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Articles

Liminal relationalities: on collaborative writing with/in and against race in the study of early childhood

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Pages 530-544 | Received 23 Sep 2021, Accepted 19 Mar 2022, Published online: 20 Apr 2022

Abstract

Collaborative writing is well established in the humanities, but with little focus on how the writing relationship comes into being, including the power and relational dynamics at play. This is especially pertinent both when Black and “white” (sic) authors collaborate in writing about race, and in the process of writing collaborative autoethnographies. In this article the authors narrate, or rather “enact”, the movements of their coming together in order to write about race in the context of early learning and childcare. Linking their collaboration to the Deleuzian theory of becoming and Bakhtin’s dialogic imagination, they present a manifesto for anti-racist inquiry which decentres colonial tropes of individuation in favour of ‘staying with the trouble’ of identity and race. Throughout, they connect the inception of their research relationship to the politics of childhood and early years education in Scotland today.

Introduction

Doing collaborative research matters. As a mode of bringing together people with distinct expertise and experience for the purpose of working toward a shared goal, it is an endeavour that can often prove fruitful in terms of the production of new knowledges for practice. Yet we also recognize that the process of coming to do research, before the polished journal articles and research reports, is one that typically happens without comment or any deep level of analysis. What gets cut out? How exactly do researchers end up working together? What are the often-unspoken tensions that can emerge throughout this process? And how do these relations affect (and reflect) our encounters with our research subjects, specifically young children, and ultimately our findings?

This paper is a prelude to a forthcoming research project intended on the theme of whiteness in early learning and childcare (ELC) within a nursery setting in Scotland. Over the next two years, we intend to explore: the current policy and political context for addressing racial inequality in Scotland’s statedly “progressive” ELC provision; the narratives that ELC practitioners construct to accommodate, or resist, anti-racist practice; the ways that whiteness is (re)produced in children’s play; and how our research setting’s “alternative” pedagogy intersects, for good or ill, with race and the historical-present characteristics of colonialism. Finally, we intend to consider the affects that our findings are having on us, the setting and other stakeholders that engage in this work. This article describes and indeed enacts an entry point to that journey, intentionally attempted prior to any research undertakings. In the act of us writing it, and it writing us, we seek to describe, and enact, the liminal, both-and-other, space of co-authorship and to theorise its contours as we are experiencing them, both on and off the page.

We are drawn to this effort by a shared, general philosophical commitment to sensing and naming our intersubjectivity (and various intra-subjectivities). We entered into our dialogues curious about the intersections between, for Shaddai, what may be loosely termed Deleuzian becomings (Deleuze, Citation1988; Deleuze & Guattari, Citation1983; Deleuze & Guattari, Citation1987; Lapoujade, Citation2017) – considering relational movements prior to signification and coding – and, for Simon, Bakhtinian multivocality (Bakhtin, Citation1981) – on the co-constructed foundations of seemingly individual experiences. Secondly, we are compelled to this work by the demands of our subjectivities as a Black man and a “white” man writing together about race and whiteness. Generally, Black is capitalised in our writing to signal our association with (and in particular Shaddai's conferred identity within) overlapping movements driven by Black activists toward liberation against the forces of racism and colonialism. For Shaddai being Black, rather than African, powerfully but temporarily claims race as a heuristic device while refusing its arbitrary impositions in a long-term commitment to dismantling the binaries that sure-up racism (Andrews, Citation2018; Keeling, Citation2019; Kwoba et al., Citation2018; Touré, Citation2011). Conversely, the naming of Simon as “white” using quotation marks elevates the hidden construction of whiteness in order to disempower its fabrication of the world within (quasi-Cartesian) binaries. This sits in contrast to our current use here of “White” or “whiteness” to denote the very real, material and hegemonic structures that are concretely, though often invisibly, and often affectively, rendered into our contemporary Western societal and economic relations.

