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Original Articles

Looking for work in creative industries policy

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Pages 415-430 | Published online: 16 Nov 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (56)

Saraí Meléndez-Rodríguez & David Roca. (2023) Sick of awards: hidden costs of signaling for advertising creatives. International Journal of Advertising 42:8, pages 1295-1314.
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Caitlin Shaughnessy, Rosie Perkins, Neta Spiro, George Waddell & Aaron Williamon. (2023) Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom. Cultural Trends 0:0, pages 1-18.
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Greig de Peuter, Kate Oakley & Madison Trusolino. (2023) The pandemic politics of cultural work: collective responses to the COVID-19 crisis. International Journal of Cultural Policy 29:3, pages 377-392.
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Thilde Langevang, Rashida Resario, Ana Alacovska, Robin Steedman, Dorothy Akpene Amenuke, Sela Kodjo Adjei & Rufai Haruna Kilu. (2022) Care in creative work: exploring the ethics and aesthetics of care through arts-based methods. Cultural Trends 31:5, pages 448-469.
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Susan Jones. (2022) Cracking up: the pandemic effect on visual artists’ livelihoods. Cultural Trends 0:0, pages 1-18.
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Alessandro Gerosa. (2022) The hidden roots of the creative economy: a critical history of the concept along the twentieth century. International Journal of Cultural Policy 28:2, pages 131-144.
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Lucrezia Casulli, Stephen Knox, Andrew C. MacLaren & Thomas Farrington. (2021) Art-identity founders, venturing processes, and entrepreneurship: Implications for policy. Journal of the International Council for Small Business 2:4, pages 303-312.
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Chris Bilton, Doris Ruth Eikhof & Charlotte Gilmore. (2021) Balancing Act: motivation and creative work in the lived experience of writers and musicians. International Journal of Cultural Policy 27:6, pages 738-752.
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Zhongxuan Lin. (2020) Precarious Creativity: Production of Digital Video in China. Critical Arts 34:6, pages 13-27.
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Roberta Comunian & Lauren England. (2020) Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy. Cultural Trends 29:2, pages 112-128.
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John O'Hagan, Denis Murphy & Ruth Barton. (2020) Do state funding, geographic location, and networks matter?. Cultural Trends 29:2, pages 77-95.
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Toby Bennett. (2020) Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy 26:2, pages 223-238.
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Dominique Webb. (2018) Screen industry collaboration: The Knock – producing fiction with Creative England/BFI. Media Practice and Education 19:2, pages 173-187.
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Guillaume Dumont. (2018) Creativity at work: the production of work for sale by brand ambassadors. Journal of Cultural Economy 11:1, pages 69-82.
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Pınar Kaygan & Özümcan Demir. (2017) The Cost of 'Free' in Freelance Industrial Design Work: The Case of Turkey. The Design Journal 20:4, pages 493-510.
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Pawel Popiel. (2017) “Boundaryless” in the creative economy: assessing freelancing on Upwork. Critical Studies in Media Communication 34:3, pages 220-233.
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John Hill & Nobuko Kawashima. (2016) Introduction: film policy in a globalised cultural economy. International Journal of Cultural Policy 22:5, pages 667-672.
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Heidi S. Ashton & David N. Ashton. (2016) ‘Bring on the dancers’: reconceptualising the transition from school to work. Journal of Education and Work 29:7, pages 747-766.
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Eglė Rindzevičiūtė, Jenny Svensson & Klara Tomson. (2016) The international transfer of creative industries as a policy idea. International Journal of Cultural Policy 22:4, pages 594-610.
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Amanda Coles. (2016) Creative class politics: unions and the creative economy. International Journal of Cultural Policy 22:3, pages 456-472.
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Daniel Ashton. (2016) Creative Contexts: work placement subjectivities for the creative industries. British Journal of Sociology of Education 37:2, pages 268-287.
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Abigail Gilmore & Roberta Comunian. (2016) Beyond the campus: higher education, cultural policy and the creative economy. International Journal of Cultural Policy 22:1, pages 1-9.
