REFERENCES
- Beckett , Samuel . 1990 . The Complete Dramatic Works , London : Faber and Faber .
- Bharucha , Rustom . 1993 . Theatre and the World: Performance and the Politics of Culture , London and New York : Routledge .
- Brater , Enoch . 1987 . Beyond Minimalism: Beckett's Late Style in Theater , NewYork and Oxford : Oxford University Press .
- Brater , Enoch . 1994 . The Drama in the Text: Beckett's Late Fiction , New York and Oxford : Oxford University Press .
- Carlson , Marvin . 2000 . “ The Macaronic Stage ” . In East of West: Cross-Cultural Performance and the Staging of Difference , Edited by: Claire , Sponsler and Xiaomei , Chen . New York and Basingstoke : Palgrave .
- Chamberlain , Lori . 1987 . “ The Same Old Stories: Beckett's Poetics of Translation ” . In Beckett Translating/Translating Beckett , Edited by: Alan , Friedman , Charles , Rossman and Dina , Sherzer . 17 – 24 . University Park and London : Pennsylvania State University Press .
- Cohn , Ruby . 1987 . “ Afterword to ‘Inexhaustible Alan’ ” . In Beckett Translating/Translating Beckett , Edited by: Alan , Friedman , Charles , Rossman and Dina , Sherzer . 227 – 32 . University Park and London : Pennsylvania State University Press .
- Esslin , Martin . 1987 . “ A Poetry of Moving Images ” . In Beckett Translating/Translating Beckett , Edited by: Alan , Friedman , Charles , Rossman and Dina , Sherzer . 65 – 76 . University Park and London : Pennsylvania State University Press .
- Kalb , Jonathan . 1989 . Beckett in Performance , Cambridge : Cambridge University Press .
- Mansell , Thomas . 2005 . Different Music: Beckett's Theatrical Conduct . Samuel Beckett Today/Aujourd'hui , : 225 – 39 . Rodopi 15.1 (November):
- McMillan , Dougald and Fehsenfeld , Martha . 1988 . Beckett in the Theatre: The Author as Practical Playwright and Director, Vol. 1: From , London : John Calder . Waiting for Godot to Krapp's Last Tape
- Perloff , Marjorie . 1987 . “ Une Voix pas la Mienne: French/English Beckett and the French/English Reader ” . In Beckett Translating/Translating Beckett , Edited by: Alan , Friedman , Charles , Rossman and Dina , Sherzer . 36 – 48 . University Park and London : Pennsylvania State University Press .
- Perloff , Marjorie . 1999 . “ The Silence that is not Silence: Acoustic Art in Samuel Beckett's Embers ” . In Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media , Edited by: Lois , Oppenheim . 247 – 68 . New York; London : Garland Publishing .
- Pountney , Rosemary . 1998 . Theatre of Shadows: Samuel Beckett's Drama 1956—76: From , Gerards Cross : Smythe . All That Fall to Footfalls with Commentaries on the Latest Plays
- Richardson , Stanley and Hale , Jane Alison . 1999 . “ Working Wireless: Beckett's Radio Writing ” . In Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media , Edited by: Lois , Oppenheim . 269 – 94 . New York and London : Garland Publishing .
- Ruthrof , Horst . 2000 . The Body in Language , London and New York : Cassell .
- Van Els , Theo and De Bot , Kees . 1987 . The Role of Intonation in Foreign Accent . The Modern Language Journal , 71.2 ( Summer ) : 147 – 55 .
- Embers . 1959 . London : BBC . repeated 15 April 1986. Radio play