This fluidity of terminology, which has emerged in our writing-together, also matters. It intentionally allows for degrees of interpretation. Whilst this is academically precarious, it is politically rigorous in that it seeks to trouble the reification of categories which, by insisting on only one way of knowing, have anchored and fuelled colonialism for more than four hundred years (Akomolafe, Citation2017). Even as we hold these terms fluidly, however, there remains in their reproduction a sense of uneasiness – that we risk “linguistic incarceration” (Dabiri, Citation2021, p. 66) within their boundaries, however shape-shifting. Throughout this work, we anticipate, tentatively, that Black and “white” may eventually both be placed in quotation marks, as a staging-post on route to new forms of anti-racist (dis)identification and socio-political organisation.

In the context of this paper, then, we must (we find ourselves doing and we choose to) bring into focus our play with and examination of the various assemblages of “we” that show up and take shape in our work and writing. This matters for three reasons. Firstly, to hold ourselves to account, as “we” write and research, for any abuses of White, colonial power which might seek to co-opt or assimilate our experience at material or interpersonal levels; secondly, to trouble the binaries of our racial and other identities (“white”/Black, practitioner/academic, working/middle class): binaries which empower, constrain but also potentially springboard each of us (and our enquiry) into new forms of liberation; finally, to empathically site ourselves alongside the young children that we will write about, who, in regard to their own being and becoming, typically experience forces of symbiosis and reification more vividly than adult selves, from one moment to the next (Moss, Citation2014; Punch, Citation2001).

To those primary ends, our writing has gravitated towards three main areas of focus.Footnote1 This paper weighs up the potential capacities and limitations of writing-as-inquiry in the realm of co-authorship. It describes our personal journey towards collaboration and the imbalanced tensions and vulnerabilities that are present for each of us. Ultimately, it argues that the specific opportunities of attempting this work in the context of race are worthwhile. Throughout, we seek to challenge our neo-colonial capitalist subjectifications in favour of a relational ethics: one which privileges the experience of movement through us over meaning in us, thereby affording the possibility of new ways of knowing and, crucially, organising our practices. Bayo Akomolafe (Citation2017, p. 04), invoking childhood lore (or rather that fabulous warning repeated for generations by anxious parents), recalls for us the story of The Three Little Pigs (where “the moral of the story seemed to be that what one needed was a house of bricks [rather than tentative straw] …”). He emboldens us to welcome in the wolf of unknowing.

A last word here on our approach before we set off – for as may be clear by now there is a seriously-playful intentionality to the words that we use. We employ footnotes as an “unmowed corner of grass where [we] can let [our] proverbial hair down” (Sword, Citation2012, p. 140). Affectively, we hope that our writing touches (Wyatt et al., Citation2011). That it produces us, as much as we produce it. We are attempting to bring the text to life, challenging the boundaries of academic convention in ways that honour play and experimentation.

Collaborative inquiry and its resonances with childhood

The traditional façade of knowledge production as cleanly emergent from an individual thinking self, or individual selves, is a central pretence that we wish to subvert in this paper. We situate the “individual” within the historically-present legacy of humanism. That is, within what Braidotti (Citation2013, p. 26) so clearly identifies as “a normative convention, which does not make it inherently negative, just highly regulatory and hence instrumental to practices of exclusion and discrimination”. Such logic, a product of colonialist thinking, remains firmly entrenched in the epistemological and ontological cornerstones of how we perceive the nature of experience itself in contemporary society. For example, in early childhood, phrases such as “the child as an individual”, “the child at the centre”, and the fundamental underpinnings of the term “development” itself are ubiquitous and axiomatic. We ask, tentatively, what constitutes the child? Development toward what? What happens when we think-otherwise from these phrases? There is a well-documented history of notions of agency in indigenous cultures that metaphysically reject individuality to incorporate the non-human, relational, elements that compose (us, in) experience (Mignolo, Citation2012). Even within certain strands of Western philosophy, such as Spinoza’s (Citation2002) monist metaphysics, there are openings for resistance against the doctrine of humanism. By no means do we write entirely against these terms, however we do seek to unsettle their seemingly natural and objective status.

