Ecstasy and Pain: The ritualistic dimensions of performance practice

References

• Abramović , M. and Abramović , V. 1998 . Marina Abramović: Artist Body: Performances 1969–1998 , Milano : Charta . with texts by Velimir Abramović, Jan Avgikos, Chrissie Iles, Thomas McEvilley, Hans Ulrich Obrist, Bojana Pejić, Tony Stooss, Thomas Wulffen
   Google Scholar
• Artaud , A. 2000 [1933] . “ Theatre and Cruelty ” . In The Artist's Body , Edited by: Tracey , Warr and Amelia , Jones . 216 London : Phaidon . trans. V. Corti
   Google Scholar
• Bataille , G. 2000 [1945] . On Nietzsche , London : The Athlone Press . trans. B. Boone
   Google Scholar
• Breuer , J. and Freud , S. 1893 . “ On The Psychical Mechanism of Hysterical Phenomena ” . In The Standard Edition of the Complete Works of Sigmund Freud, Volume II (1893–1895) , 1 – 17 . Studies on Hysteria .
   Google Scholar
• Bell , C. 1997 . Ritual: Perspectives and Dimensions , New York : Oxford University Press .
   Google Scholar
• Bell , C. 1998 . “ Performance ” . In Critical Terms for Religious Studies , Edited by: M. , C. Taylor . 205 – 24 . Chicago and London : University of Chicago Press .
   Google Scholar
• Burden , C. 1984 [1975] . “ Through the Night Softly ” . In The Art of Performance: A Critical Anthology , Edited by: Gregory , Battcock and Robert , Nickas . 222 – 39 . New York : E. P. Dutton .
   Google Scholar
• Colman , A. M. 2003 . A Dictionary of Psychology , New York : Oxford University Press .
   Google Scholar
• Derrida , J. and Vattimo , G. 1998 . Religion , Cambridge : Polity Press .
   Google Scholar
• Durkheim , E. 1995 [1912] . The Elementary Forms of Religious Life , New York : The Free Press . trans. K. Fields
   Google Scholar
• Gorsen , P. 1984 [1979] . “ The Return of Existentialism ” . In The Art of Performance: A Critical Anthology , Edited by: Gregory , Battcock and Robert , Nickas . 135 – 41 . New York : E. P. Dutton .
   Google Scholar
• Goldberg , R. 1988 . Performance Art: From Futurism to the Present Day , London : Thames and Hudson .
   Google Scholar
• Green , M. 1999 . Brus, Muel, Nitsch, Schwarzkogler: Writings of the Vienna Actionists , London : Atlas . trans. M. Green
   Google Scholar
• Howell , A. 2000 . The Analysis of Performance Art: A Guide to its Theory and Practice , Amsterdam : Harwood Academic .
   Google Scholar
• Jones , A. 1998 . Body Art / Performing the Subject , Minneapolis : University of Minnesota Press .
   Google Scholar
• LaFleur , W. R. 1998 . “ Body ” . In Critical Terms for Religious Studies , Edited by: Taylor , M. C. 36 – 54 . Chicago and London : The University of Chicago .
   Google Scholar
• McEvilley , T. 2000 [1983] . “ Art in the Dark ” . In The Artist's Body , Edited by: Tracey , Warr and Amelia , Jones . 222 – 7 . London : Phaidon .
   Google Scholar
• Miles , M. R. 1993 . “ Desire and Delight: A New Reading of Augustine's Confessions ” . In Broken and Whole: Essays on Religion and the Body , Edited by: Tilley , M. A. and Ross , S. A. 3 – 16 . Lanham, Maryland : University Press of America .
   Google Scholar
• Montano , L. M. 2000 . Performance Artists Talking in the Eighties , Berkeley and Los Angeles : University of California Press .
   Google Scholar
• Moore , S. D. 1994 . Post Structuralism and the New Testament: Derrida and Foucault at the Foot of the Cross , Minneapolis : Augsburg Fortress .
   Google Scholar
• Moore , S. D. 1996 . God's Gym , New York : Routledge .
   Google Scholar
• O'Dell , K . 1998 . Contract with the Skin: Masochism, Performance Art and the 1970s , Minneapolis : University of Minnesota Press .
   Google Scholar
• Otto , R. 1958 . The Idea of the Holy: An Inquiry into the Non-Rational Factor in the Idea of the Divine and its Relation to the Rational , Oxford : Oxford University Press . trans. J. W. Harvey
   Google Scholar
• Paglia , C. 2001 . Sexual Personae: Art and Decadence from Nerfertiti to Emily Dickinson , New Haven and London : Yale University Press .
   Google Scholar
• Pluchart , F. 1984 [1978] . “ Risk as the Practice of Thought ” . In The Art of Performance: A Critical Anthology , Edited by: Gregory , Battcock and Robert , Nickas . 125 – 34 . New York : E. P. Dutton .
   Google Scholar
• Poggi , G. 2000 . Durkheim , Oxford and New York : Oxford University Press .
   Google Scholar
• Raitt , J. 1993 . “ Christianity, Inc. ” . In Broken and Whole: Essays on Religion and the Body , Edited by: Tilley , M. A. and Ross , S. A. Lanham, Maryland : University Press of America .
   Google Scholar
• Richardson , A. and Bowden , J. 1983 . A New Dictionary of Christian Theology , London : SCM .
   Google Scholar
• Scarry , E. 1985 . The Body in Pain , New York : Oxford University Press .
   Google Scholar
• Shaw , P. 2006 . The Sublime , Abingdon : Routledge .
   Google Scholar
• Stiles , K. 2000 . “ Quicksilver and Revelations ” . In Performance Artists Talking in the Eighties , Edited by: Montano , L. M. 473 – 92 . Berkeley and Los Angeles : University of California Press .
   Google Scholar
• Sylvester , D. 1987 . Interviews with Francis Bacon , London : Thames and Hudson .
   Google Scholar
• Taylor , M. C. 1992 . Disfiguring: Art, Architecture, Religion , Chicago : University of Chicago Press .
   Google Scholar
• Vergine , L. 2000 . Body Art and Performance , Milan : Skira . trans. H. Martin
   Google Scholar
• Warr , T. and Jones , A. 2000 . The Artist's Body , London : Phaidon Press .
   Google Scholar