Ethnography in Contemporary Thai Cinematic Practices: A Case Study

References

• Anderson, Benedict. 1983. Imagined Communities. London, UK: Verso.
   Google Scholar
• Areerat, Kongpob. 2017. “The devil in the Details: Thailand’s New Constitution in a Nutshell.” Prachatai, 9 April 2017, https://prachatai.com/english/node/7062.
   Google Scholar
• Barbash, Ilisa, David MacDougall, Lucien Taylor, and Judith MacDougall. 1996. “Reframing Ethnographic Film: A ‘Conversation’ with David MacDougall and Judith MacDougall.” American Anthropologist 98 (2): 371–387.
   Web of Science ®Google Scholar
• BBC. 2014. “Why is Thailand under Military Rule?” BBC, 22 May 2014, https://www.bbc.com/news/world-asia-25149484.
   Google Scholar
• BBC. 2020. “Thailand Protests: Activists Challenge Monarchy by Laying ‘People’s Plaque’.” BBC, 20 September 2020, https://www.bbc.com/news/world-asia-54222524.
   Google Scholar
• Bourriaud, Nicolas. 1998. Relational Aesthetics. Dijon, France: Les Presses du Réel.
   Google Scholar
• Brenner, David. 2019. Rebel Politics: A Political Sociology of Armed Struggle in Myanmar’s Borderlands. London, UK: Southeast Asia Program Publications.
   Google Scholar
• Calvet, Jordi. 2019. “Life in the Border: The Forgotten IDPs in Southern Shan State.” Heinrich Böll Stiftung, 29 August 2019, https://th.boell.org/en/2019/08/29/life-border-forgotten-idps-southern-shan-state.
   Google Scholar
• Cate, Sandra. 2012. “Thai Artists, Resisting the Age of Spectacle.” In Modern and Contemporary Southeast Asian Art: An Anthology, 69–83. Ithaca, NY: Cornell University Press.
   Google Scholar
• Clifford, James. 1988. “On Ethnographic Authority.” In The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art, 22–36. Cambridge, MA: Harvard University Press.
   Google Scholar
• Crawford, Peter Ian. 1992. “Film as Discourse: The Invention of Anthropological Realties.” In Film as Ethnography, edited by Peter Ian Crawford and David Turton, 116–20. Manchester, UK: Manchester University Press.
   Google Scholar
• Crosbie-Jones, Max. 2022. “The Young Bangkok Filmmakers Winning Global Acclaim.” SilverKris, accessed 25 January 2022, https://www.silverkris.com/bangkok-art-filmmakers/.
   Google Scholar
• Enwezor, Okwui. 2004. “Documentary/Vérité: Bio-Politics, Human Rights and the Figure of ‘Truth’ in Contemporary Art.” Australian and New Zealand Journal of Art 5 (1): 12–14.
   Google Scholar
• Flores, Patrick D. 2011. “Field Notes from Artworlds: Interest and Impasse.” Third Text 25 (4): 383–94.
   Web of Science ®Google Scholar
• Foster, Hal. 1996. “The Artist as Ethnographer.” In The Return of the Real, 302–07. Cambridge, MA: The MIT Press.
   Google Scholar
• Gell, Alfred. 1998. Art and Agency: An Anthropological Theory. Oxford, UK: Oxford University Press.
   Google Scholar
• Haanstad, Eric. 2014. “Performative Ethnography: Observant Participation in Southeast Asia.” In Methodology and Research Practice in Southeast Asian Studies, edited by Mikko Huotari, Jürgen Rüland, and Judith Schlehe, 91–106. London, UK: Palgrave Macmillan.
   Google Scholar
• Harnwong, Lalita. 2020. “Not All Is Quiet on the Eastern Front: Background and Obstacles to Peace in the Shan State.” In In Process of Time /เมื่อหันมอง้ยอนไป/ Soil Without Land, 57–80. Bangkok, Thailand: Princess Maha Chakri Sirindhorn Anthropology Centre.
   Google Scholar
• Hastrup, Kirsten. 1992. “Anthropological Visions: Some Notes on Visual and Textual Authority.” In Film as Ethnography, edited by Peter Ian Crawford and David Turton, 8–22. Manchester, UK: Manchester University Press.
   Google Scholar
• Henley, Paul. 2020. Beyond Observation: A History of Authorship in Ethnographic Film. Manchester, UK: Manchester University Press.