In turning to collaborative inquiry, then, we join others in pursuing a potentially generative line of flight against individualism (Alexander et al., Citation2018; Deleuze & Guattari, Citation1987; Gale, Citation2018; Gale et al., Citation2019; Wyatt et al., Citation2014). Collaborative inquiry opens a “bloom space” (Stewart, Citation2010a) for us to unsettle singular authorship and challenge the seeming fixity of our individual selves. The thoughts and feelings that we lay down on the page acquire new meanings in this context where the strains of individuality are (contingently) forsaken, so that the production of this paper might enable us to individuate-together. Somewhat incredibly, this continues to present a cultural challenge to the prevailing logic of academic research and writing in the humanities which, in order to sustain competition in supposedly resource-scarce environments, prioritise, count and reward “individual” achievement and authorship over collective endeavour (Gannon, Citation2018; Henderson et al., Citation2016). Perhaps then, we consent to becoming non-sovereign (Cvetkovich, Citation2021; Gale & Wyatt, Citation2009; Moten, Citation2018). We desire toward an experimental and affective practice in relationality that may produce new modes of being and becoming-otherwise.

Indeed, drawing from our experience within practice, we make the claim that collaborative inquiry resonates closely with the relational inscriptions made by children within the nursery. We understand from our own experience as former (Shaddai) and current (Simon) ELC practitioners, as well as from the research of many others who have come to challenge individualism, that childhood and childhood spaces remain unstoppably polyphonous (Alanen and Mayall, Citation2001). Children enact multiplicity – both within their “individual” bodies, but also as they continuously create, disrupt and adjourn alliances from one minute to the next.Footnote2 They do this “autotelically” (Rautio, Citation2013) – that is, for the sake of play itself in its most ludic sense; but also to actively and collectively assimilate, subvert, resist and transform the violence they experience, however “lovingly” (Punch, 2001), via adult-led, deterministic structures, discourse and even spoken language itself (Kristeva, Citation1980; Richardson, Citation1990). Lechte, reflecting on Kristeva and the carnivalesque space which ideally describes children’s childhoods, writes that:

To understand exactly what is at stake in carnivalization, we must recognize that all monological discourses – discourses which operate according to the laws of representation and identity – cannot assimilate otherness, negation, opposition – contradiction, in a word. Such discourses include: theology, science, philosophy, ‘everyday’ language – all those depending, in fact, on definition and the exclusion of falsity. The discourses are bi-valent (either one or the other), homogenous, and subject to the law of ‘One’. (Lechte, Citation1990, p. 109; our italics).

Pedagogy must also be listed among these deterministic discourses. For the most part even outlier attempts at open-ended or experiential learning remain nearly always instrumental, with desired ends in sight from the beginning (Thompson, Citation2002). Nevertheless, as Yeats (Citation1989, p. 189) understood (but sadly feared), in life as in poetry “things fall apart, the centre cannot hold”. Childhood, being in still-close proximity to the “communicative musicality” of postnatal embodiment (Trevarthen and Vasudevi, Citation2017), is “tentative” not because it marks “a stage” on the way to somewhere else but because children retain the capacity to embrace or rather inhabit contradiction in ways that governments simply cannot tolerate (Rose, Citation1999). As (“fugitive”) practitioners working in the institutional margins, we see and celebrate the ways in which children, beneath becoming “school ready”, are making the world ready for them by subverting adult expectations.Footnote3 Not all children do so equally, of course. Social, cultural and material determinations of gender, sexuality, race, class and ability circumscribe children’s representations by varying degrees through and into their technical (legal) incorporation at the “age of majority”.

