Sleeper

REFERENCES

• Artaud, Antonin (1964) Collected Works, 4 volumes, trans. Victor Corti, London: Calder & Boyers.
   Google Scholar
• Barnes, Mary and Berke, Joseph (1973) Mary Barnes: Two Accounts of A Journey Through Madness, Harmondsworth: Penguin.
   Google Scholar
• Chalupecky, Jindrich (1978) ‘Art and sacrifice’, trans. Jan Mladejovsky, Flash Art 80–1: 33–5
   Google Scholar
• Cixous, Hélène (1994) The Hélène Cixous Reader, ed. Susan Sellers, New York and London: Routledge.
   Google Scholar
• Clark, Lygia (1973) ‘De la suppression de l'objet’, Macula 1: 118.
   Google Scholar
• De Landa, Manuel (1991) War in the Age of Intelligent Machines, New York: Zone Books.
   Google Scholar
• Dennett, Daniel (1992) Consciousness Explained, London: Allen Lane and Harmondsworth: Penguin.
   Google Scholar
• Dennett, Daniel (1995) Darwin's Dangerous Idea, London: Allen Lane.
   Google Scholar
• Eliade, Mircea (1963) Aspects du mythe, Paris: Gallimard.
   Google Scholar
• Gilchrist, Bruce (1995) ‘Divided by resistance: dream research and neural networks’, unpublished essay.
   Google Scholar
• Hameroff, S. R., Rasmussen, S. and Mansson, B. (1988) ‘Molecular automata in microtubles: basic computational logic of the living state?’, in C. Langton (ed.) (1988) Artificial Life: SFI Studies in the Sciences of Complexity, New York: Addison-Wesley.
   Google Scholar
• Hattinger, Gottfried (1991) Out of Control, Linz: Ars Electronica.
   Google Scholar
• Kelly, Mary (1984) ‘Woman—desire—image’, in Lisa Appignanesi (ed.) Desire, London: Institute of Contemporary Arts, pp. 30–1
   Google Scholar
• Klocker, Hubert (1989) ‘The dramaturgy of the organic’, in Hubert Klocker (ed.) (1989) Vienna 1960–1971: The Shattered Mirror, Klagenfurt: Ritter.
   Google Scholar
• La Berge, Stephen and Gackenbach, Jayne (eds) (1988) Conscious Mind, Sleeping Brain: Perspectives on Lucid Dreaming, New York and London: Plenum.
   Google Scholar
• Lippard, Lucy (1973) Six Years: The Dematerialisation of the Art Object from 1966–1972, London: Studio Vista.
   Google Scholar
• Lippard, Lucy (1976) ‘The pains and pleasures of rebirth: women's body art’, Art in America (May): 73–81
   Google Scholar
• Lippard, Lucy and Chandler, John (1968) ‘The dematerialisation of art’, Art International (February): 31–6
   Google Scholar
• Manzoni, Piero (1962) ‘Some realisations, some experiments, some projects’, self-published pamphlet, Milan, trans. Caroline Tisdall and Angela Bozzola, reprinted in Germano Celant (ed.) (1974) Piero Manzoni: Paintings, Reliefs and Objects, London: Tate Gallery, 84–5.
   Google Scholar
• Merleau-Ponty, Maurice (1964) The Primacy of Perception and other Essays, Evanston, IL: Northwestern University Press, 162–3
   Google Scholar
• Moravec, Hans (1988) Mind Children: the Future of Robot and Human Intelligence, Cambridge, MA and London: Harvard University Press.
   Google Scholar
• Nemser, Cindy (1971) ‘Subject-Object: body art’, Arts Magazine (September): 38–42
   Google Scholar
• Orlan (1995) ‘I do not want to look like…’, Women's Art Magazine: 5–10
   Google Scholar
• Penrose, Roger (1990) The Emperor's New Mind, London: Vintage.
   Google Scholar
• Penrose, Roger (1995) Shadows of the Mind, London: Vintage.
   Google Scholar
• Pluchart, François (1978) ‘Risk as the practice of thought’, Flash Art, 80–1: 39–40
   Google Scholar
• Price, Robert F.Dr and Cohen, David B.Dr (1988) ‘Lucid dream induction: an empirical evaluation’, in Stephen La Berge and Jayne Gackenbach (eds) (1988) Conscious Mind, Sleeping Brain: Perspectives on Lucid Dreaming, New York and London: Plenum.
   Google Scholar
• Sayre, Henry (1990) The Object of Performance, Chicago: University of Chicago Press.
   Google Scholar
• Scarry, Elaine (1985) The Body in Pain: The Making and Unmaking of the World, New York: Oxford University Press.
   Google Scholar
• Schilder, Paul (1950) The Image and Appearance of the Human Body: Studies in the Constructive Energies of the Psyche, New York: International University Press.
   Google Scholar
• Sharp, Willoughby (1970) ‘Body works’, Avalanche (Fall): 14–17
   Google Scholar
• Stelarc (1995) ‘From psycho to cyber strategies: prosthetics, robotics and remote existence’, Kunst Forum.
   Google Scholar
• Stelarc and Paffrath, James D. (eds) (1984) Obsolete Body/Suspensions/Stelarc, Davis, CA: JP Publications.
   Google Scholar
• Stiles, Kristine (1992) ‘Survival ethos and destruction art’, Discourse 14(2) (Spring): 74–102
   Google Scholar
• Vergine, Lea (1974) ‘Bodylanguage’, Art and Artists (September): 22–100
   Google Scholar
• Virilio, Paul (1991) The Aesthetics of Disappearance, trans. Philip Beitchmann, New York: Semiotext(e).
   Google Scholar
• Weibel, Peter (1978) ‘Statement’, Flash Art 80–1: 39
   Google Scholar