   Google Scholar
• Ingawanij, May Adadol. 2018. “Itinerant Cinematic Practices In and Around Thailand during the Cold War.” Southeast of Now 2 (1): 9–41.
   Google Scholar
• MacDougall, David. 1998. “Subtitling Ethnographic Films.” In Transcultural Cinema, 165–177. Princeton, NJ: Princeton University Press.
   Google Scholar
• MacDougall, David. 2006. The Corporeal Image: Film, Ethnography, and the Senses. Princeton, NJ: Princeton University Press.
   Google Scholar
• MacDougall, David. 2019. “Documentary and Its Doubles.” In The Looking Machine: Essays on Cinema, Anthropology and Documentary Filmmaking, 1–3. Manchester, UK: Manchester University Press.
   Google Scholar
• Marrero-Guillamón, Isaac. 2018. “The Politics and Aesthetics of Non-Representation: Re-Imagining Ethnographic Cinema with Apichatpong Weerasethakul.” Antípoda. Revista de Antropología y Arqueología 33: 13–32.
   Google Scholar
• Miller, Daniel. 2018. “The Anthropology of Social Media.” Scientific American, 15 February 2018, https://blogs.scientificamerican.com/observations/the-anthropology-of-social-media/.
   Google Scholar
• O’Connor, Stanley. 1983. “Art Critics, Connoisseurs, and Collectors in the Southeast Asian Rain Forest: A Study in Cross-Cultural Art Theory.” Journal of Southeast Asian Studies 14 (2): 400–08.
   Google Scholar
• Pazzini-Paracciani, Loredana. 2017. “Vietnam The Movie: Resituating Images in Postcolonial Mainstream and Art Cinema.” Frames Cinema Journal, iss 12, “Innovation and Iteration: The Potential of Documentary.” https://framescinemajournal.com/article/vietnam-the-movie-resituating-images-in-postcolonial-mainstream-and-art-cinema/.
   Google Scholar
• Postill, John, and Sarah Pink. 2012. “Social Media Ethnography: The Digital Researcher in a Messy Web.” Sage 145 (1): 123–32.
   Google Scholar
• Rampley, Matthew. 2005. “The Ethnographic Sublime Author.” Anthropology and Aesthetics 47: 251–263.
   Google Scholar
• Safran, William. 1991. “Diasporas in Modern Societies: Myths of Homeland and Return.” Diaspora 1 (1): 83–99.
   Google Scholar
• SF Cinema. 2019. ‘ดินไร้แดน Soil Without Land | Official Trailer ตัวอย่าง ชับไทย’, YouTube video, 2:58, 8 July 2019, https://www.youtube.com/watch?v=32Fh67tRnso.
   Google Scholar
• Smith, Martin. 1999. Burma: Insurgency and the Politics of Ethnic Conflict. London, UK: Zed Books.
   Google Scholar
• Tantiwitayapitak, Natcha. 2020. “Conversation with Nontwatan Numbenchapol and Natcha Tantiwitayapitak on Inspiration, Access, and People: Recording, Composing and Disseminating.” In In Process of Time /เมื่อหันมอง้ยอนไป/ Soil Without Land, 161–232. Bangkok, Thailand: Princess Maha Chakri Sirindhorn Anthropology Centre.
   Google Scholar
• Taylor, Nora A. 2011. “The Southeast Asian Art Historian as Ethnographer?” Third Text 25 (4): 475–488.
   Web of Science ®Google Scholar
• Teh, David. 2011. “Itinerant Cinema: The Social Surrealism.” Third Text 25 (5): 595–609.
   Web of Science ®Google Scholar
• Thompson, Ashley. 2017. “Emergenc(i)es: History and the Auto-Ethnographic Impulse in Contemporary Cambodian Art.” In Charting Thoughts: Essays on Art in Southeast Asia, edited by Low Sze Wee and Patrick D. Flores, 292–303. Singapore: National Gallery Singapore.
   Google Scholar
• Turner, Matt. 2019. “Animistic Apparatus: Cinema for the Spirits.” BFI, 13 November 2019, https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/features/animistic-apparatus-cinema-for-spirits-thailand-berwick-may-adadol-ingawanij.
   Google Scholar
• Zhang, Jinghong. 2012. “The Interaction between Visual and Written Ethnography in Subtitling.” Visual Anthropology 25 (5): 439–449. doi: https://doi.org/10.1080/08949468.2012.720200.
   Google Scholar