The Curriculum For Excellence (CfE) (Education Scotland, Citation2019) dictates the predominant set of expectations in Scotland, with its emphasis on “capacities” that relate not only to what children should learn, but how they should become (Priestley & Biesta, Citation2014; Watson, Citation2010). CfE was implemented after several years of consultation in 2010. It is the national curriculum for Scotland and covers children aged between three and eighteen years old. It is replete with compulsions that children should develop an “enterprising attitude”, “resilience” as well as a “determination to reach high standards of achievement” which all prefigure the child as homo oeconomicus, appending their potential to the processes of market value. This interpretation aligns closely with other critiques of curricula conceptions in the West, especially within early childhood, as becoming ever more interlaced with the now almost unfathomable processes of capital (Giroux, Citation2014; Mccafferty, Citation2010; Priestley & Biesta, Citation2014; Roberts-Holmes & Moss, Citation2021). Dubious and normative “measurements” of developmental progress, clouded within a discourse of “school-readiness”, have been identified as the Trojan horse by which the child continues to be appraised (Apple, Citation2019; Biesta, Citation2013; Bradbury, Citation2019; Lupton & Williamson, Citation2017). Noticing how “what counts” is governed in the CfE through experiences and outcomes – combined with the imperative for children to “achieve” certain levels of “development” – enables further understanding of the curriculum’s disciplinary function. That is, the neurotypical tendency that provide the grounds for this logic. Neurotypicality names “a central but generally unspoken identity politics, that frames our idea of which lives are worth living, and which lives are worth saving … Neurotypicality tells us what is in our best interests, and we tend to accept it wholesale” (Manning, Citation2016, pp. 3–4). Insofar as educational curricula shapes children’s identity formation, it does in a way that excludes difference and radical expression.

Language itself, and specifically the CfE’s fetishization of the three Rs (reading, writing, arithmetic), is once again implicated here, as the obligation to express and communicate more or less wholly within a prescribed and fixed symbolic structure is pursued to the significant cost of non-verbal, musical and other forms of constructive and relational expression – such as those often centred within Black cultures and marginalised elsewhere (Back & Ware, Citation2002). Indeed, a salient limitation of our own work in writing this first co-authored piece has been the constraints on movement imposed by Covid-19 for two researcher-practitioners who work on different sides of the country. While technology has offered important new ways of connecting and sharing information, embodiment, the non-verbal aspects of our dialogue, has been significantly limited on Zoom or Teams. Words have too often drowned out the silences, breath, shifting and dance that support other, outlier modes of expression and knowing in the margins of conversation. Thankfully, in this respect at least, young children have continued to gather (when schools and nurseries have stayed open), embodied, with fewer restraints; to meet in person, touch, push against each other and the world and, as a result, remain sentient and relational (Frank, Citation2021). This is not to discount the huge impact of Covid-19 on young children’s lives, including its disproportionate effects on families of colour (Razai et al., Citation2021). Adult control over children’s bodies, vast prior to the pandemic – disembodying them through continuous stipulations about how to dress, eat, sleep, play – have extended into a continuous policing of the boundaries of their skin and breath. While the epidemiological reasons for such interventions may be more or less justified, the absence of a popular critical awareness about the ontology they feed – the child as individual; disease as foreign/racially cast (Mitropoulos, Citation2020) – mean that our slide towards pedagogies of whiteness/separation have only been extended.

To repair and make reparation for these disenfranchisements, now ours, soon theirs, requires an ethical “response-ability” (Barad, Citation2012; Manning, Citation2006; Springgay & Truman, Citation2018) among researchers committed to stemming this adult-eration of the promise of childhood. Specifically, as practitioners and writers on early childhood we have a duty to uphold the rights and lore of contradiction; to upend knowing – about and with them, the world and ourselves. To that end, we consider the generative potential of collaborative inquiry in close parallel to the childhoods we are privileged to witness. Neither realm offers ordered, idealised or evolutionary (developmentalist) representation. Instead our praxis, as writers and practitioners, is increasingly to gesture to the tensions, the movement and the ungraspable (the counter-colonial) spaces of our knowledge-experience – however much what you are currently reading may mask our endeavours by appearing “finished”.

