creativity in journalism: Implicit theories of creativity in the Finnish magazine industry. Journalism 18:3, pages 334-349.
Crossref
Juliet Webster & Leung Wing‐Fai. (2017) Introduction: creativity, knowledge and innovation in virtual work. New Technology, Work and Employment 32:1, pages 1-11.
Crossref
Philip Schörpf, Jörg Flecker, Annika Schönauer & Hubert Eichmann. (2017) Triangular love–hate: management and control in creative crowdworking. New Technology, Work and Employment 32:1, pages 43-58.
Crossref
Kendra Briken, Shiona Chillas, Martin Krzywdzinski, Abigail Marks, Philip Schörpf, Jörg Flecker & Annika Schönauer. 2017. The New Digital Workplace. The New Digital Workplace
89
111
.
Kendra Briken, Shiona Chillas, Martin Krzywdzinski, Abigail Marks & Adrian Wright. 2017. The New Digital Workplace. The New Digital Workplace
195
217
.
Michelle PhillipovMichelle Phillipov. 2017. Media and Food Industries. Media and Food Industries
133
151
.
Martin Klinthäll & Elisabeth Sundin. 2017. Ageing, Organisations and Management. Ageing, Organisations and Management
277
300
.
Stuart Cunningham, David Craig & Jon Silver. (2016) YouTube, multichannel networks and the accelerated evolution of the new screen ecology. Convergence: The International Journal of Research into New Media Technologies 22:4, pages 376-391.
Crossref
Richard Hanage, Jonathan M Scott & Mark A.P. Davies. (2016) From “great expectations” to “hard times”. International Journal of Entrepreneurial Behavior & Research 22:1, pages 17-38.
Crossref
Charles Umney. (2015) The labour market for jazz musicians in Paris and London: Formal regulation and informal norms. Human Relations 69:3, pages 711-729.
Crossref
Jaka Primorac. 2016. Virtual Workers and the Global Labour Market. Virtual Workers and the Global Labour Market
161
178
.
Martha Michailidou & Eleni Kostala. 2016. Virtual Workers and the Global Labour Market. Virtual Workers and the Global Labour Market
57
76
.
Miroslav Šipikal & Emília Madudová. (2015) Education as Tool for the Development of Creative Industries in Slovakia. Creative and Knowledge Society 5:2, pages 1-10.
Crossref
Martinus Buekers, Lieve Mees & Jan Baetens. (2015) The Role of Creative Arts in European Universities: An Exploratory Study. European Review 23:4, pages 511-526.
Crossref
Saskia de Klerk. (2015) The creative industries: an entrepreneurial bricolage perspective. Management Decision 53:4, pages 828-842.
Crossref
Eric Knight & Will Harvey. (2015) Managing exploration and exploitation paradoxes in creative organisations. Management Decision 53:4, pages 809-827.
Crossref
Bridget Conor, Rosalind Gill & Stephanie Taylor. (2015) Gender and Creative Labour. The Sociological Review 63:1_suppl, pages 1-22.
Crossref
Timothy Bartram, Brendan Boyle, Pauline Stanton, John Burgess & Anthony McDonnell. (2015) Multinational enterprises and industrial relations: A research agenda for the 21st century. Journal of Industrial Relations 57:2, pages 127-145.
Crossref
Daniel Ashton. (2014) Making Media Workers. Television & New Media 16:3, pages 275-294.
Crossref
Jack Newsinger. (2014) A cultural shock doctrine? Austerity, the neoliberal state and the creative industries discourse. Media, Culture & Society 37:2, pages 302-313.
Crossref
Adrian Wright. (2015) It's all about games: enterprise and entrepreneurialism in digital games. New Technology, Work and Employment 30:1, pages 32-46.
Crossref
Helin Liu, Elisabete A. Silva & Qian WangHelin Liu, Elisabete A. Silva & Qian Wang. 2015. Creative Industries and Urban Spatial Structure. Creative Industries and Urban Spatial Structure
15
41
.
Helin Liu, Elisabete A. Silva & Qian WangHelin Liu, Elisabete A. Silva & Qian Wang. 2015. Creative Industries and Urban Spatial Structure. Creative Industries and Urban Spatial Structure
1
13
.
