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Performance Research
A Journal of the Performing Arts
Volume 12, 2007 - Issue 4: On Objects
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Original Articles

The Use of Objects in Sintesi of the Italian Futurists

Pages 115-122 | Published online: 11 Mar 2010

References

  • Apollonio, Umbro, 1973. Futurist Manifestos. Boston: MFA Publications; 1973.
  • Bonino, Guido, 1993. Teatro Futurista Sintetico. Genoa: Il Melangolo; 1993.
  • Berghaus, Günter, 1998. Italian Futurist Theatre, 1909-1944,. Oxford: Clarendon Press; 1998.
  • Corra, Bruno, Marinetti, Filippo, and Settimelli, Emilio, 1915. Teatro Futurista Sintetico. Milan: Istituto Editoriale Italiano; 1915.
  • Kirby, Michael, 1971. Futurist Performance. New York: E.P. Dutton&Co; 1971.
  • Marinetti, Filippo, 1960. Teatro, Marinetti F. T., ed. Giovanni Calendoli. Rome: Vito Bianco Editore; 1960.
  • Marinetti, Filippo, 1972. Flint, R. W., ed. Selected Writings. London: Secker & Warburg; 1972.
  • Marinetti, Filippo, 1941. "Il". In: Teatro Futurista. Naples: Editrice Clet; 1941.
  • Perloff, Marjorie, 1986. The Futurist Moment: Avant-garde, Avant-guerre and the Language of Rupture. Chicago and London: University of Chicago Press; 1986.
  • Poggi, Christine, 2002. Folla/Follia: Futurism and the Crowd, Critical Inquiry 28 (3) (2002), pp. 709–48.
  • Tarde, G, 1903. Parsons, E. C., ed. The Laws of Imitation. New York: Henry Holt and Co; 1903.

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