This is not to abnegate meaning, but to reclaim it within what Brian Massumi (Citation2002, p. 9) calls a “pure sociality”. Through decentering the individualist “I” and writing in media res, in the midst of our assemblage of always-ongoing relations, collaborative writing makes possession of a singular perspective impossible. Conversely, it makes envelopment within multiplicity and transformation possible. We are not blind, however, to the additional tensions this introduces in the context of anti-racism. As Manning (Citation2020, p. 51) asks, considering this stance:

How to problematize identity while remaining sensitive to the fact that for some the loss of a sense of a stable identity may feel like the very same gesture as the colonial act of exclusion from the category of the human? … How to create an affirmative politics of a production of subjectivity that does not ignore that alliances are crucial in the face of systemic violence of oppression?

Such questions play with us as they diffract through the stickiness of our individual racial and gendered identities. We feel anxious. We “stammer” (Deleuze & Parnet, Citation2007). We feel keen, in the high stakes work of racial justice, to “get things right”, as if that were indeed possible. These are cultural, economic and social materialities we cannot sidestep, and so we stay with this trouble (Haraway, Citation2016). Vitally, Manning reminds us that, in coming together as we are, in our collective sociality, we are not less than the subjects that we are accustomed to being, as if our identities suddenly disappear. Rather we become more-than our individual subjectivities could ever be. At the same time, against adult-child and self-world binaries, we have not entered into our individuality as Shaddai or Simon simply because we have legally “come of age” and bare responsibility for so-called individual acts. Indeed, the “or” between our names in this context demarcates a fictional separation (Steinby & Tintti, Citation2013). In this work, this inscribing, this middling, we are co-being Shaddai and Simon while we channel a polyphony of other perspectives, omissions, negations, acts and voices.

For Simon, Mikhail Bakhtin has been a central influence: the theorist of linguistic and social polyphony who laid much of the groundwork for the contemporary pedagogies which guide our subject nursery. Bakhtin – himself inspired by Dostoevsky as well as his own understanding of the human body, refracted through his experience as a disabled man – writes:

Truth is not born nor is it to be found inside the head of an individual person, rather it emerges between people collectively searching for truth, in the process of their dialogic interaction. (Bakhtin, Citation1984, p.110; our italics)

In fact, one of our subject nurseries is part of a growing movement within alternative international early years practice (White, Citation2015) which traces its pedagogic roots back through Paulo Freire and Bakhtin to the anti-imperialist Friedrich Froebel, who founded the kindergarten movement in early nineteenth century Prussia. In this view, one which we intend to scrutinize more closely in our further work, Froebelians see the kindergarten as a unique space where children co-create learning and community with their teachers, with little regard for external neo-liberal expectations and didacticism.Footnote4

For Shaddai, meanwhile, it is the stimulus within Deleuzian (Citation1992, Citation1988) and both Deleuze and Guattari's (1983, 1987) philosophy that motors an interest in “becomings”. Importantly, becoming does not imply a movement between two states of “being” because this presupposes being as the a priori state. Rather, it is more accurate to say that there is nothing other than becoming, in which being is simply “a contraction of the flow of becoming” (Colebrook, Citation2002, p. 126). In this sense, the experience of life is dislodged from a humanist perspective and has no fixed destination or final state of being outside itself. Further, their “individual” work, and as a collective, probes the insidious binding of human desire to the production of capital(ism), such that the individual self is now principally figured as a unit of “human capital” in contemporary post-Fordist societies.Footnote5 A feeling of “political depression” (Cvetkovich, Citation2012), the sense that new (affective) ways of relating to the world are needed, stays with us.