R. Gill. (2014) Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers. Social Politics: International Studies in Gender, State & Society 21:4, pages 509-528.
Crossref
Monica LindgrenJohann PackendorffViviane Sergi. (2014) Thrilled by the discourse, suffering through the experience: Emotions in project-based work. Human Relations 67:11, pages 1383-1412.
Crossref
Charles Umney & Lefteris Kretsos. (2013) Creative labour and collective interaction: the working lives of young jazz musicians in London. Work, Employment and Society 28:4, pages 571-588.
Crossref
Alessandra Faggian, Roberta Comunian & Qian Cher Li. (2014) Interregional migration of human creative capital: The case of “Bohemian graduates”. Geoforum 55, pages 33-42.
Crossref
Wen Lei Zhao & Hong Tao Cao. (2014) Creative Industry Policies and International Comparison in Engineering Design Field. Advanced Materials Research 919-921, pages 1441-1446.
Crossref
Stoian Daniela, Peptenatu Daniel, Pintilii Radu & Schvab Andrei. (2014) Territorial Distribution of Creative Poles in Romania. Procedia - Social and Behavioral Sciences 122, pages 184-188.
Crossref
Pintilii Radu-Daniel, Braghină Cristian, Drăghici Cristian Constantin & Saghin Irina. (2014) Territorial Imbalances in the Distribution of Creative Industries in the North-Eastern Development Region. Procedia - Social and Behavioral Sciences 122, pages 179-183.
Crossref
Hsiao-Ling Chung. 2014. Cultural Policies in East Asia. Cultural Policies in East Asia
193
209
.
Daniel Ashton. (2013) Cultural workers in-the-making. European Journal of Cultural Studies 16:4, pages 468-488.
Crossref
Scott Brook. (2013) Social inertia and the field of creative labour. Journal of Sociology 49:2-3, pages 309-324.
Crossref
A. Bain & H. McLean. (2012) The artistic precariat. Cambridge Journal of Regions, Economy and Society 6:1, pages 93-111.
Crossref
Daniel Ashton & Caitriona NoonanDaniel Ashton. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
172
192
.
Daniel Ashton & Caitriona NoonanAnnette Naudin. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
110
130
.
Daniel Ashton & Caitriona NoonanRichard Berger, Jonathan Wardle & Marketa Zezulkova. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
87
109
.
Daniel Ashton & Caitriona NoonanKate Oakley. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
25
44
.
Daniel Ashton & Caitriona NoonanKim Allen. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
232
253
.
Daniel Ashton & Caitriona NoonanDaniel Ashton & Caitriona Noonan. 2013. Cultural Work and Higher Education. Cultural Work and Higher Education
1
21
.
. 2012. The Politics of Urban Cultural Policy. The Politics of Urban Cultural Policy
31
43
.
Philippe Béraud, Viviane du Castel & Franck Cormerais. (2012) Open innovation, economy of contribution and the territorial dynamics of creative industries. Journal of Innovation Economics & Management n°10:2, pages 81-105.
Crossref
Allan Watson. (2012) Sociological Perspectives on the Economic Geography of Projects: The Case of Project‐Based Working in the Creative Industries. Geography Compass 6:10, pages 617-631.
Crossref
Stephanie Taylor. (2012) ‘One participant said …’: the implications of quotations from biographical talk. Qualitative Research 12:4, pages 388-401.
Crossref
Susan Coulson. (2012) Collaborating in a competitive world: musicians’ working lives and understandings of entrepreneurship. Work, Employment and Society 26:2, pages 246-261.
Crossref
Stephanie Taylor. (2011) The Meanings and Problems of Contemporary Creative Work. Vocations and Learning 5:1, pages 41-57.
Crossref
Stephanie Taylor. (2010) Negotiating oppositions and uncertainties: Gendered conflicts in creative identity work. Feminism & Psychology 21:3, pages 354-371.
Crossref
Paola Trevisan. (2017) The Managerialization of the Arts in the Era of Creativity. The Case of an Italian Opera House. SSRN Electronic Journal.
Crossref