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Articles

“The Walls Are So Silent”: Spaces of Confinement and Gendered Meanings of Incarceration in South African Commemorative Art

Kim MillerWheaton College, Massachusetts, USACorrespondence[email protected]
ORCID Iconhttp://orcid.org/0000-0002-3920-1438
ORCID Icon
Pages 122-141 | Published online: 07 Dec 2018

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