Against this, for Shaddai, Deleuzian and DeleuzoGuattarian philosophies provide sustenance. They ask of us, researchers, to maintain a deeply ethical and affirmative commitment to preserving futures as indeterminate through becomings. The undercurrents of process philosophy are salient at this point, since it is not that our individual selves are prior to processes of becoming, but rather that the actual metaphysical experience of life itself, beyond the human, means that becoming is the only constant in which we, humans, are caught up in the flows of. Recognizing these flows that we, humans, are subject to is therefore a gesture toward producing new ways of being with each other in the world. Understandings the world processually, then, means that “who we are” and “what we can do” are questions constantly put to us in anew in encounters. Traditional notions of agency are reconfigured away from the individual toward the event, signalling a new sociomaterialism in which the human, however corporeally defined, is even further displaced from Yeat’s “centre”. Crucially, Deleuzian and DeleuzoGuattarian philosophies allow more room than Bakhtin for realms beyond what is “between people”. This marks a difference in emphasis (or concern) that offers a powerful provocation for our collaborative inquiry. It is a difference which begs among other questions: what is ours to name and do, in navigating the tensions we sense both for co-authorship in general and anti-racist collaborations between “white” and Black activists more specifically. Conversely, what is beyond our consciousness, influence and language? And rather than being a threat to our own or indeed children’s individual “agency” – that lynchpin of the new sociology of childhood (Prout & James, Citation1990) – is that “beyond” and our/children’s acceptance of unknowing potentially generative?

For childhood researchers such as ourselves, as we look ahead to our proposed inquiries into themes of whiteness in ELC, Gallacher and Gallagher (Citation2008) offer up the value of “methodological immaturity” as an attitude or disposition towards decentering knowledge acquisition itself. “If all being is becoming, then ‘we’ (adults and children) are all constitutionally immature – and this is not to be seen negatively, as something lacking, but rather in terms of potential” (Gallacher & Gallagher, Citation2008, p. 511, emphasis in original). In naming a position of immaturity, then, Gallacher and Gallagher undermine both the adult-child hierarchy, where the former is seen to “know” the latter, and the tyranny of methods that posit knowing in advance. They ask us to stay with the indeterminate potential of events that may enable the becomings-otherwise from the already-known.

Experiences of “us”

It is these fractal and fractious interplays of human experience – within our subjectivities, between them and beyond them – which provide the structural basis for the next section of this article. Our original hope here was to convey something of the “data” of our coming together as co-authors (or one joint co-author), pre-sensitised and committed to attending to our experiences of whiteness. As argued above, in attempting to access these inter- and intra-plays we are trying to perceive and gesture towards the ground of our co-being in this work and, at the same time, seeking greater familiarity with the children who may already be playing at the margins of (trans)individuality. As our dialogues developed, we began to articulate a growing need for a form or forms of writing which might enable us to signify the multiplicity of “voices” situated in our co-being: those at hand, latent, emergent and other. Specifically, we found ourselves drawn to and riffing on the techniques of heterogeneous writers such as Sellers (Citation2013), McKittrick (Citation2021), Mol (Citation2002), and Speedy et al. (Citation2005) who all cite the need for novel frameworks of meaning through which to articulate multiplicity. The latter of these authors, for example, utilises a landscape multi-column narrative approach in order to offer multiple ways of sense-making, in a way that stays unfaithful to certitude (Speedy et al., Citation2005). Yet, how such an approach may be mobilised for writing with/in and against race is an area that remains unexplored. Therefore, in our own act of “research-creation” (Manning & Massumi, Citation2014), we produce a multi-column narrative approach that facilitates both our opening up to and reflections on the prism of our identifications. We draw from practice with children in our subject nursery, whereby children’s views on a question that has emerged from their play are communally solicited. In being transcribed faithfully, folding in their own physical markings and non-verbal expressions, the question – rather than being answered – grows larger. Their patternings are radically intersectional, not through a proliferation of demarcations between children’s expressions and identifications, but by their mutual generativity.