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Ruth Bridgstock & Stuart Cunningham. (2016) Creative labour and graduate outcomes: implications for higher education and cultural policy. International Journal of Cultural Policy 22:1, pages 10-26.
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Roberta Comunian & Can-Seng Ooi. (2016) Global aspirations and local talent: the development of creative higher education in Singapore. International Journal of Cultural Policy 22:1, pages 58-79.
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Paul Benneworth & Hugh Dauncey. (2016) Cultural policy, creative clusters and the complexity of higher education: notes from the case of Enjmin in Angoulême, France. International Journal of Cultural Policy 22:1, pages 80-99.
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Mark Banks & Kate Oakley. (2016) The dance goes on forever? Art schools, class and UK higher education. International Journal of Cultural Policy 22:1, pages 41-57.
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Oli Mould & Roberta Comunian. (2015) Hung, Drawn and Cultural Quartered: Rethinking Cultural Quarter Development Policy in the UK. European Planning Studies 23:12, pages 2356-2369.
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Katja Fleischmann & Ryan Daniel. (2015) The rise of the embedded designer in the creative industries. Journal of Education and Work 28:4, pages 422-442.
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Daniel Ashton. (2015) Creative work careers: pathways and portfolios for the creative economy. Journal of Education and Work 28:4, pages 388-406.
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Ruth Bridgstock, Ben Goldsmith, Jess Rodgers & Greg Hearn. (2015) Creative graduate pathways within and beyond the creative industries. Journal of Education and Work 28:4, pages 333-345.
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Tatiana Chemi. (2015) The Teaching Artist as Cultural Learning Entrepreneur: An Introductory Conceptualization. Teaching Artist Journal 13:2, pages 84-94.
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Lisa W. Kelly & Katherine Champion. (2015) Shaping screen talent: Conceptualising and developing the film and TV workforce in Scotland. Cultural Trends 24:2, pages 165-175.
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Sara Malou Strandvad. (2015) Auteurism and the secondary agency of portfolios. Cultural Studies 29:2, pages 141-157.
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Ryan Daniel. (2014) Artists and policy: a case study of the creative industries in north-eastern Australia. International Journal of Cultural Policy 20:5, pages 553-565.
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Peter Campbell. (2014) Imaginary Success?—The Contentious Ascendance of Creativity. European Planning Studies 22:5, pages 995-1009.
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Greig de Peuter. (2014) Confronting Precarity in the Warhol Economy. Journal of Cultural Economy 7:1, pages 31-47.
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Victoria Armstrong. (2013) Women's Musical Lives: Self-Managing a Freelance Career. Women: a cultural review 24:4, pages 298-314.
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Ben Eltham. (2013) Three arguments against ‘soft innovation’: towards a richer understanding of cultural innovation. International Journal of Cultural Policy 19:5, pages 537-556.
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Catherine Murray & Mirjam Gollmitzer. (2012) Escaping the precarity trap: a call for creative labour policy. International Journal of Cultural Policy 18:4, pages 419-438.
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Hsiao-Ling Chung. (2012) Rebooting the dragon at the cross-roads? Divergence or convergence of cultural policy in Taiwan. International Journal of Cultural Policy 18:3, pages 340-355.
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Roberta Comunian, Alessandra Faggian & Sarah Jewell. (2011) Winning and losing in the creative industries: an analysis of creative graduates' career opportunities across creative disciplines. Cultural Trends 20:3-4, pages 291-308.
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Kate Oakley. (2011) In its own image: New Labour and the cultural workforce. Cultural Trends 20:3-4, pages 281-289.
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Peter Campbell. (2011) Creative industries in a European Capital of Culture. International Journal of Cultural Policy 17:5, pages 510-522.
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Christine Bauer, Katharina Viola & Christine Strauss. (2011) Management skills for artists: ‘learning by doing’?. International Journal of Cultural Policy 17:5, pages 626-644.
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Justin O'Connor & Xin Gu. (2010) Developing a Creative Cluster in a Postindustrial City: CIDS and Manchester. The Information Society 26:2, pages 124-136.
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