In our table, the four columns we have used below overlay our own experiences as:

  • Authorial (Shaddai and Simon, using “We” to gesture towards a corporate identity and language at the moment of writing – shown in column 1);

  • Subjective (Shaddai or Simon, operating as though we were two “I” voices or individuals – in columns 2 and 3); and finally:

  • Liminal (both the Bakhtinian “in-between” which draws us into being-relationship and the Deleuzian becomings which elude us – in column 4).

As we attempted this, we were aware of the critique in whiteness theory of the risks of centering Simon’s voice (Engles, Citation2006; Leonardo & Zembylas, Citation2013). Shaddai's voice comes first in the tabulation. Yet we have tried to capture the dialectic of our conversations and experiences, both the originating moment and our emerging responses to what each has offered in the writing, without setting up a call (Shaddai) and response (Simon) structure which that privileges Simon with closing commentary. Multiple iterations have shaped our understanding. At the same time, we have not tried to reach resolution. Our “positionalities” have shifted but remain open-ended, full of potential energy and committed to our futurity. The final column, Liminal, is therefore perhaps where we really see the work, or rather life – not as a precursive step or set of challenges guiding us to clearer or fairer subjective relations or authorial confidence, but as the poetic space we wish to channel, on and off the page, and keep moving in. As Rainer Maria Rilke (Citation1934, p. 35) writes, this is perhaps an anti-colonial commitment to “love the questions themselves… the point is, to live everything”.

Coda

The habits that we have formed throughout this process of collaborative inquiry have enabled us, experimentally, to play with the boundaries of individual selves. A level of porosity between the initially distinct categories of “authorial”, “subjective” and “liminal” has emerged.

As we move toward collaboration in other contexts, we hope that our experiences here snowball outside of this text into our approaches with the children in the nursery. This essay has set (us) in motion (toward) a potentially generative and ethical praxis of engagement, whereby “adult” and “child” may be reconceived on more-than-subjective, more-than-human terms. We anticipate – indeed hope – that this may suggest or spotlight affordances within early years “practice” itself which privilege indeterminacy. Indeed, we hope to move further still and engage all manner of relations in our research environment, the better to decentre our own perspectives and decolonise our thinking.

In relation to race, many studies continue to begin with the raced subject as anterior, perpetuating a crude analytic framework where bodies are known only according to prior significations and codings. We wish to begin elsewhere, emphasizing a metaphysics of movement and process that examines how characteristics of whiteness (Okun, Citation2021) as affective formations of power (Tembo, Citation2021) may be brought into being in ways that restrict the capacities of some (typically, but not always, non-white) bodies more than others (typically white bodies). Put differently, we are not starting with a representation of Black and “white” raced children, but rather keen to consider how the very categories of race thinking, including Black and “white”, are brought into being through sociomaterial practices of subjectification (and subjection) in play. Further, by paying attention to practices rather than individuals, we hope to produce a more expansive reading that is open to the ways in which human bodies rarely end at the skin (Haraway, Citation1991; Shildrick, Citation2015).

It matters that we examine the coming-to of subjectivities in ways that enable us as researchers to understand how racialised determinacies can be challenged. Yet parallel to this effort, we recognize the equal significance in beginning to “tune in” (Ash & Gallacher, Citation2015; Stewart, Citation2010b) to the ways that children may already be resisting and transforming the violence of individualism and whiteness in their experiences. As Gallacher and Gallagher (Citation2008, p. 512) write, we as researchers “are not simply reporting a world that exists ‘out-there’ but are creating and experimenting with an emergent one”.

Loosening our analytic framework away from critique and the imperative “to know” is a gesture made in the name of creativity and the production of the “new”. In turn, it further destabilises our thinking about the logic of curricula, generating more questions about Scotland’s CfE specifically and its imperative to position the child within predefined “experiences and outcomes”. We intend to revisit this as our enquiry progresses. All of this places us on precarious grounds. As Manning (Citation2020, p. 177, emphasis mine) reminds us, “To practice new modes of encounter, to invent the cracks of existence where individuality schizzes, is necessarily to be without bearings. And where there are no bearings, the first temptation is to presume to know”. Of course, we sense that it is this precise tension between (and desire towards) knowing and unknowing that has been the “élan vital” (Bergson, Citation1944), the life force, of our collaborative inquiry. In opening ourselves up to liminality, we have (cautiously) embraced indeterminacy and productively affirmed its value in generating new knowledges around issues of race and identity. Ultimately, it is this middling, and the knottiness that comes with it, that propels us forward, together. We leave the final word to Akomolafe (Citation2017, p. 12):

There are no beginnings that appear unperturbed, pristine and without hauntings. And there are no endings that are devoid of traces of the new, spontaneous departures from disclosure, and shimmering events that are yet to happen. The middle isn’t the space between things; it is the world in its ongoing practices of worlding itself.

END.

Correction Statement

This article has been republished with minor changes. These changes do not impact the academic content of the article.

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Additional information

Notes on contributors

Shaddai Tembo

Shaddai Tembo is a lecturer in early education and childhood practice at Perth College UHI, an associate lecturer at the Open University, and a postgraduate research student at the University of the West of Scotland. He is a trustee for Early Education and the Fatherhood Institute, and writes independently at Critical Early Years.

Simon Bateson

Simon Bateson is a Co-director of Froebelian Futures, an internationaltraining and research programme which aims to develop and deepenFroebelian pedagogy and leadership in Scotland and beyond. He also supports research and teaching with the School of Education at The University of Edinburgh on Froebel, social justice and the early years.

Notes

1 In earlier drafts we spoke, classically, of our “aims” here, but such language belies the fundamentally emergent and open-ended nature of this work (Manning & Massumi, Citation2014; Manning, Citation2016). We have not – as inalienable, Cartesian actors – been in control of our trajectory. Broad intentions were established, but in the writing process they have taken on such shape, weight and resonance as to render them wholly otherwise from our original expectations.

2 The notion that children are born as discrete individuals is a highly contested area. Early psychoanalytic theory, informed by certain developments in the neurosciences, suggests that infants are initially unable to recognise a clear distinction between self and other (Brownell et al., Citation2007; Bulgarelli et al., Citation2019; Neisser, Citation1993; Stern, Citation1985). Conversely, others support the idea that foetal subjectivity is displayed through certain motion patterns in utero (Delafield-Butt & Gangopadhyay, Citation2013; Trevarthen & Vasudevi, Citation2017). The polarisation of such theories is problematic, since the pressure on the child to display certain affects (of either individual character/agency or conversely biological harmony with an adult/mother) skews our perceptions of young children towards certain neurotypical or social standards. This risks the suppression of other forms of being and expression that do not meet perceived developmental norms.

3 In Stolen Life (2018, p. 131), Moten writes, “Fugitivity, then, is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or being outside, an outlaw edge proper to the now always already improper voice or instrument.” We sense that we are not alone in our motivations to transgress the increasingly neoliberalised early childhood profession, which remains perpetually sidelined in political discourse (in England, the recent news that ministers within the Department for Education have been knowingly underfunding provision for providers is a damning case in point (Lawler, Citation2021)). We also recognize our own privileges here, for such an explicit naming of our fugitive inclinations is an affordance that is not available to most practitioners.

4 “If I had announced that I would educate [children] specifically to be servants, shoemakers or tailors… then I should certainly have won praise. But I wanted to educate them to be free, to think, to take action for themselves.” Froebel, 1826 (in Lilley, Citation1967, p. 41).

5 The outcome is nothing less than “generalized subjection … in which each person does no more than obey, in which slaves give commands to slaves, since everyone is in the service of capital” (Lapoujade, Citation2017, p. 185).

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